What lengths would you go to in order to capture an amazing, unique perspective of one of the most photographed events in human history? Photographer Jon Carmichael shares with us the extraordinary story about how he captured an amazing aerial shot of 2017’s total solar eclipse.
Drones are a lot of fun, but they're made for fair weather. Winter weather is generally not the friendliest, but with a little thought and preparation, you can capture the beauty of winter landscapes from above.
If you are thinking about booking a workshop in the coming year, how do you choose what one to book, and what do you hope to get out of the workshop?
After 16 typhoons, three landslides, two major road closures, a frightening earthquake, and countless near-misses, the ocean finally exploded into life for daredevil surfers in Kyushu, south-west Japan. I was there to capture it all with my Canon EOS R5.
I am always looking to improve my work and increase my efficiency and my open mindedness to try new methods isn't always rewarded. However, applying one psychological principle for habit building has proven effective.
Stijn Verlinde is boarding a flight home to Belgium from a shoot in Las Vegas. “The one piece of advice I would give to anyone starting out is 'be dedicated'.” Stijn, who started out a few years ago with some basic gear has lived by that advice. He is constantly working and is revolutionizing dance music festival videos across the globe. His success is not elusive or down to luck – it’s the result of three very clear factors we can all apply.
After eight months of work I finally finished this project: an aerial tilt-shift hyperlapse of Miami. The idea was to produce something different. Time-lapse videos are very common these days and most drone operators can make a decent hyperlapse with their drones. In this video I wanted to replicate the out-of-focus look normally associated with macro photography to give a miniature effect of the city of Miami. Here is how I filmed this video and what I learned during the process.
There are seven common traps that many photographers fall into that rarely get spoken of. Does your work fall into any of these? Here’s how to spot them and escape their clutches.
As we consume social media, YouTube videos, and online articles, it is easy to think everyone else out there knows what they are doing. I made many mistakes early on in my landscape photography journey. I still make mistakes today! I’m going to share some of those early mistakes I made and things I wish I'd started doing sooner.
What do you do when you have a light that doesn't fit into the standard set of categories?
Most of my original articles are positive in nature and giving advice I've learned over the years. So to change it up, I'm going to list the 10 worst things about being a professional photographer.
Olympus has produced a beautiful series of videos on YouTube whereby its ambassadors visit some stunning locations, exploring Lapland, Faroe Islands, Iceland, and Namibia. What’s noticeable is that all of the Olympus Xplorers are men.
There are various reasons why the golden hours are the best times of day to shoot. But to just dismiss regular daylight hours out of hand is just silly. Because daylight can be beautiful too.
The news headlines have been rampant for the last 10 years: the camera industry is in free fall, spiraling into its death as a consumer electronics niche, no longer the doyen of conspicuous spenders around the globe. The numbers speak for themselves, peaking at camera sales of 120M units in 2010 before imploding to a grisly 15M in 2019. And that was before the definitive stab wound to the heart of COVID-19. Could it be that the humble interchangeable lens is the industry's salvation?
I remember when Facebook introduced their messenger service and how I mentally groaned at the idea of yet another way I’d have to keep up with correspondence. Heck, at times I even threw on my tinfoil hat and thought for sure that Facebook was spying on me through their messenger service. But, once I regained my composure and gave it a chance, I learned what many already knew: Facebook Messenger is quickly becoming the new email newsletter.
Most people don't like their photograph taken. So if, as a photographer, you've taken an image of someone and they don't like it, is it your fault?
In the latest installment of the “More Than Just Parks” series, filmmakers Will Pattiz and Jim Pattiz journey through Grand Teton National Park and capture breathtaking visuals of the natural vistas and wildlife. Their video series aims to document all 59 national parks through beautiful imagery in order to promote the protection and enjoyment of these lands. After you check out the new video (it does not disappoint), the Pattiz brothers share with Fstoppers some of their experiences and challenges working on “Grand Teton” and the video series altogether.
Landscape photography can be done anywhere and everywhere. That’s undeniable. However, there are certain places that would be best for when you are learning and standing out.
If you're an animal lover with pets, you'll know how hard losing a beloved furry member of your family can be. To some, they are like our children and they are a massive part of our lives for many years. Sadly, I lost two dogs due to old age in quick succession, and I was asked reluctantly to capture some last portraits of them before they crossed the rainbow bridge.
You're a professional photographer using cameras to make a living, and you suddenly end up with no cameras in your possession. What do you do?
I haven’t seen much on this topic, but a brief conversation with another photographer recently illuminated to me the fact that photographer anxiety is not at all uncommon. One of the reasons I believe it isn’t discussed a great deal is the general image of today’s top photographers.
Being a good photographer often means knowing where to position your lights to create the desired effect. However, the placement of your lights is only part of the equation; sometimes, it's just as important to set the color of your lights as well. In today's video, I'll show you three different lighting setups that also use color to alter the final images.
After spending a fair amount of time looking through the best images that the Fstoppers community has to offer, it's pretty easy to see what sets them apart. Not only are the shots themselves exceptional, but the post processing is world class (Julia Kuzmenko McKim and Michael Woloszynowicz, Photoshop extraordinaires, hold a few of our top spots). Photographers often take on their own post work either because of budget or wanting to maintain their full creative vision. Sometimes, even great photographers call on the retouching gods to lace their images with a bit of perfection. Marina Dean-Francis is one such retoucher (and photographer) with that incredible power.
Bad retouching is not the subject of this article. Sometimes we read articles that talk about banning retouching or rumors that some brands or companies are going to get it banned from their advertising. If we dig deeper into the very reasons for such a decision, we should ban many other processes involved in the crafting of commercial imagery.
I know, right? I too would have thought that more people would have common respect and courtesy for others, but apparently, I was wrong.
Contrast means so much more than the separation of light and dark. Understanding the different types of contrast can train our photographic eyes and improve our Images.
Update: The results are in. Patrick and I are once again competing to see who can photograph the same model best. It's up to you to decide.
If you've spent 10 minutes behind the camera, chances are someone has asked you, "What do I do with my hands?" For women, the possibilities range from graceful, balletic caresses to angular, fashion-driven poses. But, what do you with with men? These are my top three tips to always have an answer.
If a client has ever laughed at your quote, you know it’s hurtful and embarrassing. But there are ways to respond so that you can keep the client and get a price that’s good for you.
It's winter in the Northern hemisphere. Though it's only been winter for about week – at least if you go by the Old Farmer's Almanac, which I'm certain we all still read religiously – it's been cold for a while. For film photographers, summer is a happy season with enough light, with gorgeous colors, and little worry about malfunctioning equipment. If you're not hanging out in the wettest of jungles or the hottest of deserts, anyway. The cold is less kind to our equipment and our medium. Cameras are susceptible to malfunction, film becomes brittle.
Woodland photography, while rewarding, presents a unique set of challenges when it comes to shooting and bagging some banger shots. From intricate compositions to unpredictable lighting conditions, capturing the flow of forests requires skill, patience, and adaptability. For this article, I want to dive into the reasons why woodland photography is considered difficult and explore methods to overcome these obstacles.
Shooting in a photography studio can seem a bit daunting. A lot of photographers choose to shoot outdoors due to budget constraints and the fear of stepping into a studio. There are, however, some real benefits to shooting in a studio and they apply to both new and experienced photographers. If you have not had a chance to try shooting in a studio I highly recommend the experience.
When it comes to making great imagery, post-production is perhaps one of the most important steps that can make or break your image. Sure, you can master all elements to making an image, but if you forget post-production, you will be stuck miles behind someone who knows how to edit. In this article, we will discuss ways how to get better results when editing.
It is a photographers nightmare to see precious and expensive camera equipment fall. I have seen it happen quite often and most of the times a tripod was involved. Fortunately it never involved my equipment. Perhaps it is due to luck, but I believe ten important guidelines helped a lot.
The shutter drag/slow shutter trend has found its way into any niche in photography but particularly amongst wedding photography. But is the trend a clever use of camera techniques to add a different feeling or is it overrated?
Spending your Covid-19 isolation time working on your business now could mean art sales later. Seattle-based Fine Art Photographer Jason Matias, who runs a program that helps artists sell their art, has a few tips for how to go about snagging those sales.
From time to time you see images circulating on social media of Japanese camera store shelves awash with film. I’m not talking about half a dozen pro packs of Portra, I’m talking about hundreds and hundreds of rolls of film. More film than you could shoot in 10 years. Names of long-forgotten emulsions that many die-hard film shooters can’t even recall.
There’s nothing quite so frustrating to anyone in the business, as having your camera become outdated in less than a year. When I look at the current line up of camcorders, I’m beginning to think that they’re about to be replaced by the cameras that should have been released in the first place. The camcorder market is falling behind.
Stop hating your work, right now! We all do it; we look at our own work and scoff, we feel like we do crap work a lot of the time but, in fact that’s not the case at all. The first version of anything, is anything but polished.
Here are a few thoughts from getting to spend a couple months with a powerful if pint-sized cinema camera from one of the industry’s leading brands.
I spent a few days in the Utah badlands attempting to capture the unique beauty the area has to offer, and I can confidently say it is unlike anywhere else in the world. While being there, I was surprised how much of the area did not look like what I expected.
If you're an aspiring professional landscape and outdoor photographer, it might be time to stop capturing those iconic landscape scenes.
Back in March, I got an email saying that my website had been taken down due to malware. Essentially, I got hacked. In the months that followed, I learned some things about being a photographer, about web design, and about myself.
Resolution, bit depth, compression, bit rate. These are just few of the countless parameters our cameras and files have. Let's talk about bit depth here. There's a lot of good talk about 10 bit and a lot of bad talk about 8 bit. The computer can tell the difference, but can you?
Do you ever get tired of manually searching for, tagging, culling, and organizing your images? I can relate.
Using manual exposure is considered professional use by many photographers. Sometimes, it is even considered the only serious way of using a camera, giving you full exposure control. But is this true, or is manual exposure just old fashioned?
You've probably heard the statement "nice and simple." Sometimes it's true, indeed, but most of the time the results and consequences from following that philosophy are not so nice, especially for those who are in the business of photography and filmmaking.
Using a new camera for the first time is exciting. Before you take your first photo, it's wise to get most of the basic menu settings correct. After that, your quest for perfect customization can begin. The steps I describe in this article can help in this process.
Becoming a skilled photographer is a journey that requires dedication, practice, and a willingness to learn and grow. Whether you're just starting out or looking to take your photography to the next level, there are several key steps you can take to develop your skills and expand your creative horizons. Let’s explore some of the most effective strategies for growing as a photographer, which have helped my own personal journey.
There’s so much more to black and white than the simple removal of color. We must understand both color and tone, plus their relationship with the world of monochrome. Here are 10 tips to help you become a better black and white photographer.
