“What style do you shoot in?” or “I see a lot of [insert any photographer's name here] in your work.” These types of questions and statements, I'm sure, have been presented to you, and if you've ever wondered why, we can find out together.
I love G.A.S. (Gear Acquisition Syndrome). I really do. But being as "stony broke" as I am, I am very restricted in the purchases I can actually make. That being said, if I had the means, I would be up to my eyeballs in all the new shiny things. It's a siren song we all hear: "Surely if I just had this—insert arbitrary piece of gear here—my images would finally be the best."
"There's no way the scene looked like that when you took the picture. Show us the raw file." Have you ever had questions like these asked of you when sharing your work online?
I remember so vividly the excitement of when I first started taking pictures. It was all new, new, new. "Oh my God, what's this? Did you just see that?" No matter what it was I photographed, I felt a rush of pure exhilaration. Even now, 24 years later, I am thrilled to say that I still feel that rush.
You know how it goes. You peel the curtain back just a fraction to get a glimpse of what kind of conditions are in store for you. It's that moment of truth. Beginner photographers might check the forecast for cloudless skies and gentle breezes—the kind of "safe" weather that makes for a pleasant walk. A more experienced photographer is checking for fog, heavy snow, or those unique, brooding storm conditions that most people run away from. Let's talk about the weather.
You close the car door, and then it hits you like a stealthy ton of bricks: silence. I don't know about you, but for me, when I am in the throes of such profound silence, an unacknowledged sense of anxiety starts to creep in. It is the undeniable truth that, even with a camera in hand, I am alone.
Uh oh. A conversation about AI in photography? Let the witch hunt begin. We all know that AI is rapidly becoming a dominant and controversial topic in our industry. I am not here to proclaim one way or another, but simply to open a dialogue between the technical modernization of art and, of course, the purism of the art form.
Being a landscape photographer usually consists of a set routine: check the weather apps, check PhotoPills, arrive an hour before golden hour to find your compositions, and shoot until the end of blue hour.
“Wow, what an amazing photograph. What camera do you use?” “I really love your photographs; you must have a very expensive camera.” “Gee, thanks. I use a very old, outdated camera system that’s not very expensive at all.” Let's talk about gear and how it doesn't make you a better photographer.
I wasn’t planning to shoot any macro photography that day because it is something I very rarely do. But I have such a huge respect for the macro masters I see and thought, "I would give it a proper go." After all, photography is very much about experimentation and creativity, so let's dive in, shall we?
There is a common assumption in our industry: if you want to turn your passion into a paycheck, you have to shoot weddings. It’s the "big machine" of the craft. It’s where the money is, sure, but it’s also where the burnout lives. I’ve often sat there—perhaps while nursing a coffee or staring out over a landscape that doesn't pay me back or pay the bills—wondering if there’s a way to be a "professional" without the high-stakes drama of a bridal suite at 8:00 AM.
There is something about a lighthouse that demands a certain kind of stillness. I’ve spent more hours than I care to admit standing in the wind, looking at these structures—whether it’s Poolbeg Lighthouse in Dublin or a lonely sentinel on the coast of Portugal—waiting for the light to match the mood I see in my head.
You're standing there overlooking a vast landscape after days of waiting—and boom—there it is: the epicness you were looking for. The light kicks off, the shutter snaps, and you’ve captured something unique, magical, and soulfully yours. These are the moments a campervan can give you.
Have you ever taken your camera out of your bag while overlooking a beautiful scene, only to put it back because you felt nothing? Well, folks, I'm here to tell you that you are not alone.
We’ve all been there: You plan the "perfect shoot." You check the weather (a million times). You pack your gear with the precision of a surgeon preparing for an operation. And then... the universe shrugs and says, "Ah, you know what, not today."
We’ve all been there: you find a bit of extra cash and think, “This is going toward a photography trip to a bucket-list location!” And so, the planning begins. Iceland, Lofoten, Patagonia, the Rockies—if your list is as long as mine, the destinations are endless. But what if I told you there’s another way?
Have you ever had one of those bits of kit that you never thought you'd need, but once you got one, you couldn’t imagine going without it? That’s exactly what happened with this heated fleece jacket—a game-changer for anyone who spends long hours outdoors capturing stunning landscapes or waiting patiently for wildlife shots.
Fine art photography has always intrigued me. The minimalism, the dreamlike compositions, and the sense of artistic control over an image are all elements that I deeply admire. Inspired by the likes of Gary Gough and other fine art photographers, I finally took my first steps into this style of photography—though not without some apprehension.
While most photographers chase the Milky Way's dazzling core, there's a quieter, overlooked region that holds its own celestial magic. In this video, Jeroen ventures to the darkest skies of the Netherlands to reveal why this hidden galactic treasure deserves your attention.
If there is one thing I have learned over the many years of photographing nature, it’s that she waits for no one. One of the biggest lessons in nature photography is being out in nature at the right place and the right time.
After nearly 20 years of traveling and photographing the outdoors—both as an enthusiast and a professional—I’ve noticed a frustrating trend: people leaving behind their crap (both literal and figurative) and showing little regard for the environment.
When we think of AI editing tools, it’s easy to get caught up in flashy features like Generative Fill or the Remove Tool. But did you know there’s a whole world of lesser-known AI-powered tools in Photoshop and Lightroom?
If you’ve ever wanted to dive deep into the entire process of editing a photo—from raw files to final stylization—this video is a must-watch. It’s a thorough tutorial that walks you through every step, and trust me, it’s packed with insights.
