I'm not a big fan of ultra-wide angle lenses. Shooting at 12mm usually requires that you get really close to your subject and create weird, warped-out-looking images, but I was recently hired for a job that required a wide field of view. I ended up buying three lenses to find the right tool for the job.

The state of California is simply unmatched when it comes to beautiful, picturesque imagery in the United States. As the birthplace and home of timelapse photographer Hal Bergman, it was his goal to compile as much of the visual wonders California has to offer in to a tight four-minutes time. His newest video, aptly titled “California,” combines four years of filming in to a marvelous treat for the eyes that any citizen of the world can appreciate. Beyond the video, Hal also speaks to Fstoppers about the behind-the-scenes work and equipment used in the making.

In an era where electronic viewfinders have dominated most mirrorless cameras, it may seem old-fashioned to still use a DSLR camera with an optical viewfinder. Yet, as someone who has spent more than a decade behind the lens, constantly switching between mirrorless and DSLR, I still find myself drawn to the simplicity and authenticity of the optical viewfinder.

When was the last time you explored with just one lens, focusing solely on its unique perspective? Taking this approach can help you see familiar places in new ways and appreciate the versatility of your gear.

Wide angle prime lenses are a must-have for many photographers, offering a useful perspective for landscape, architectural, and even portrait photography. Finding a lens that delivers both quality and value can be challenging, but this lens seems to check all the right boxes.

I've used a ton of different microphones over the years, but Rode's latest creations are two of the cheapest and feature-rich mics I've ever used.

If you're into landscape and portrait photography, finding the right camera for your needs can make all the difference. While fast-action shooting and convenience matter in many situations, there’s also something to be said for slowing down, being intentional, and capturing the perfect shot. The Hasselblad X2D might just be the camera to help you do that.

The debate over prime and zoom lenses has been going on for years. For a long time, it was simple: prime lenses offered superior image quality, while zoom lenses provided versatility. But technology has changed, and the old rules no longer apply. If you’re choosing between these two types of lenses, there’s more to consider than the traditional trade-offs.

The Blackmagic Cinema Camera isn’t new, but when it was first introduced it created such a buzz that actually getting one’s hands on the new video camera proved difficult. Though Blackmagic has since pumped out the Pocket Cinema Camera and the 4K Cinema Camera, the original 2.5K camera is still quite the looker. I wanted to know, would it be possible to transition from my beloved DSLRs and over to the Blackmagic, which boasts some rather impressive specs, without much trouble?

Nikon has officially announced the newest addition to their lineup of DSLR cameras, the D810A, designed specifically for astrophotography. The camera appears to be a modified version of the D810 camera announced last June, but with a few new features that are designed with astrophotography in mind. Soon to be the only camera of its kind on the market, the D810A will likely be the camera king of astrophotography.

Now that the furore (or lack thereof) following the Sony a9 II announcement has subsided, rumors are starting to emerge regarding Canon’s forthcoming sports and wildlife flagship, the much-anticipated 1D X Mark III. An alleged leak suggests that the new camera will shoot at 30 frames per second, but of course, the details are a little thin.

Canon has announced development of the next iteration of their flagship camera: the 1D X Mark III.

The history of camera gear is rich with numerous unique lenses with rare capabilities and interesting designs. This fun video follows a photographer as he tests out several ultra-wide angle lenses.

A decade ago, the idea of a reasonably affordable supertelephoto zoom lens that also produced professional-level images was almost unheard of. However, that particular market niche has exploded and recent years, and photographers now have a huge range of options to choose from. Which lens is right for you? This fantastic video review takes a look at many different options to help you pick.

Everybody wants a clean and organized desk, and this is possible even if you use a lot of tools for editing. This docking station might be a good option if you like to keep things simple.

I bet you've always wanted to hold the crispiest glass yourself. Kai Wong is here with his selection of the ultimate lenses for Nikon full-frame cameras. Well, we have a couple of lists ready to compare Wong's choices with some other usual suspects. This is some expensive glass, and perhaps not surprisingly, most of the lenses in this list are prime lenses in the 50-100mm focal range. However, we've also compiled a list of our top choices according to your subject. But let's start by checking out Kai Wong's latest video.

They say the best camera is the one you have with you, and certainly, the DJI Osmo Pocket is one that you can easily carry everywhere with you. But do you have to sacrifice video and image quality for that small size? This great video review takes a long-term look at the device and answers that exact question.

Mastering shutter speed, aperture, and ISO is crucial as a new photographer. Doing so will not only give you technical control over your images, but will enable you to explore creative ideas that help you develop your unique photographic voice. This awesome video tutorial will give you a useful approach to camera settings to help you take precise control over your photos.

A recent trip down memory lane reminded me that sometimes the best place to look for something new, is a to remember something old.

The Fujifilm X-A5 is remarkably cheap, coming in at just $499 including a widely respected kit lens, making for inexpensive entry into the popular X Series. But can it hold its own against its more powerful siblings and will it stand up to the demands of a professional photographer? This great review will answer just that question for you.

Are you in the market for a fisheye? This one will only set you back $160,000. Nikon created this extreme wide angle lens back in 1970, for the Photokina trade show. It's the Nikkor 6mm f/2.8, and it has a 220º field of view. The lens weighs about 11 pounds, with a minimum focusing distance of 25cm. When it was first introduced, it was the widest lens available.

When it comes to photography and storing photos on your personal computer, most of us experienced the pain and heartache when you lose some or in worst cases, all the images you've ever taken. It's undoubtedly one of the most unpleasant things we've all had to deal with in our career as photographers and probably the number one cause of heart failure for photographers. While it's easy to fall into the trap of just buying more hard drives as we fill them up, it's probably one of the worst decisions you can make as a photographer. So what exactly is the perfect solution to backing up your images?

Canon SLRs are known for their high quality video and that did not go unnoticed by the videographers behind the latest box office smash hit "Marvel's The Avengers." The Canon EOS 5D MKII and the EOS 7D were selected as the stunt and action cameras that shot the outrageous scenes. The Canon cameras were perfect for capturing "intense action and visual effects" which "required close-quarter action work with unrepeatable stunts."

Directors use all sorts of techniques to create compelling shots that help to advance the storyline or capture the viewer's attention and imagination. This great video takes a look at four shots in which a lens made all the difference.

Many of you may reply to the title of this article with an abrupt "No," and prior to using the Canon 5D Mark IV for my own videos, I would have agreed with you. It's easy to judge this camera based on the specs because in all fairness they're not exactly groundbreaking, however, the 5D Mark IV might secretly be a great video camera.

As a traveling photographer, I live and die by my travel gear. Certain situations call for different solutions and you just have to be prepared for all of them. My custom Pelican cases I once posted about get me just about everywhere, but those other times where I need to either be lighter on my feet or take less gear I have to look elsewhere... and that's when I found my Dakine Reload 30L.

When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.

Hasselblad announced an updated multi-shot camera based on its flagship 100c 100-megapixel, full-frame 645 CMOS sensor. The result: the Hasselbald H6D-400c MS. The 400c MS allows for a 400-megapixel image by shifting the sensor in one-pixel and half-pixel increments as it takes six shots that are then combined later for a true 400-megapixel file.

If you’re into macro photography, you might be wondering why so many macro lenses emphasize a wide aperture; f/2.8 is nice to have, but when focused down to 1:1, it’ll leave you with no depth of field. From my point of view, Venus Optics seems to have had the same thought. They built a macro lens with a spec sheet that’s focused on delivering macro results. Is this the new best option for macro photographers?