Certain pieces of photographic equipment make you rethink the way you photograph, and for me, the Sigma 150-600mm f/5-6.3 DG DN OS Sports lens was one of those lenses. I should probably start by admitting that wildlife photography isn't really my usual territory.
A motion-activated camera captured the first confirmed images of a black-naped pheasant-pigeon since 1882. The rare ground-dwelling bird, known locally as Auwo, was photographed on Fergusson Island in Papua New Guinea only two days before the expedition was scheduled to end.
Over the last two decades, polar bears have become a popular symbol for climate change. To evaluate the threat, let's consider that the scientific community has reached a consensus: if we continue our current consumption and emission patterns, certain polar bear subpopulations will very likely reach a point of no return as early as the 2030s to 2040s.
Teleconverters split photographers into two camps: people who swear by them and people who say they wreck image quality, slow autofocus, and belong in a drawer. Both camps are right, and which one you land in comes down entirely to how you shoot.
A growing wave of AI-generated animal videos is spreading across social media, and researchers say these fabricated clips are quietly reshaping how the public understands real wildlife. The concern is not just that the videos are fake, but that they present impossible or invented behavior as if it were documented fact.
Two camera traps in Madhya Pradesh's Kuno National Park caught a lean, long-legged wildcat with black-tufted ears moving at night. The animal was a caracal, one of the least-seen wild cats in India, recorded in the same landscape where the country's cheetah reintroduction project is running.
In the first two weeks of July, humpback whales turned up trailing fishing line on both sides of the Pacific, and rescue teams scrambled to reach them. Some whales were freed, some vanished before responders could find them, and at least one died.
A bull bison charged an older man walking with his grandson at a Yellowstone campground on Friday evening and threw him roughly eight feet into the air. The man landed on his side with serious injuries, and the animal stood over him afterward instead of running off.
If you shoot wildlife and you've never looked at which focal lengths you actually use most, you're probably making lens decisions based on guesswork. Jan Wegener and Duade Paton did exactly that analysis, and what they found challenges some of the most common assumptions about which lenses wildlife shooters actually need.
Patience is the crucial skill that separates wildlife shots you'll actually keep from the ones you delete. No lens upgrade fixes leaving a location too early.
Wildlife photography is often associated with iconic species such as lions on the savannah, elephants crossing golden plains, or bears roaming in areas like Yellowstone National Park. These adventures are extraordinary, but they are also expensive and not always accessible to beginner photographers.
Photography has become one of the most important tools for nature conservation. Our images can help us learn about wildlife species and can also inspire our audience to join existing conservation efforts.
Most bird shots live and die at 1/2,000 of a second or faster. That single setting works, but it locks you into one type of image and leaves a huge range of creative possibilities completely untouched.
Handholding a long telephoto lens is one of the fastest ways to come home with a memory card full of soft, blurry shots. Even small movements get amplified at long focal lengths, and if your technique is off, no amount of image stabilization will fully bail you out.
You come back with a strong wildlife frame, open it in Lightroom, and then hesitate. The problem is not the sliders, it is the lack of a plan.
They say that bird photography is all about the gear—that as long as you turn on burst mode, you’ll be fine. While most of these statements are true, many other factors come into play when photographing birds, especially when your main subject is a hummingbird.
Editing wildlife images in can make the difference between a decent frame and one that holds attention. Small changes to background, detail, and sharpness shape how the subject stands out.
Soft wings. Sharp background. One usable frame out of a 30-shot burst. Bird in flight photography exposes every weak link in your setup, and small changes can double or triple your keeper rate.
Sharp focus and perfect exposure are not enough. If bird photos feel flat, the problem is not settings, it is storytelling.
When your wildlife images all start to look the same, it usually comes down to a few habits you repeat without noticing. Breaking those habits matters if you want your time in the bush to produce more than documentary shots of animals.
Bird images fall apart in quiet ways: lazy planning, slow reactions, and small habits that sneak softness and clutter into your frame. If you keep coming home with flat, lifeless files while others seem to nail crisp, intimate shots, these five recurring mistakes are likely right in front of you.
Let’s discuss crucial errors even experienced photographers make, covering the importance of shooting in bad weather, properly setting shutter speed to optimize ISO, ensuring pin-sharp focus and depth of field, using negative exposure compensation to prevent blown highlights in backlit scenes, and much more.
Let’s discuss how we can embrace tough conditions like dust in wildlife photography to unlock dramatic potential and transform our safari shots into captivating masterpieces.
Let’s discuss the challenges of achieving the correct camera exposure and gain insights from professional photographer Mark Dumbelton on metering modes and exposure compensation techniques. By understanding how cameras interpret light—especially in wildlife photography—you can achieve an exposure that preserves the details of crucial elements in a scene.
Let’s discuss the essential discipline and habits required for successful wildlife photography, as highlighted by expert photographer Mark Dumbleton. These habits of highly effective wildlife photographers are advanced photographic techniques that elevate your imagery beyond basic settings and equipment.
I’ve spent years photographing in rural Utah, and one of the most rewarding, overlooked subjects I’ve found is the working ranch.
The Canon EOS R5 has quietly become one of the most beloved wildlife cameras of the past five years, delivering a combination of resolution, speed, and autofocus performance that seemed impossible just a decade ago.
Wildlife photography doesn't have to drain your bank account, but choosing the right gear matters if you want professional-quality images without massive expenses. You probably want great shots without spending thousands on top-tier lenses and cameras, and luckily, solid options are out there.
I work in some pretty extreme environments. Day to day, I'm hopping on and off boats, climbing steep grades, and walking on some very slippery surfaces. Some days we're climbing mountains or glaciers, walking on shale beaches, dodging fur seals, watching out for polar bears, or even driving zodiacs. I'm also responsible for helping my guests navigate many of these same obstacles.
Why do we take photographs? Is aesthetic beauty the only value to photography? Can we use our tools and talents to create something with a deeper purpose? Although there are those who may disagree, objectively, our planet is in trouble. Let's consider, then, whether photography can save the world.
Want to take better wildlife photos without spending a load of cash? This photographer shares a series of smart, surprisingly simple tips that can dramatically improve your images—and your experience in the field. And yes, they’re all completely free.
Photographing eagles requires patience and precision, and understanding how to adapt quickly in changing conditions makes all the difference.
Bird photography is more complicated—and more rewarding—than you might expect. From unexpected hours spent waiting in unbearable conditions to moments where the world narrows down to you and the perfect subject, the process stretches far beyond gear and technique.
Taking sharp wildlife and bird photos isn't easy, and understanding exactly why your images aren't crisp can be frustrating. Tackling the top reasons behind blurry wildlife shots can drastically improve your work, giving you the clarity you're after and making your images pop.
From a frog smaller than a fingernail to a crocodile longer than a boat, here are 10 tips that I remind myself of while photographing herps.
Photography is an art form, but it can also be a powerful vehicle for social change. With the stability of our global food supply threatened by the startling collapse of bee colonies, one photographer is using his work to raise awareness of their plight and the consequences of neglecting it.
Some photographers view the craft of photography as a creative pursuit that enriches their lives on a deeply personal level, while others are motivated by income or social media attention. Some are driven to use their cameras to effect change.
I’ve spent some time testing the Reolink Go PT Ultra to see if it’s a viable option for use as a remote wildlife camera, particularly in woodland areas. With 4K video, pan/tilt control, and 4G connectivity, it looked promising on paper.
In my first portfolio review, my critic was drawn to the cat photos, “because I know how hard that is,” he said. I didn’t let on that it’s not so hard. I volunteer at a local shelter and have learned a trick or two. And it turns out that best practices for cats also apply to dogs, horses, birds, and, come to think of it, people.
I've been a professional photographer for 23 years and I've never been interested in or attempted wildlife photography. All that changed when Sony sent over the a9 III and their brand-new FE 400-800mm f/6.3-8 G OSS Lens. This gear, and this genre of photography has renewed my love for photography, but it's also got me worried.
Two men in upstate New York have pleaded guilty to a wildlife poaching scheme that involved posing as a female wildlife photographer on social media. The duo used the fake profile to befriend real photographers, gaining inside information on the locations of large deer in no-hunting zones.
Finding the right location can be the difference between frustration and incredible shots. Birds and wildlife follow predictable patterns, but if you don’t know where to look, you’ll miss out.
Heat haze ruins sharp images, and you might not even realize it’s happening. You can have the best lens, perfect settings, and great timing, but if you’re shooting through too much turbulent air, your images will come out soft. Wildlife photography is especially vulnerable to this problem, and if you’re shooting at long distances, the effect is even worse.
Wildlife photography often demands a significant investment in gear, especially when choosing between two of the most versatile telephoto lenses: the 400mm f/2.8 and the 600mm f/4. Each has its strengths, but finding the right fit depends on your shooting style, subjects, and typical distances.
Sharks, crocodiles, snakes—these are my favorite photography subjects. I am constantly asked why.
Ever wonder what it’s like to do bird research in the Amazon jungle?
This YouTube short series offers a glimpse into what it is like to be a biologist in the Amazonian jungles of Peru. Follow each team of biologists as they describe what their day-to-day work looks like in a remote jungle. Learn how to join the team yourself and how to get started.
The best thing about the internet is that there are so many sources of photography education out there. The worst thing about the internet is... that there are so many sources of photography education out there. So how do you sort facts from lies told so often that they’ve acquired the status of fact?
Wildlife photography in the rain offers opportunities you won't find in fair weather. The atmospheric mood, unusual animal behaviors, and transformative effect of rain on landscapes can make your images stand out. Beyond the challenges of staying dry, rain brings scenes to life in ways that fair weather simply cannot, adding depth and story to your photos.
Are you kind? That sounds like an odd question to ask in a photographic article, but it impacts your work profoundly. However, there is one circumstance where you should be mean to other photographers.