It’s very easy to get used to the option of being able to “spray and pray” – shoot a nearly obscene amount of photographs and hope for a few that meander over the line to above average. I know I can be guilty of this sometimes – modern shutters are both a benefit and a crutch. So I issued myself a challenge: go out and shoot without looking.
As a wedding photographer I am always on the hunt for that perfect second shooter. Over the last 4 years I have shot 120+ weddings and worked with over 70 different second shooters. Most of them have been fantastic but I have always thought it would be nice to have a list of second shooter tips I could send them before the wedding day. I'd love to hear what you think of the tips in the comments section below. Let me know what I left out and feel free to share stories (good or bad) about working with second shooters in the past.
Running a photography business is hard work. As many of you know, it's usually more pencil pushing and email writing than standing behind a camera taking photos. With it being among the art community, it's incredibly easy to find excuses on why your business isn't reaching its full potential. But is it your business thats lacking, or your motivation?
In case you missed it, Google recently rolled out a pretty big change to their Gmail system: tabs. The new layout comes standard with a few, but you can also add your own. One of the standard options is the “Promotions” tab which, as you can imagine, is quite good at catching and segmenting marketing emails. This is great for users, but scary for marketers, especially given the data MailChimp just released.
There are times when I find myself shooting the same stuff or using the same lighting setup over and over again. Repetition helps to improve and fine-tune my skills, but sometimes it just feels boring and degrading, let alone useless for my portfolio.
But as much as I dislike feeling stuck and repeating myself, I now realize how such times in fact help me to become a better artist and shooter. It's usually the desire to entertain myself and experiment that leads me to new personal artistic discoveries. It's when I'm bored and want to "spice it up", I start searching for new lighting ideas, tricks and techniques.
As many of you know, I earn my living as a wedding photographer, It’s a job that I wouldn’t trade for the world, but occasionally I get the opportunity to do something a little different. In this case, it's about as far removed from wedding photography as you can get. If you remember at the end of last year I showed you how to photograph a World War Two machine gun, this time though, we’re going after something just a little bit bigger.
Color reproduction, loading color profiles and calibrating monitors & printers can become an endless tangled mess that leads to frustrating headaches.
Proper use of a color chart can get you a lot closer to actual colors and save you a lot of time dialing in your post production work by adding a simple step to your workflow.
A couple years back I pickup the X-Rite ColorChecker Card and by doing so I have saved a ton of post processing time.
Quite often when Facebook rolls out new changes people start raising their pitchforks and torches. This time however Facebook got it right and I have a feeling it is going to be nothing but high praise. They are rolling out new fan page analytics (insights) that are quite impressive and definitely worth checking out. While many of you might not have received it just yet, I have a sneak peek and I have a feeling you will love what you'll see.
I have had the privilege of traveling all over the world as a photographer and love shooting photos of locals. They always light up seeing the images of themselves. However, I realized that while they loved seeing the images on the back of my camera, I was missing something important. Many of these people, especially those in third world countries, don't even have a single printed image of themselves. I found a way to change all that.
Since the dawn of digital cameras, the megapixel has been the one stat that camera manufacturers and uneducated consumers identified with quality. Sure, back in 2003, the difference between 1.3MP and 3MP was astounding, but in recent years, its became much more arbitrary. With phones like the Nokia Lumia 1020 sporting a 40+MP sensor, is the war back upon us? If so, how can we kill it?
Last week we saw a few news worthy announcements from a couple of the larger photography portals. Livebooks went dark from their clients until the announcement was made that they are now under Wedding Wire and PhotoShelter released their new Beam portfolio service. It seemed fitting that a post be put together to compare and contrast a handful of the larger services and find out which are best suited for photographers needs.
Whenever I take a moment and look at landscape photography it's like a tiny escape. An escape from the busy commotion of the cities that we live in and the chaos of the people in those cities. Most landscape photography is calm and serene with a beautiful array of colors acting as a canvas. Photographer, Benjamin Edelstein known for his stunning work sits down with us to talk about what it is to be a landscape photographer.
If you're like me, and you upgraded your camera body and Lightroom version before updating your RAM and Processor, you've probably experienced speed issues with your workflow. Lightroom 5 has come to the rescue with the amazing addition of Smart Previews. This is going to revolutionize your workflow!
Photographers are artists. That is one fact that the original photographers spent years convincing others to be truth. But how often do we consider the models to be artists? I would wager rarely, if ever. Model Jen Brook challenges that mentality by acting as the creative director on a group of images she calls her “Dreamcatcher Project.” She works with a group of photographers to capture her vision, and the results show that she has the “eye” as well as the unusual ability to create through others.
A single photograph from a photography session barely shows you all the planning and execution that goes into a photoshoot. Dozens of ideas, shooting styles and concepts often come into play in the pre production, not to mention the hours that can be spent in post production as well. As a result, I decided to give you all a breakdown of my recent photoshoot with good friend and model, Harmony.
Not since Matthew Brady’s work documenting the Civil War has the tintype photographic process been used on the battlefield. Staff sergeant Ed Drew, an aerial gunner in the California Air National Guard, brought tintype back to the theater of war to photograph his fellow soldiers during his deployment from April to June in Afghanistan’s Helmand province.
Camp 4 Collective is an adventure film production group with clients like RedBull, The North Face, and National Geographic, so they are often found at the edge of the world, camera equipment in tow. Recently, some of the Camp 4 team traveled to Alaska to shoot some aerial footage. In this video, Anson Fogel explains the Cineflex helicopter camera system, and in the full post he and Tim Kemple answer my questions about its controls, production costs, and what it's like to play in helicopters.
Editing takes time, quite often it takes a lot of time and many of the steps can be quite repetitive and boring. The best thing I've ever done for myself to speed up this process is memorizing keyboard shortcuts, so I've put together this list of five resources (in no particular order) that I've found to practice familiarity with these shortcuts and become more comfortable with the programs themselves. In order to cater to the largest audience I will be focusing on Adobe-tailored tools, however some may crossover into other programs.
Wouldn't it be nice if you could open your inbox and not have to worry about sorting through all the spam to get to the messages that you actually want to read? About 6 months ago I learned of a tool that has been helping me do just that. The tool allows me to unsubscribe from emails with one click and combine all the other commercial emails (the ones I actually want to read) into one easy to read digest without all the clutter in my inbox. A true game changer for my email.
It's easy to overlook just how powerful the RAW processing engine can be. It's also pretty easy just throw an image into Photoshop and deal with it there, but RAW is where all the information is - and a dynamic RAW file is the most important aspect of developing your image. You will never have more information to work with than what is in your RAW, so it is important to draw every bit of tone out of it that you can - especially when it comes to maximizing the tonal range in the shadows and the highlights.
Combining her love for landscapes and risk taking, photographer Jody Macdonald is able to capture some of the worlds most gorgeous landscapes, from 20,000ft in the air. By paragliding, Jody photographs some of the worlds most beautiful places, with a perspective previously unseen, and the results are stunning.
On the Fourth of July, legions of photography enthusiasts like you will head out with their tripods to make images of firework displays. To minimize your failures on location, here is a quick primer to insure that you are in the ballpark to make successful images when the explosions begin.
Lightroom is a software full of useful tools, but more often than not I see photographers not taking full advantage of them and resorting to do simple edits in other programs such as Photoshop. I put together this short 7 minute video covering some useful tips on using one of my favorite tools to quickly enhance my photos in Lightroom - The Adjustment Brush. I have also included a list of keyboard shortcuts below for those who enjoy them as much as I do.
Andreas Poupoutsis is a fine art photographer based in New York City but originally from another small island on the other side of the world. His work is a little mysterious and even somewhat odd. His figures and faces often emerge from shadows, allowing for the objects to be (sometimes literally) painted with light. The work often speaks to a search for personal identity - something all artists struggle with; the faces in his images are often not integral to the image itself.
It's that time again. Fstoppers.com is looking to hire several creative professionals to write for us. If you enjoy our site and think that you may have something to offer please send us a message. The only prerequisite is that you are at least a part time professional photographer or videographer. If you’re interested in writing for us, send us an email with a link to your portfolio at david@fstoppers.com and write “Fstoppers Job Opening” in the subject line.
It seems like every week another story is circulating around the industry about one photographer stealing from another. Often the theft is done to build a portfolio of images they then use to promote themselves with and gain more business. This morning, though, I experienced a first. I learned that another company has stolen a video, put their header logo on it and is sharing this video on their site to promote themselves. Amazingly this was a video we featured here on Fstoppers and even shared how the original creator and owner of the video Simeon Quarrie put the whole thing together.
Last month I posted an article about your gear being possibly ruined if you were to take it to a Color Run event. After reading that along with comments on the Lensrentals blog where rented lenses were being returned in disrepair, one of the event’s official photographers spoke up, wanting to share his practices for keeping your kit safe.
When was the last time you saw a spider, and decided to stop what you're doing and stare right at it? Or maybe take your camera and do a 1-on-1 photoshoot from few millimeters away? What most of us really do is somewhere between screaming, and jumping on the nearest sofa. But there is a small group of photographers that instead of screaming like a 2 year old, actually go and look for these insects. They find them and photograph them up close, and it's amazing to see how these tiny insects really look. If the insects you meet daily scare you, wait until you see this set of images.
Okay, I get it. Hundreds of thousands of you are offended by Adobe's choice to go to the Creative Cloud. I understand, I was leading the forefront with my torch in hand. Renting software sounds like a ludicrous statement, especially when half the software you won't even use. So why shouldn't you just pirate it?
Dream jobs are made where individuals labor in love, and passions are fostered. It is where “working” is hardly the right descriptor for they day-to-day. Seeing people who truly love their work and work for their passion is rare. I want to tell those stories, and I found one worth telling at a place where they produce the tools that make the lives of creative professionals possible- tools that often at first we never knew we needed, but now would find it impossible to live without.
About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.
No matter what skill level you're at in photography, it's often helpful to take a break and spark the creative process on some new ideas by looking at the work of others; this shouldn't be confused with imitation, but rather used as a tool for building original ideas. The following list highlights the work and skills of creatives who offer inspiration throughout the industry that I, and many others turn to for a new perspective. Of course this is purely opinion, and readers who follow others who aren't listed are encouraged to promote them in the comments.
Photographer Carlton Ward Jr. doesn't want to save the world with his imagery but he definitely wants to try and save Florida. Specifically, a wildlands passageway that connects the Everglades of southern Florida to the Okefenokee swamp in Southern Georgia. For 100 days in 2012, he, along with a filmmaker, bear biologist and conservationist, crossed the entire state in a continuous path using kayaks, paddleboards, bicycles, horses and their own feet. The visual chronicle was recently published as a book and broadcast as a PBS special.
"Oh, I can just fix that in Photoshop® after the Shoot." Have you ever heard a photographer say that, or thought that yourself? Yes, Photoshop® is an amazing program that can fix almost anything, but the time it takes to do so is often longer than just fixing it on set. Worse than the time it takes, what if it is something that you just can't fix? Having to tell your client that you need to re-shoot something when you could have easily fixed it on set could be an expensive mistake to make. When shooting food, many solutions to retouching problems will costs less than $5. Here are a few of my favorite items that will save you time and money on post-production.
After much anticipation, Adobe has just announced the latest iteration of their popular editing and workflow program, Lightroom 5. The early adopters to the Creative Cloud services will be happy to see a notification to download waiting for them right now, while the non-Creative Cloud perpetual license version is available for purchase on Adobe’s website now (and everywhere now). While we reserve full judgement on the program until after a thorough review, let's take a quick look at this final release and see how it handles.
In the world of digital photography, retouching often plays just as much of a role in the final image as taking the photo(s). There seems to be an even split of professional photographers who do it all themselves vs those who hire it out, and lately I've been noticing some discussion based around where credit is due when a photo's final appearance relies more on editing than setting up lights and pressing the shutter.
Guest writer and photographer, Chris O'Dell has an opportunity to travel the world and photograph some of the most beautiful and honest places in the world. With his job as a Minister, Chris often finds himself traveling all over the world, helping local communities and bridging the gaps between cultures and people. Listen closely, as he shares the tips he's learned from over 20 years of experience.
When you decide to get serious and make your photo/video hobby a source of income, one thing that you need to look into is insurance. With the abundance of different plans available it's easy to become overwhelmed as to what coverage is right for you, but hopefully this guide can make that decision easier.
This year Patrick and I were invited to Gulf Photo Plus in Dubai to film a behind the scenes look of what it's really like to go to this exotic workshop. The experience itself was one of the highlights of my life but the most memorable moment for me was the few minutes I had with each of the instructors. I decided to interview them about the pitfalls of their careers and what it takes to become successful as a photographer.
There are many different surfaces that you can shoot your food photography on. You can use a table in your kitchen, a table in a restaurant, the floor, or any other flat surface that you can find. When selecting a surface, the colors, patterns, and textures of the surface will have a great effect on the look and feel of your final image. With the background playing such an important role in your image, there should be some thought put into what you shoot on. The best way to control this is to make your own backgrounds! Let me show you why wooden planks are my favorite surface to shoot on.
In this interview, I speak with Russ Turner, a photographer who is relatively new to shooting fantasy portraiture, but has already received awards and praise for the quality of his work. Russ talks about working with costumed models, how he incorporates Photoshop, and shares some of the places where an aspiring shooter can get started doing photography in this genre.
Merek Davis today announced the release of the image enhancing Mextures app for iPhone. Over the last year iPhone photographers have downloaded Mextures textures more than 200,000 times directly from Merek Davis’ store and tagged 140,000 images on Instagram; now they have an iPhone app to more easily create and share visually stunning images. I have got to say that after buying and playing with the app this morning, this is one that you don't want to miss out on.
After dating for more then 2 years and having some of the best years of my life the time came to propose to my girlfriend. I knew I wanted something intimate, original / unique and true to who we are. I had the idea to use a vintage camera and tripod as part of the proposal. Then the experimenting began to find the best way to incorporate this.
As a creative professional, your marketing tools can be one of the most important aspects of your business. Facebook has always been a great place for your social marketing strategies, but what happens when that is stolen from you? It happened just recently with the creators of The Underwater Realm. This is their story.
I don't think many people would argue that Wacom is the leader in the drawing tablet industry right now, with many professional photographers and graphic designers using tablets from their $200+ mid-level Intuos line as the staple for precise mouse work, and some even shelling out the thousands for the Cintiq line tablets with a built in screen display; so when I heard about a sub-$100 tablet with great reviews and competitive features, I had to try it out. Introducing the Monoprice "10x6.25 Inches Graphic Drawing Tablet w/ 8 Hot Key"!
Finding a great retoucher (if you use one) can be a pretty daunting task. Most photographers end up doing their own - picking up techniques and tricks along the way. Ashlee Gray is a beauty and fashion photographer and [primarily a] retoucher based in New York whose clients include Tresemme, Starbucks, Rebecca Minkoff and Gatorade. As a photographer, her images are beautiful, feminine and even delicate. It's that same underlying aesthetic that she applies to her retouching- yet still managing to retain the unique style of the individual photographers she works with.
"Coty Tarr is an active lifestyle photographer based in New York City," so says the not quite so lengthy bio on his website. On initial thought, one might think the concise personal description is a little off-putting, but to anyone that has ever met Coty, it is nothing if not an apt discriptor. In a world where many photographers feel the need for shameless overpromotion (not that there's anything wrong with that), Coty takes a more subtle approach, working tirelessly and letting the caliber of his images and his work ethic speak for him.
Summer is upon us, which means fireworks. Previously, we have discussed using alternative methods to get smoke-like effects in your photographs. But using flour can make for a messy clean-up and smoke machines require electricity. Smoke balls, however, are cheap, come in a variety of colors and require nothing more than a lighter.
What is the best lens? If you shoot wildlife, a long zoom lens will bring you close to the action but allow you to keep your distance so as not to startle your subject. If you shoot architecture, a tilt shift lens will allow you to make sure all the lines of your room or building are straight. Shooting weddings? You will most likely need a lens that can zoom for a variety of wide and close shots. When photographing food there is only one way to get those close up mouthwatering shots that your clients desire! Allow me to show you how a lens with macro capabilities will change how you shoot food!
Food styling can take place in the production kitchen and in front of the camera. How do you know when and where to style your food? The answer will depend on what food you are shooting. For food with long shelf lives, like cupcakes, the dish will generally be camera ready when it leaves the kitchen. If the dish involves a sauce and a variety of garnishes, the styling will occur both in the kitchen and in front of the camera. Here is a behind the scenes look at a dish that involves styling in both locations: The Meatball Sandwich.
