Beauty photography can be a lot of fun to shoot, and that is what keeps me eager to keep progressing in my craft. But it does come with its own set of problems!

In addition to lifestyle, I have an affinity for shooting natural light portraits/beauty/headshots - whatever you want to call them. It's not something I shoot often, but when I do, I'm reminded of how much I love it. In fact, you may recall a few months ago, I wrote an article detailing my ideal natural light setup for the black and white portrait / headshot photos that I occasionally shoot. In the article,

Photographers stand behind the camera and models stand in front of it. It's been that way since the dawn of time (or at least cameras). This fun video examines what happens when you switch those roles and the kind of results you'll get.

I love longer focal lengths for portraiture, but how is the X-T4 and a 200mm f/2 for it?

For those of you who get into situations where you have limited time to set up, manually light and fine tune it to how you would like, well-known photographer Joe McNally shows how quick and easy using TTL can be when pairing an Air Remote with a Profoto B1 strobe unit. This would be great for event shooters, and setting up for quick portraits. Read on for two other videos on high speed sync and lighting ratios.

In my latest video, I address seven common mistakes that beginner headshot photographers make and offer ways to avoid these pitfalls.

Joe McNally once said: "the easiest way to take better photos is to point your camera in the direction of more interesting subjects." One of the most common challenges photographers face is finding incredible people to work with. There is a misconceived belief out in the world that convincing amazing talent to step in front of your camera is actually really terrifying and hard. Fantastic talent is always looking for the opportunity to create new images to toss onto social media, and thus is always looking for great new photographers to work with.

Having a process is one of the most essential keys to success in art, design, and photography. In this tutorial we will look at what to do after we have completed all of the major changes to our portrait retouch. In the beginning of our retouching we will commonly address larger issues like blemishes, distractions, tone smoothing, dodging and burning, and color corrections. But, after completing the major steps of our retouch, what are the finalizing steps in our process? Let's take a look at the five final steps you should follow before completing any portrait retouch.

An unknown couple shared a moment of joy when one of them dropped to one knee to propose atop Taft Point in Yosemite National Park on October 6. Photographer Matthew Dippel serendipitously captured the big moment in the gloaming, and now the search is on to find the mystery couple.

Portrait photography is a tricky genre that takes the combination of good technique, creativity, and the ability to work with people simultaneously. If you have been struggling with it a bit, this helpful video tutorial contains six minutes of rapid-fire tips and techniques to help you improve your work.

Style. The idea of finding your own voice and style has become an intricate part of growing as a photographer and differentiating yourself from the competition. It's not only a way to get work, but a way to be remembered in a field of talented artists. But, as a portrait photographer, I find that my need to make a signature image sometimes gets in the way of capturing the human being in front of me. I'm so concerned about making the image "cool" that it's almost as if the person in front of the camera doesn't matter. Today, that ends (I hope).

Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.

Exactly one year ago today MagMod flash modifiers launched their first Kickstarter project and quickly became a household name in the photo community. Photographers all over the world enjoyed the slick design, ease of use and ability to modify light from their flash using the MagMod grids and gels. Today, MagMod launched a new Kickstarter project introducing their new MagSphere and MagBounce flash diffusers.

A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.

Russian President Vladimir Putin was named Time Magazine's Person of the Year in 2007. Photographer Platon was selected to take his portrait for the cover, an image which has now gained far more reach and notoriety than just the magazine's cover. Here, he talks about his experience photographing one of the most powerful people in the world.

Certain lenses can highlight your subject in the best possible way. This helpful video tutorial compares various focal lengths, from super wide-angle to telephoto, showing how each affects your subject's appearance.

One of those most important parts of any portrait sessions is what happens after the shoot is over. In the last part of this series I want to talk a bit about the end of your photo session, and how you can ensure you have a happy client that will not only come back for more but will tell their friends how awesome the experience was. Almost every day I get a call from someone asking me to advertise on Google. I simply reply “no thank you” as I don’t feel that Google can compete with word of mouth. As I have mentioned in first part of this series, word of mouth is one of the most powerful advertising weapons you have, with the ability to grow your business exponentially. This will be a bit different for everyone, but I think you can take this and apply it to any type of photography session you do.

There is a common misconception about strobe lighting that might be holding back your images, and it's an easy one to make. Here is a concise and clear explanation of the problem.

As photographers, we're used to being behind the camera, contorting and squishing our faces against the viewfinder to get the shot. Wondering what we looked like behind all of that, Richard Johnson used his latest project, "Behind the Mask," to capture the moment when photographers capture a moment.

The art of creating an appealing and memorable, moody portrait is often in the post-production of that image as much as it is in the lighting. In this short video, you get some tricks for getting the most out of your shot when you're creating a moody edit.

As a headshot and portrait photographer, I'm always looking to streamline my process and create consistent results for my clients. With that in mind I want to share with you my "bread and butter," super-simple setup I've been using for the last two years.

Steve McCurry is one of the most iconic portrait photographers of our time. His photo of the Afghan Girl one of the most recognized images in history. Now in Italy there is an exhibition of McCurry's work from over the last 40 years being featured at the Villa Reale di Monza. In this short 5-minute video not only do we get to see how the art installation came together while preserving the history of the Villa but we also learn some incredible advice from McCurry himself on being a successful photographer.

I always wanted to shoot the portraits of a classic Bharatanatyam dancer, but by adding a modern touch to the 2000-year-old traditional dance form. Here is how we created dramatic dancer portraits with a little technique and lots of imagination.