Jay P. Morgan of The Slanted Lens is one of the more energetic and therefore entertaining characters in the photography world. His videos are usually a good mix of oddball antics and solid educational material. In this video, Morgan demonstrates how simply swapping gels on your rim light (with a bit of haze in the air) can really change the feel of your photo. I'm usually not a huge fan of fake smoke or haze machines, as I think they can look a little overdramatic and cheesy. However, I think it works in this instance, because he uses a subtle touch of haze, and it fits with the subject matter.
While most of the photography and videography world has been pining over the 5D Mark IV, Canon has released a second camera that promises a whole lot more. The C700 is the successor to the wonderful C500. It boasts some seriously impressive specs. But is it too late?
Photoshop is a fantastic tool, but it is not always the fastest software on earth. Large files such as PSD, TIFF, and PSB that contain numerous layers can require a few seconds, if not minutes, to load. When all you want to do is quickly check that all the files in a folder are the final versions, it can be tedious! However, there is a neat trick to open your big files much faster. Here is how.
If you're just getting into shooting film, one of the first decisions you'll have to make is what format you'll be shooting. If you ask around, you'll get many varied responses as to the advantages and disadvantages of shooting 35mm, medium format, or large format, but I wanted to make an article that shows some basic advantages and disadvantages of each medium as well as a photo test to give you some concrete comparisons of the same subject.
In case you haven’t seen this video pop up yet in your social media feeds, check out Comedian Buddy Bolton sneaking up on unsuspecting pedestrians who have stopped to take a selfie. Instead of photobombing though, he had a different plan: cutting their selfie stick in half with gardening shears.
Nikon has been running the Nikon School program in the USA for the past 30 years and just a few days ago they announced the expansion of this program by offering paid online classes through the introduction of Nikon School Online. The original Nikon School program has taught over 100,000 students in the USA but was always a regional option. By moving to an online platform Nikon hopes to reach a wider audience and expand their popular program.
I recently funded the printing of my first book via Kickstarter. It was the wonderful culmination of a year of hard work on the project itself and almost six months of preparation and promotion for the funding campaign. In the end, it was funded well beyond my goal. The whole process of creating, funding, and then realizing the project was quite surreal. I am still pinching myself from time to time as I pack the books ready for shipping to my backers and the recipients of the project. I wrote a while back about changing your mindset, knuckling down, and just doing things. Today, I'd like to talk a little about another thing that makes work happen: the word "yes."
It isn’t every day that a massive commercial client gives the freedom to artistically design a product launch. But freedom and a great amount of trust is exactly what Infiniti Motors Middle East gave Patrick Rochon for their new Q30 reveal. Rochon’s previous success with Infiniti’s Inspired Light campaign led to a second contract that allowed him to produce one of the most artistic automotive reveals to date.
Has your lack of followers affected you when trying to get a model for some project work? I have not experienced this situation. Maybe I was told another reason as to way they weren’t interested, but this hasn’t been one of the reasons I received. Recently, I was in a chat group with fellow photographers, and this topic was brought up. One of the photographers asked a model about doing a TF project, and the response was he didn’t have enough followers to work with. This isn’t the first instance where I have heard of. This had me thinking for a bit: why would this be the determining factor?
I'm back with yet another editing contest, but this one has a twist you'll either love or hate. As I was recently in San Francisco teaching alongside Dave Gallagher, CEO of Capture Integration, for our course on CreativeLive, it occurred to me that almost no one (at least) that I knew personally edited solely in Capture One. That is, taking an image to completion using nothing but Capture One, which would mean not using the sacred Adobe Photoshop in any way. Challenge accepted?
First launched in December 2013, the Tamron SP 150-600mm f/5-6.3 Di VC USD ultra-telephoto lens is now seeing its first update. The second generation (G2) lens will feature improvements to several areas including faster speed and better accuracy. Canon, Nikon, and Sony A mount versions of the lens start shipping September 28 at a cost of $1,399.
Way back when, before traveling and scheduling became a bit crazy for me, I issued a second Retouch Challenge to Fstoppers readers, offering up a raw file from a shot I did of model Anna Truett in St. Louis. After receiving a couple hundred submissions, I have finally (no, really) selected my favorite ten edits. Let's take a look!
Chances are, if you're serious about this industry or have been doing your homework, you've heard about the importance of having color-accurate monitors in order to produce the best quality images possible. This point cannot be driven home hard enough: you can have all the correct techniques and execution, but if you're working on a monitor without a correct color calibration, your final image will not deliver the same impact as what you see on your monitor. The answer? A color calibration system.