Color grading is not only an important part of filmmaking, it's an entire career in itself. There's a lot to know, but getting the basics understood shouldn't be as daunting as it might be. In this video, get a color grading 101 from Film Riot.

The Nikon Coolpix P900 has one monster zoom lens. With a 24-2000mm 35mm equivalence, this hybrid point-and-shoot camera really opens up the possibilities of what we are capable of capturing. In a new video from Sci-Tech Universe, we are able to see just how astonishing the results can be when they record video of the moon at full zoom.

In this video, Daniel Norton of Adorama takes you into his studio, showing you how to set up for three different lighting scenarios, with the ability to change from one to another at the flip of a switch. This is great for if you have extremely limited time with models or actors and need alternate looks or options between them.

You may not have been aware that film director Stanley Kubrick was also a professional photographer, having shot assignments for magazines before he ever made any of his award-winning movies. So what did his photographer’s eye bring to his movies, and what can we learn from his creative process?

Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.

Today, we will eschew all the glitz, glamour, and pixel-peeping and get down to brass tacks on why I chose to use a specific camera for a specific use case.

Helped by great design, marketing, and a superb product to boot, Syrp’s motorized time-lapse aid, the Genie, became incredibly popular with photographers. As the product that launched the company on Kickstarter three years ago, it was a premium offering, though. And sometimes, it’s useful to have something fantastic in a “light” version. Enter the Genie Mini.

You may have noticed over the last few years that it is increasingly common for a film or show to have what looks to be unexposed shots. The question is: why?

Most amateur photographers assume that they need to buy a ton of expensive gear in order to compete or reach the level of most professional photographers. I’m quite guilty of doing the same. As a matter of fact, I spent the first couple of years studying the work of photographers that I admired and I was quickly intimidated by their level of production. I didn’t think that I could possibly afford to invest in the type of equipment they used. It wasn’t uncommon to see these photographers use 3+ studio strobes on set, along with a seemingly endless list of modifiers they had access to. Their level of production just didn’t fit my personal budget at that time.

It's always a small handful of people that begin the process of ruining it for everyone else. On Monday, two drones nearly crashed into a New York Police Department's chopper while it was going over the George Washington Bridge. Luckily, the pilots changed course to avoid the collision.

Learning how to light your subjects with one light is easy. Learning how to light a subject in a variety of ways using one light and one modifier requires a bit of creativity. When you're using one light, each inch you move your modifier ultimately affects your scene. Lighting at that point becomes very purposeful.

It seems like every week another story is circulating around the industry about one photographer stealing from another. Often the theft is done to build a portfolio of images they then use to promote themselves with and gain more business. This morning, though, I experienced a first. I learned that another company has stolen a video, put their header logo on it and is sharing this video on their site to promote themselves. Amazingly this was a video we featured here on Fstoppers and even shared how the original creator and owner of the video Simeon Quarrie put the whole thing together.

Keisuke Iwaya is an amateur Japanese astrophysicist. On July 20th, 2014, he sent a Blackmagic Pocket Cinema Camera into the Earth’s stratosphere from Obihiro, Japan for the first time ever. The video captures a time-lapse view of the amazing voyage into the heavens as well as some behind-the-scenes views of the lift off and finding it after its free fall back down. If you've ever day dreamed of flying around the planet like Superman as a kid, this video will rekindle that fantastic flame from your youth! – check it out!

If you are looking for your first cinema camera or thinking of upgrading your current rig there are tons of options out there but if you are looking for the best bang for your buck. Then you will want to make sure you read this Blackmagic Pocket Cinema Camera 6K Pro review.

Film production equipment is notoriously expensive. But some of the most helpful tools can still be had for a song.

Steve Perry of Backcountry Gallery has a multitude of great, down-to-earth photography how-to videos, but the latest one tackles an age-old question we've all had numerous fights over. In spite of Perry's self-proclaimed non-scientific standards, perhaps we can finally put this one to rest.

When my friend and filmmaker Marc Donahue of Permagrin Films told me about the idea behind his "GoPro Array", I was speechless. Place 20 GoPro Cameras side by side in a slightly curved custom holder, set them all to film in super slow motion, and then use the footage to create a "bullet-time" look at break dancers performing some super cool moves. The results are a unique and exciting look at one of America's coolest dance forms.

Do you ever have trouble talking with your subjects during a shoot? Not sure what to say to them to get that perfect facial expression? No need to worry, Peter Hurley is here with "Hurleyisms."

Most people would search for a new day job after nearly dying in a California wildfire, or after crawling to safety under a barrage of bullets during a Cleveland gang fight while on set. But Steven Holleran isn't most people.

Whether videographers, photographers, or both, we're always on the look out for a hidden gem. Has this camera flown mostly under the radar?

Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.

First-person cameras, such as the ubiquitous GoPro, have been filming hours of footage from their owner’s journeys for years now. These lengthy uncut videos don’t hold much interest to most people, but a team of Microsoft Researchers are aiming to change that by using some remarkable technology they hope to release as part of an upcoming app.

Are you having a hard time deciding between the Canon 6D and T5i for your next camera? Well, you may want to keep looking for a real comparison review. In this video, a man that goes by the name Frank Lasagna compares these camera’s low light capabilities, frames-per-second, and most importantly: how well they capture his neighbor’s wife’s skin.

Portable LEDs are now more powerful than ever with some manufacturers claiming they can replace strobes for most outdoor flash work. We took the Rotolight AEOS into the field on a sports fashion shoot to see if these claims are valid.

Trials cyclist Danny Macaskill released a new video featuring a ride through unthinkable terrain in his homeland of Scotland. The daring exploit took place on the Cuillin Ridge in the Isle of Skye, where the spectacular scenery alone is worth the price of admission. The beauty of the Scottish landscape, mixed with the technical and dangerous mountain bike riding is absolutely thrilling to watch. The pinnacle shot, where Danny climbs up a ridge with bike in tow, closes the film and solidifies Danny as a death defying badass. We reached out to the director of the film, Stu Thomson, to ask a few questions about the making of this project.