There is an old quote that says, “If you want to shoot fashion, shoot in color, but if you want to shoot emotion, shoot in black and white.” I don’t know who said it, but I tend to agree. I do love myself a good black and white portrait. There is something special about black and white imagery which has the ability to cut through all the baggage and display both the inner beauty and turmoil which can be so easily hidden away by color photography.

Apparently, someone once said the camera never lies. Whoever that was obviously didn't really think too much about the importance of very simple elements like lighting, posing and clothing. Melanie Ventura, an Australian fitness instructor (pictured above) has demonstrated very easily the importance of these elements that most of us as photographers are aware of but don't always consider. Simple, basic technique can absolutely transform the people you shoot. Read on to find out more.

We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.

There is a bit of an obsession with shooting portraits at extremely wide apertures nowadays, and certainly, that is a popular look for a reason. Nonetheless, always shooting at f/1.4 to blow the background to smithereens can become a bit of a crutch and end up making your work a bit one-dimensional. This awesome video will show you portraits shot at everything from f/1.4 to f/16 to show you the strengths and drawbacks of each aperture.

Time recently announced that it had named Donald Trump its Person of the Year. That's unsurprising when you remember that the title goes to the person who "for better or for worse... has done the most to influence the events of the year." However, the cover photo is peculiar in several ways — enough so to raise the question of if it is an intentional reference to one of history's most evil and infamous figures. The Internet seems to be split on if that's the case.

Some of the most dreaded jobs in image editing and retouching have become significantly easier in the last few years. These newest Photoshop features simplify several such tasks and can speed up your workflow.

Here's the truth. Until recently, I thought professionals using mirrorless cameras were a joke. I grew up in the days of film. Got my hands dirty in the darkroom. Had a Canon A1 and F1 in my camera collection, plus learned on others like a Pentax 35mm as well. Feeling the weight of the camera in my hands and hearing the sound of the mirror slap was part of the joy of photography for me. Pun entirely intended.

A few weeks ago, Pye Jirsa from SLR Lounge traveled back down to Puerto Rico to battle Lee and I for the "World's Best Photographer" award. Today, we have the results and the full behind the scenes video of the shoot-off. Brace yourself; things do not go as expected.

When it comes to shooting portraits, photographers almost always reach for an 85mm lens or even the 70 - 200 mm lens. As great as these two lenses are for portraits, they often fall short when trying to capture an environmental style photograph. In this video, I'm going to show you the most widely used lens in my camera bag and how shooting wide angle can sometimes create a better photograph than shooting telephoto.

Believe it or not, headshot cropping and orientation is a controversial topic in the photography community. In this article and the accompanying video, I give you five reasons to crop horizontally and take just a bit off the top of the head.

Composition is the backbone of the arts, so having a wide and varied arsenal of compositions can revolutionize how you shoot, as well as the quality of your shots.

Do you have a lens in your kit that delivers results every time? Is it your go-to lens or is it one that you don't use as much as you should?

The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.

In this video, Sorelle Amore gives tips on posing for photos by posing herself. She shows on camera what the various ways are to create angles, lines, and curves that are more appealing and flattering than just standing there.

This article is for those of you how enjoy beauty photography: from fashion and advertising beauty, to beauty portraits of non-models and even boudoir photography. And while there are always millions or rules, trends and opinions, I base my article on my own ideas and beliefs as to what's important to be aware of to successfully create attractive beauty images.

Lindsey Villatoro is an event and portrait photographer based in Menifee, California. She’s a wife and a mother of three girls who loves taking photos of babies, children, destination weddings and families – what she considers to be a “photographer of life.” But she also offers another unique photography service: “Forever Loved” sessions. These are portraits that a family wants of their loved ones who have either recently recovered from an illness, are incurably terminal or (in the case of this particular story) have recently died. I reached out to Lindsey to give us a look at one of her most recent clients’ story.

Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I've been asked dozens of times about the coloring and process behind my imagery. Well, I've finally broken it all down in one quick tutorial.

I would like to wrap up my Secrets to Crafting Top-Quality Beauty Portraits series in a quick roundup on the most common mistakes I have been noticing beginner Beauty photographers make.

I will sure talk more about Beauty photography in the future, but I'd like to summarize a few things at this point.

Chances are you have already learned what Frequency Separation (FS) technique is, as it became mainstream in the past few years. However, many FS technique users actually know very little theory behind it, thus have little control over its implementation. I've set out to research and collect all the important and useful information about it, so we can together learn how to become better at it.

You'll often hear photographers claim that a lot can be achieved with very little, and for the most part it's true. However, that tidbit doesn't offer a great deal of actionable information. In this behind-the-scenes video, you will see just how far creativity can take you.

One photographer is drawing attention online for his new photo series, which captures portraits of dogs while they’re in the middle of catching treats.

Barry Harley, an editorial photographer from Northern Virginia, took whatever tools he had at hand to create an image reminiscent of nothing less than Annie Leibovitz's Vanity Fair group portraits. The difference: Harley was using two Yongnuo YN-560 II speedlites and a Canon 5D Mark II whereas Leibovitz usually uses Profoto strobes together with a Hasselblad and Phase One back or a Nikon D810.

I've been there, standing in the middle of a field on a hot day with a scorching sun, mulling back and forth on how to capture a quality shot. In the back of my mind, I'm wishing for some cloud cover or an overcast sky to magically move in. A commercial client or art director doesn't care what time it is, they just want the right image. It’s up to you to capture that image with the weather Mother Nature has dealt.

There are two characters that sit atop adjacent shoulders either side of my head and squabble over portraiture. One takes the form of my Gran and she sits there quietly knitting and ensuring me that rules are there for a reason and without them there would be chaos; she’s the voice of tranquillity, reason and over-feeding. Then, annexed on my opposite shoulder is James Dean wearing a leather jacket. He mocks my conformity assuredly and between drags of a cigar, James states that “what is normal for the spider is chaos for the fly” and “rules are there to be broken.”