Simply put, cameras are tools. It is up to the artist to create the image. Digital photography is everywhere nowadays. Point-and-shoots and iPhones are capable of some amazing things, and consumer level DSLRs are cheap enough to bring a high level of image quality to the masses. What separates soccer moms from professional photographers is the deep understanding that professionals have of their art and their gear. Anybody can learn the relationship of aperture, ISO, and shutter speed, but the application of it and the understanding of the side effects that those bring transcends any technological advancements. DigitalRev has plenty of proof on that concept. At the same time, if your camera is downright annoying to use, what use is it at all? That is where my issues with Sony began.
Adam Elmakias is one of the most popular concert photographers in the world. Most known for his work with punk-style bands and touring with the Vans Warped Tour, he has a bigger following then a lot of the bands he works with. In this point-of-view video, we get to see how Elmakias shoots an entire show while he talks about his thought process and explains the many intricate details that go into this type of photography.
Think we're in the middle of a Photoshopping epidemic? You don't even know how bad it is (well, now you do). According to a recent survey, 68 percent of adults take to some kind of photo editing before they share any photo with another person or online. As desktop and mobile editing tools become easier to use — with some even serving the specific purpose of being easy to use for the less technically inclined — Photoshopping images is the latest trend... and it's still growing.
Just months after America's largest railroad launched a campaign to get people off the tracks, Britain's rail provider, Network Rail, is doing the same, after one disturbing day showed eight incidents at a single rural crossing. With 6,100 total crossings in their purview, Network Rail is seriously concerned about the safety of its users, particularly as the older crossings do not have many of the modern safety features newer ones do, allowing people to generally walk directly onto the tracks, or as the videos show, even sit on them.
Smartphones get a bad rap. They’re ruining the photography business, they’re the downfall of society - you know, that sort of thing. Wedding photographers complain about the glare of screens dotting the aisle like a runway landing strip. Newborn photographers cringe when mom shoots over their shoulder. Clients text you at all hours of the night, not realizing your “work phone” is sitting on your bedside table. But as much as we hate on smartphones, we can’t ignore that they’ve given us the ability to network, communicate, and market in ways that weren’t possible just a few years ago. Here’s how to use your smartphone to build your business more effectively.
Snapseed, Google's ridiculously powerful and popular image editing smartphone app, just got a major upgrade for its Android users. Following up on the introduction of raw file capabilities in Android 5 last year, the app now supports editing of those files right on your phone, greatly increasing the capabilities of photographers on the go.
As London Street Photographer Michael Boyd puts it: "Why should you trust this guy for advice on how to avoid getting beaten up? Well, that's because I got really badly beaten up." Check out how he used a horrible encounter to revamp his shooting style and offer advice to others.
AIG's recent move to begin insuring unmanned aerial vehicles (UAVs) marked the beginning of the first large, national insurance company to get ahead of (or catch up with) the "drone movement." Like this season's migration of Canadian geese, everyone seems to be flocking in droves, clearly intent on getting to the online shopping outlets and local electronics stores that sell the latest drones. But few actually know about how to use their newly affordable crafts safely and without risking their entire life's savings. A quick phone call with the Hill & Usher insurance agency led us to a few clues about where to start.
Our next episode of "Critique the Community" will feature swimwear photography. This featured image was taken by the amazing swimwear/fashion photographer Dixie Dixon. In our next episode, Dixie and Patrick Hall will critique 20 random images submitted by our readers. Please post your submissions into this post by Sunday November 1st at 11:59PM EDT for your chance to get direct feedback from Dixie and the FS staff.
GoPro announced last month that it is working on bringing a drone to market in early 2016, and the go-to action-cam company just released the first video taken from their drone. Thankfully, the footage looks incredibly stable — so stable that some shots look incredibly similar to something that would come from a track-mounted or cable-mounted rig on the ground. Of course, the slight slow-motion nature of the shots help mitigate the perception of any small movements throughout the flights, but the footage is surprisingly smooth nonetheless.
Each week we get contacted by a range of manufacturers asking us to review their products. Once I had someone ask me to review a bag of lavender. When I explained that Fstoppers is a photography website, they said that even photographers like lavender and I should review it. Obviously I didn't review it but next time this happens I will review the lavender, and today I've reviewed the Parrot Jumping Drone.
Storehouse angered a number of power users in its big shakeup with the release of Storehouse 2.0 which ditched a number of features for a streamlined, more privatized system that made it harder to use the platform as a photographer’s social media marketing dream. But the numbers are out, and while it may not become the next Instagram of photo marketing and discovery, here’s why there’s a good chance it’ll find its way into your living room, regardless.
You've heard it before, there's no doubt: the creative gap — that picture you have in your head of what you want a shot to look like and what you come up with in the end. As kids we're completely fine with this, we can always just draw or make something else 10 seconds later, but as adults we often get crippled with the fear of rejection.