Always be positive. Always. Be. Positive. Positivity and genuine excitement about what you are doing will always move you forward. Not only will it affect your mood and work ethic, but it will affect your subject’s mood on set. Building the confidence of your subject through the direction you give will bring out the best that they have to offer.
When it comes to getting the best expressions out of your subject, Peter Hurley is one of the best out there. Two years ago we teamed up with Peter and produced the critically acclaimed The Art Behind the Headshot. This year Peter Hurley is joining us in the Bahamas for the 2014 Fstoppers Workshops. His two day headshot intensive has already sold out but there is still room in his newest lecture series From Zero To Shabang! Check out this video for details
Color banding is a problem we encounter when retouching many of our images or making them ready for print, but in many of the cases we just ignore it hoping no one will notice. In this long and detailed video, photographer / illustrator Lee Varis explains why banding appears in our photos, how we can recognize it, and shows the best methods we can use to fix it.
A few months ago, I was involved in a shoot that seemed to do everything right. Managing ever larger shoots, photo or video, is not rocket science but does require planning and thought. Here are some basic pointers of what I saw first hand that we can all apply to increase the chances of successful outcomes on our shoots.
Matt Davey, a music photographer based in Essex, and iPhonographer Dilshad Corleone take to the streets of London and go on a fun journey of self-discovery and in the process create a collaborative project of creative individuals using the power of photography. I caught up with Matt and he broke down the project and the great experiences that he gained from collaborating with his fellow colleagues.
Talk to a photographer long enough and the question of screen calibration will be brought up. Often many will say it's an incredibly important tool in your post production workflow, and often many more disregard it all together. So what is screen calibration? Is it still a viable issue within photography today, or is it becoming more and more obsolete, like sync cables and light meters? I'm here to explain it to you.
When I first came across Guilherme Brasileiro’s series “Delicadezas” on Instagram, I was pulled in by a seemingly nonsensical, quirky theme: dozens of portraits, cropped close featuring men and women, each holding a hand under their chin. The energy of the series struck me as open and full of warmth; the subject’s reaction to the pose they had been asked to assume was usually very apparent (some looked amused, a good few looked self-conscious, and some had really obviously embraced the idea).
I am getting ready to embark on my third trip to WPPI. As with any convention or continuing education event, you are bound to take home an abundance of new knowledge, motivation, and ideas to enhance your business. What about taking home new friendships with your peers?
Publications allowing individual photographers access to their Instagram accounts is an increasingly common practice, and helps to foster a more intimate look at a photographer’s process. For example, Time Magazine allowed several photographers access to its Instagram account after Hurricane Sandy, enabling the magazine to update its almost 600k followers in real time.
You probably know that getting your uploads to look sharp on screen, in print and on social media goes beyond resizing. Now, resizing is incredibly important in order to retain the optimum quality for sites such as Facebook, but there is an element far deeper than that and it is not often discussed. This is the secret to getting your images looking “sharper” no matter the medium.
When it comes to shaping the light sources photographers use, there are a lot of modifiers available. Each lighting modifier has it's own characteristics which can make it difficult to determine the best light for your project. Karl Taylor has produced one of the best videos I've ever seen showing exactly how the light fall off, contrast, and specularity differs between the parabolic reflectors, beauty dish, and large octabox softbox.
Demanding anything is a scary notion but the trend towards social and global responsibility is growing in 2014, and having the right voice and attitude can result in elevating your brand. As we enter the New Year it is no longer enough to make separate personal and professional goals. The distinction between the two is blurring for many businesses as the global marketplace looks towards feel good solutions. How can you be part of the change?
Chances are you've heard of Alt-J or could recognize several of their hit songs currently being played on every indie rock station. What you may not know is that their song Taro was written about the first female war photojournalist and her life partner who both died doing what they love.
Are you bored of shooting portraits on white, black, or gray? Are you looking to add some color and creativity to your subjects and environments? Are you looking to shoot more composite photography using backplates you've made on location and subjects you've shot in studio? If you've answered yes to any of these questions and aren't already a genuine wiz at using gels, then this post is for you.
This is yet another article of the Secrets to Crafting Top-Quality Beauty Portraits series. If you haven't read the first three, you can find them here: on compositing, on shooting Beauty portraits on location and in studio.
Today I would like to talk about framing, posing and directing your models when shooting Beauty portraits. While lighting and compositing are very important parts of creating a striking image, the model's pose, facial expression and her body language can make or break it.
Some photographers have the wonderful ability to marry creative technique with technical application, and then convey this to us in a way that is genuinely interesting and educational. I picked up three such books this year and would describe them all “inspir-cational” - a wonderful mix of both inspiring work, combined with a high level of educational value. If you’re looking for a little learning as well as something to inspire in the New Year, I can heartily recommend all three.
Each week on Fstoppers Answers, we answer a question asked by the photography community. This week, we were asked - "How do you market to social media? (When marketing your photography on social media, is it more effective to always be trickling out content constantly, or less frequently but higher quality and more content at once. For example, if I do a shoot with a model, should I post a photo a day, or a set a week?)"
You finally got that Canon 5D Mark III camera you have been desiring and now you are trying to figure out how best to take advantage of all it's great new features. Here are five ways I have customized my camera to best fit my needs while shooting weddings, events and portraits.
It seems like Stillmotion is never content sitting still for long. These Portland based filmmakers have spent the better part of a decade chasing their dreams and doing so on their own terms. The one consistent thread for Stillmotion has always been executing amazing stories that need to be told.
Each week, we ask the public to submit a question to have answered in our segment called "Fstoppers Answers". Last week we asked “When Did You Make the Jump to Full Time Pro?”. This week, we asked the staff of Fstoppers "How Did You Approach Your First Agency/Client?"
In this article I would like to share some of the basics and tips for those of you who enjoy shooting beauty portraits with controlled artificial lighting.
Make sure to check out my previous articles of this series: Secrets to Crafting Top-Quality Beauty Portraits: On Location Lighting and Composition and visual balance.
UPDATE: WE'RE SOLD OUT - 6 years ago I built a collapsible softbox that could easily fit in my pocket while I was shooting weddings. I built this product for myself and never dreamed that it would become a real product one day. 2 years ago Patrick and I set out to have the "Flash Disc" mass produced and patented. We just received our patent and first batch. Order now and get 3 before Christmas.
As 2013 comes to an end, many of us are starting to think about fresh starts and goals for the New Year. For most, 2014 will mean expanding and upgrading gear or even taking a leap of faith. Personally, I’ve taken a very counter-intuitive leap of faith. I sold the most expensive video asset that I've ever had: My RED Scarlet.
When winter hit and weddings and senior portraits weren't generating any income, Michael Sasser decided to expand his reach by adding boudoir style photography to his repertoire. If you're looking for a way to increase your business through the slow months, this might be just the thing for you. In this interview, Michael explains how his new sessions have been working out.
A few days ago I covered a story here on Fstoppers about an online altercation between a massively popular music producer, Diplo, and a Canadian based photography collective under the name of Visualbass. Diplo has recently stepped forward and has made a statement on Fstoppers about the incident.
Each week, we ask our writers a question generated from the public in a series that we call "Fstoppers Answers". Last week, we asked our writers the long "What Is Your Photo Education? How Important Do You Think Formal Education Is In The Field?". This week, we ask our staff "When Did You Make the Jump to Full Time Pro?"
Many of you might already own a Google Chromecast. If you don't yet I would highly recommend picking one up. They are inexpensive ($35) and it's one of my favorite gadgets of the year. Here are some of my favorite things you can do with Chromecast and why I say it's the best $35 you can spend towards your education.
Last night on the EDM Photographers Facebook group a member posted a tweet from an upset photographer who wasn't properly credited for an image that famed music producer, Diplo, posted on his Instagram feed. The concert photography collective, Visualbass, tweeted their irritation to Diplo about the uncredited photo and was met with a rather unpleasant and public exchange from the artist.
Most people haven’t heard of Saul Leiter, yet he was one of the great photographers of the 20th Century. The reason you might not know him or his work is because he simply didn't care about pursuing recognition or a particular career path. With his passing last month, let’s use this opportunity to reflect back on his stunning work, and see what we can all learn from his artistic vision, his philosophies and his razor sharp eye.
This powerful timelapse video called "Wyoming Wildscapes II" was put together by photographer Nicolaus Wegner. Taking 14 months, this video covers the cycle of the seasons, the shifting of the landscape, and the ever-changing weather. To find out more about this project, I interviewed Nicolaus and asked about his gear, workflow, and experiences.
I’ve just had Selina’s answers back for this interview and feel sick. Some numbers - 80 hours shooting, 7000+ stills, 40+ hours of rendering, sleeping in shifts to meet deadlines. I thought my current project was tough - compared to her's, I feel like I'm sat on a beach drinking a piña colada. Her video “Limitless” has had 6+ million views in 2 weeks, so all her hard work paid off. Read on to find out how she put this beautiful video together.
Composite photography seems to be the standard in advertising these days and Erik Almas is one of the photographers leading that race. In this behind the scenes video from Erik, we also see the use of CGI to turn his hometown into an ice winter wonderland.
Each and every week, we feature a segment called "Fstoppers Answers", where we invite our community to ask a question to our writers to answer. This week, you asked "What Is Your Photo Education? How Important Do You Think Formal Education Is In The Field?"
Cyber Monday is winding down as midnight draws closer but you still have a few hours to save 20% on what we believe is the best Lightroom Workshop collection on the internet. This download includes 23 hours of tutorials as well as some of the best Lightroom presets on the market today. Use the code "BF2014" to save 20% now.
Working as a commercial photographer, I have the opportunity to travel often with my work. In the year 2013 alone, I've flown over 25 thousand miles, and have a few thousand more before the end of the year. Here are some tips I've picked up over the years to help make traveling as a photographer much easier and far less stressful.
Each week, we have a segment called "Fstoppers Answers" where we invite our community to ask our writers a question pertaining to the industry or their workflow. Last week, you asked "Does Not Having The Latest Gear Make You Feel Less Adequate?" and this week, we want to see your workstations for editing photos and video footage.
As the end of the year looms, we begin to look back and reflect on the previous year and think about aspirations for 2014. What will make this coming year successful for you? Getting paid to live and work as a photographer? Producing creative, fulfilling work? Being published? Teaching and helping other photographers? One photographer I've worked with this year did all of these and in this interview, she shares her insights on what success is for her - and importantly, what this could mean for you and your career in 2014.
Tired of hunting for budgets as if they were unicorns? A few weeks ago I wrapped up our commercial pricing guide which is a great reference IF you can get a paying client. As many of us know, sadly, that can be a pretty big IF. Here are a few strategies to help you turn a client with no budget into a winner!
It's no secret that I love the music phenomenon of EDM or electronic dance music, and it seems I'm not the only one with fans ranging from all ages across the globe its popularity only seems to be spreading. With so much new music and artists coming into the scene it's interesting to see how the music can be visually interpreted into music videos.
Having just returned from the Caribbean on an assignment last week, I thought it might make a nice subject for my first post here on Fstoppers. Photography in the Caribbean (and really any tropical island locale) presents a few challenges - or opportunities depending on how you look at it. Namely balancing good light with good water color.
For the past 2 years I refused to join Instagram. I just didn't think it was for me, I didn't believe I need it for my business and I just didn't like the idea of destroying my photos by cropping them and adding weird filters. So many people tried to convince me to join Instagram in the past year or two, and I always said "No chance!" But finally, after continuing insistence by friends, last month I decided to finally give it a try and just one week later, I got my first corporate client from it. Kind of crazy.
Michael Belcher is a young New York-based cinematographer who is creating beautiful and compelling work, with a rich and varied visual vocabulary. Come behind the scenes on his latest shoot with this Fstoppers exclusive, and find out what we can all learn from his philosophy, experience and insight.
Each year Patrick and I work on one extremely large project. Two years ago we created The Art Behind The Headshot with Peter Hurley. Last year we finished our 14 hour tutorial on how to become a wedding photographer. In 2013 we teamed up with Mike Kelley to produce what I believe is the best resource available on How To Photograph Real Estate, Architecture, and Interiors.
Each week, we ask our staff of photographers and videographers a question pertaining to the industry, from our readers. Last week, we asked "How Do You Balance Your Personal Creativity In Your Paid Work?". This week, we as "Does Not Having The Latest Gear Make You Feel Less Adequate?"
As a wedding photographer and workshop instructor I travel quite frequently. In the last couple of years I have been all over the world and throughout this time I have picked up a number of great travel tips. Here are six of my favorites that will hopefully make your next trip more enjoyable.
Currently the only black and white instant film available in the 3×4 size is the Fujifilm 3000b, and it's being discontinued. Yes, you read that right. One of the single most popular instant films will no longer be around. The photography industry isn't a stranger to films being discontinued. It happened with Kodak, so it was only time before it trickled to other manufacturers.
Probably like most of you, I have a plethora of different memory card sizes from 2GB up to 32GB. When I head out on a big shoot I tend to wonder if it would be better to use the smaller cards and spread the shoot out across a number of cards or shoot entirely with one. It seems every photographer has a different opinion on this one, here's what I think.
One of the most popular lens lengths on the market is the 50mm. As a Canon shooter I have a few different choices to pick from at that length, but the three most popular seem to be the 50mm 1.8, 50mm 1.4 and 50mm 1.2. While on a shoot last week I decided to play with all three lenses and shoot a few photos to see how different each lens was from each other. Here are my results.
Every Wednesday, we have a question to ask our writers in a series we call Fstoppers Answers. We encourage the public to ask questions they'd like our staff of professional photographers and videographers to answer. Last week, you asked to hear our worst mistakes, this week you ask "How Do You Balance Your Personal Creativity in Your Paid Work?"
I am always on the search for how to make my editing more productive, because honestly, it isn't my favorite part of being a photographer. We have posted in the past about culling your images using a game-pad. However by adding VSCO Keys to your workflow you can map almost any Lightroom slider on your remote. I have included program links and configuration files for an easy setup with an Xbox Remote.
