Hasselblad and PhaseOne are officially flip-flopping as PhaseOne just added its no-WiFi IQ150 following a much earlier IQ250 announcement and Hasselblad is now releasing a WiFi-enabled version of its H5D-50c. In addition to WiFi, the new version brings several firmware-related improvements that will find their way into the current H5D-50c and CFV-50c models via a future update.

The Rode Videomic Go II certainly isn't the best-sounding microphone at $99, but there is no doubt it's the most versatile.

Nikon keeps up its rapid pace of updates for its flagship Z 9 camera today with the release of firmware version 4.00.

The Viltrox AF 35mm f/1.7 is a budget-friendly lens that offers promising features for APS-C users. With a versatile focal length and a bright aperture, it’s an appealing option for anyone looking to for an everyday lens without spending a fortune.

Have you got equipment you don’t use? Do you need to upgrade your gear bag? There are surprising reasons why MPB is the answer to clearing your clutter, bringing in some welcome cash, and enhancing the tools of your visual storytelling craft.

The Fujifilm GF 110mm f/2 R LM WR lens is a premium portrait option with impressive specs designed for medium-format shooters looking to elevate their work. Known for its smooth bokeh and sharpness, it pairs well with Fujifilm’s GFX cameras, making it a popular choice among professionals who need quality and detail for large prints or high-end commercial work.

Photography has existed for long enough now that there are some bizarre relics of the craft. This, however, might be one of the most unusual.

Lexar just announced the industry's first 256GB SD card -- and it's not slow, either. While some might see this as overkill, there are certainly many project-related uses in which one might need to be able to store large amounts of photo or video information without clearing the card in between.

The new Sony FE 14mm f/1.8 GM lens offers an extreme combination of focal length and maximum aperture that create unique creative opportunities and does so in an impressively small package. This excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.

In the past few months, I have been converted to a CFExpress Type A user following some great experiences with the Exascend CFExpress cards, and this week I wanted to try out another affordable card from Pergear to see how it compares. Join me in this article as I put this card to the test.

Adding to their growing full-frame L-mount lens lineup, Panasonic Lumix is introducing the portraiture-friendly S 85mm f/1.8.

Sigma has announced the launch of the 16-300mm f/3.5-6.7 DC OS | Contemporary, a new all-in-one zoom lens for APS-C mirrorless cameras.

Are high-resolution images created from multiple images taken by the camera a gimmick? Is it possible that they can actually create higher-quality images? But isn't it too difficult to shoot and process these images? What about all the storage space that they need? All your questions are answered in this video!

Sony Electronics has officially unveiled the a1 II, a follow-up to its 2021 flagship a1. Combining high resolution, speed, and advanced AI-powered features, the a1 II aims to serve professionals in fields like photojournalism, wildlife, sports, and commercial photography.

Sony just announced the new 24-50mm f/2.8 G lens, and I’ve been able to use it for a few weeks now. Does this unique focal range deserve a space in your camera bag?

A telephoto lens might not be the first lens that comes to mind for photographing products, but this recent version of Sony’s 70-200mm offers it as an additional use case. Let’s see what it can actually do.

The long-awaited update to Sony's 85mm f/1.4 G Master lens is finally here, but are the updated optics, build, and performance worthy of an upgrade? Let's delve into the reasons why, for me, that answer is a resounding yes.

With the letter X we move on to looking at Fuji's highly regarded X-Trans sensor which is very different from nearly all the sensors in other digital cameras, before looking at the work of contemporary Chinese photographer Xiaoxiao Xu.

Medium format lenses are almost always more expensive than comparable full frame or APS-C counterparts, simply because that bigger sensor needs a bigger image circle and thus, more glass. As such, a medium format lens that sits below $1,000 is worth a look. The Fujifilm GF 35-70mm f/4.5-5.6 WR is one of those rare lenses, and this great video review takes a look at it and the sort of performance and image quality you can expect.

The Wall Street Journal is reporting that Sony is buying up a healthy share of Olympus stock, furthering on their previous announcement that the two companies would share tech and co-produce product. This is a huge, bold move that makes real Sony's promise to continue to build their camera division. Sony, I am impressed. You're on your way to making me a believer.

One of the best parts of the Micro Four Thirds system is the wide selection of sharp but quite portable lenses, and if you do not need a particularly wide aperture, the OM SYSTEM M.Zuiko Digital ED 40-150mm f/4 PRO is especially compact and light while also not breaking the bank. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Fujifilm's X-T5 mirrorless camera was a major step up for the X Series, and along with it came the XF 30mm f/2.8 R LM WR Macro lens, which offers a normal focal length in tandem with the versatility of a true macro lens, all in a small, lightweight, and affordable package, making it a very interesting option for a wide range of applications. This excellent video review takes a look at the lens and the image quality and performance you can expect from it in practice.

At pretty much three-quarters of the way through the alphabet we stop at R, an eminently popular letter, to look at the foundation of pretty much all contemporary cameras — the Reflex. This is followed by the inspiringly funny work of Tony Ray-Jones whose career was cruelly cut short.

A quality 50mm lens is one of the most flexible optics a photographer can have in their kit, with the ability to tackle just about everything from portraits to events, street photography, and much more. Such lenses can cost anywhere from under $100 to well over $2,000, which makes the Viltrox AF 50mm f/1.8, which sits at $379, a nice middle-of-the-road option that offers you higher levels of performance and image quality without breaking into stratospheric price levels. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.