How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.
Creating stunning portraits of our canine companions requires so much more than technical knowledge of photography. Understanding how to coax a dog into just the right spot while keeping them relaxed and happy is crucial to capturing genuine expressions with perfectly composed surroundings. Adding a few special items to your gear bag for those times when you venture out to photograph someone’s four-legged friend can have a much larger impact on your photos than choosing the perfect lens.
A key factor in the success of any photography business is the ability to produce technically sound images that stand out and differentiate your style from that of other photographers. As a pet photographer, one way to generate bold and professional-looking images from your outdoor sessions is to light your subjects with off-camera flash.
A new upcoming BBC four-part series titled "Spy in the Wild" uses 34 realistic animatronic creatures, equipped with UHD cameras to observe wildlife activity from closer than ever before. The myriad of undercover animals were placed all over our planet, from deserts, to rainforests, as well as the polar regions. With the intention to record real animal emotions, display their similarities with humans, and acknowledge the links between all living things on earth. The topics discussed for each of the four episodes include love, friendships, mischief, and intelligence.
I've met photographers who sold almost everything they had to travel the country in an RV, doing portrait sessions along the way. I've known people who have given up everything they know about their way of life in order to have the ability to adopt a new sense of adventure. But this guy. This guy! He left everything, started diving around the world, and became National Geographic's "Nature Photographer of the Year."
Many photographers who are beginning to dabble in pet photography ask about the best lens to use when photographing pets. While there is no right or wrong answer, as a dog photographer who primarily specializes in outdoor sessions, I use a telephoto lens for the majority of photos I take. If I were limited to just a single focal length to use for photographing dogs, I’d go with 200mm, and there are several reasons for this decision.
If you haven’t yet come across the whimsical, awe-inspiring dog portraits created by Kaylee Greer of Dog Breath Photography, they will forever change the way you look at dog photos. Within the last few years Greer has risen to be one of the most recognizable dog photographers in the world, with her colorful style and ability to capture humorous and fun expressions. On a recent episode of The Grid hosted by Scott Kelby, Greer answers a variety of questions about her craft.
One of the most important compositional decisions to make when photographing pets is choosing a focal length. Due to perspective and lens distortion, ultra wide angles (generally considered to be less than 24mm on a full frame camera) can yield unflattering results when photographing humans. However, when photographing pets, shooting with an ultra-wide angle lens can do wonders in making your photos stand out.
London-based photographer Harry Skeggs began his love affair with traveling at the age of 17 with what he describes as a "rubbish little camera." He says it was his disappointment with the quality of the images that pushed him to seek out better. Here, we take a look at some of his finest wildlife images from around the world.
The sequel to the BBC-produced nature documentary series, "Planet Earth II," released a few clips into the wild recently to promote its U.S. release in January. You may have noticed one of these scenes making the rounds on social media in the last few days, which was a masterfully edited clip that features snakes chasing an iguana. If you were curious how they filmed some of this material, there are a few behind-the-scenes clips out that show how it was done.
Dogs are among of the most difficult subjects to photograph. They are unpredictable, easily distracted, and move quickly. The challenges that accompany photographing our canine counterparts are multiplied when working with more than one dog at once. Luckily, there are a few things you can do to help get the perfect shot of a group of dogs.
Last week, we covered why volunteering for an animal rescue or shelter is a great way to grow your pet photography business. If you do not own or rent a studio, being able to bring a portable lighting setup on location for pet photography is an excellent alternative. When photographing animals in shelters, portable lighting will allow you to achieve a consistent style with your photos. This short video produced by the team at Westcott demonstrates practical tips for simple studio-style portraits of dogs and cats.