It's pretty common knowledge by now that flying drones around can easily go wrong. To date I have no idea how many videos I've seen of pilots that, either out of silliness or stupidity, have crashed one into someone else's favorite head. Obviously being a cautious and responsible pilot is a given but, do you still need to be concerned when it's sitting innocently on your floor?

Apparently the answer is yes.

The world of fashionable photography bags isn’t unknown, but it’s not all that vast, either. As much as everyone might want to be fashionable, that desire simply isn’t as compatible with the necessary practicality we need from our gear... or is it? Can a bag look quite good while being quite practical? Or better yet, can a strict adherence to a bag’s fashion appeal aid its practicality? Is this bag even "fashionable"? The Filson McCurry Sportsman is certainly a "cool" bag. But as far as standing up to the test of practicality, we’re about to find out.

I’ve been making a tutorial about the Map Module in Lightroom Classic for the Dutch Photographic community. It can be a lot of work collecting and adding GPS data to your images. Does this information have any use at all, or is it just nice to have?

I thought he was crazy at the time, but my college photography professor Richard Ross had little interest in teaching us the finer points of lighting and retouching. Instead he believed, “Anyone can learn those skills, I’m going to teach you how to think.”

I have learned a lot over the years regarding pricing and bidding commercial photography. I still have a lot to learn. I've made mistakes (lots of them) and had some victories (fortunately). Sometimes as photographers we feel isolated on this psychological roller coaster of wins and losses. The reality is, no matter where you are in your photography career, no matter how big (or small) your clients are, we're all struggling with the same issues when it comes to bidding a gig.

Professional photographers understand the quality of imagery that can come from a camera phone will never contend with the pictures and video you can capture with your DSLR. Phones will likely always have an innate handicap with sensor size, which leaves it's images lacking. That said, it would be quite unwise for photographers to neglect the most recent developments in camera phone technology. The ease of use, accessibility, and ability to quickly share your imagery can make your phone one the most important pieces of gear in your business. So, when phones like the new Asus ZenFone Zoom come out with a 3X optical zoom, it's best to pay attention.

The demand for images is higher than ever, and yet, the security of many photo jobs is in more peril than ever. One of the hardest-hit genres of the last few decades has been stock photography. Is AI going to kill the genre entirely?

With the continued introduction of new lenses, bodies, and roadmapped development, do Nikon’s F and Canon’s EF-mount lenses have a future?

Whether you're a full-time photographer, interested in making the transition from hobbyist to professional, or just using photography on the side, attracting more clients is paramount to success and growth. With a plethora of photographers saturating the market, it can be intimidating and difficult to carve yourself a slice, but carve you must. Here are five of the most important ways I have attracted new clients.

A big portion of my work comes from clients in the tactical and law enforcement industry. This past week I attended a trade show for my industry. I knew this was going to be an amazing opportunity to network, make connections, and, fingers crossed, make some new clients. I realized I needed to come up with a strategy that would set me up for success and assure that I got the most out of my experience. A made a list of ideas to try out. I took the ones that worked the best and developed this simple five step plan that will make your next trade show visit a beneficial one.

As I type this, Baltimore, Maryland is on lock down. After the suspicious death of Freddie Gray in police custody, and the ensuing civil unrest and rioting, photojournalists have been flocking to the scene. But it is the work of a young local, a so-called 'amateur', whose work has garnered international attention. If there is one thing that is a clear positive about the situation of Baltimore right now, it is that the democratization of photography has given rise to the likes of photographers like Devin Allen.

In a few days, Activision will launch the 18th installment of Call of Duty, returning players to the Second World War. To market the game’s new photography mode, two conflict photographers were immersed inside the virtual world and tasked with photographing it. The resulting commercial portrays mankind’s most brutal act of self-destruction as little more than a game of football.

Despite making cameras that so many people love, Nikon seems to be suffering a severe camera parts shortage at a number of its repair facilities for certain cameras. While these tend to be older cameras like the D7100, others are still in production, like the F6 (which has been the same camera since its release in 2004). Still, many professional, pro-sumer, and hobbyist photographers rely on these tools every day. Such lengthy or indefinite wait times for repairs are unheard of and could severely hurt the company's reputation as a brand of professional imaging.

Has photography in the widest cultural sense morphed in to something that isn't photography? Renowned director and photographer Wim Wenders takes aim at the smartphone.

FOMO, the fear of missing out, is seriously limiting your photography and you probably don’t even know it. Social media is the obvious culprit but we need to also acknowledge other key elements that play a part.

I’ve owned a lot of bags over my photography and video production career, and as someone who travels a lot carrying a backpack when walking or biking, I’d like to point out a few things backpack designers and manufacturers should consider.

As the photography industry continues to grow, so does the amount of different mediums for education. From tutorial based websites, to tutorial DVDs, to workshops and even websites like Fstoppers here, there are multiple ways you can find new techniques and grow your craft. And maybe this year, is the year you truly take advantage of them.

Someone on social media stated “A pro would never use a Z50!” If you’re not familiar with Nikon, this is their crop sensor entry-level camera, costing $860. I’ve heard similar statements dozens of times—matter-of-fact assertions about what pros do, usually made by photographers who aren’t actually professionals.

An interesting debate around word choice among photographers is the question of whether one "takes" or "makes" photographs. There are compelling arguments behind both choices. But which is correct?

PDNonline released a video interview in which master portrait photographer, Greg Heisler, explains an incredibly vital piece of the portraiture puzzle. In many ways I believe that relating to your subject can be one of the most difficult things to do on a set. It certainly was when I first started out. Many of you were in similar positions as well I'd bet. When I first started in photography I was so bad at interacting with my subject

Thomas Stewart made headlines back in 2015 when he posted a rant about wedding guests and their mobile phones. Fast forward 3 years and things don't seem to be getting any better. So should we put the cameras away?

I recently published an article about why photographers hate my images here, and I think I may have missed a few points, as well as feeling the need to cover more about why most photographers don't understand person work.

The voyage we opted to take is exactly that, an adventurous voyage and not a straight, smooth road to success. Remember that when you doubt yourself and question your potential. Unlike most occupations, the artist has no roadmap for their success. We’re not handed a list of classes to take in a preferred order created by the educational institute.

The Super Bowl isn't only a competition to find out who is the best football team in the NFL, it's also a competition between mega brands to produce the year's best commercials. This year, NBC charged at least $5 million per 30 seconds of ad time. Who do you think got the most for their money?