Foster Visuals, known for the nationally-awarded "Legacy Project," recently teamed up with DJI to tell the story of Heraldo Riel, a gaucho in Patagonia, Chile. Like his father before him, Riel became a Gaucho at the age of nine. To be a Gaucho means to be kind and caring for all living things. Using a combination of equipment, including the DJI Osmo, Ronin, and Inspire 1, Brent Foster and his team tell Riel's story and captures the intense beauty and solitude of the remote section of Patagonia in which Riel lives.
“The War In Every Portrait” is an interesting video from photographer Sean Tucker that explores the idea of capturing authentic moments in a portrait session. Tucker muses that there is a constant battle between the subject and the photographer. The goal is to find the kink in the armor of their exterior persona and expose the “real” person hidden inside.
Light painting is one of the rights of passage photographers have to try at some juncture. I enjoyed playing around with it in the early days, but what surprised me is I have used the techniques commercially on several occasions; from creating better backgrounds to my portraits in dark locations to capturing English Heritage sites. The importance of knowing how to light paint isn't necessary per se, but it does help you understand how light works and how your camera exposes a scene.
Nick Carver is no stranger to going big. Not only does she shoot big negatives on big cameras, but he's immensely passionate about printing and framing and making sure work both fills and compliments a space. In this video he goes through the process of scanning a panoramic 6x17 Portra 160 film negative, sizing up a space on the wall for the final 6-foot print, and even building a custom frame for it.
In their latest video, Film Riot's Frontman/Director Ryan Connolly comes to my backyard (Vancouver, BC) to film a truly epic bar brawl short. This entire series of videos is extremely useful when it comes to learning what it takes to film a quality short. The "Uncut Behind the Scenes" video is seriously my favorite of the bunch as you get a very candid look at every little detail and consideration the cast and crew had to make.
For me, commercials are supposed to be fun and entertaining while I wait for what I am actually watching to come back on. If they want to grab my attention and sell me on a product, what better way then to add Jason Statham acting as every single person in an action sequence? The boys at Energy BBDO have created a concept that is over the top and exactly what you would think of when star Statham is fighting his way through the busy streets. Check out the behind-the-scenes video and snapshots below to see how in depth they went.
From the company that pioneered the use of virtual car reskinning for video use, comes the newest innovation of film technology. The Mill, in partnership with JemFX, Performance Filmworks, and Keslow Camera, launched their new product onto the scene, dubbed "Blackbird." Resembling a mix of a Caterham 7, a dune buggy, and maybe some sort of Batman-esque type vehicle, the Blackbird is a small electric car that has pre-mapped tracking points on it to allow for easy replacement in post.
Over the years as a boudoir photographer, I have noticed a theme when it comes to new shooters about the "restrictions" they come across. Countless times I hear or read, "I wish I could upgrade my gear," "I just do not have a commercial space," or my favorite, "I just cannot afford to have all those set ups." Well quite frankly, that is a load of bull.
As much of a Game of Thrones fan as I am, the scene in Sunday's episode that has had everyone talking, "Battle for Winterfell" or "Battle of the Bastards," resonated with me for two reasons. The first is the same as most people who watched it: the scene was epic — not epic in the way kids these days use the word, but in the sense of it being truly gargantuan and awesome. The second reason was the curiosity of the photographer in me on how something of that scale could be shot.
Storing and transferring data from a shoot is an important, yet often overlooked detail when it comes to on-location projects. When juggling multiple cameras, each with multiple cards, it becomes critically imperative to be 100 percent sure that all of your photos and videos are accounted for. In this video, Jay P. Morgan shares his workflow for wrangling data and making backups.
The humble beauty dish is a studio favorite but it is not often the first modifier most reach for when heading outdoors. Most beauty dishes are not all that portable and can add significant weight to your kit. With a few collapsible beauty dishes currently on the market you can now easily take that gorgeous light with you anywhere. Joel Grimes shows you how to make the most out of using a beauty dish in an outdoor setting.
Earlier this year, commercial photographer Lars Schneider was followed by a camera on a trip to the Faroe Islands to document his “other life” as a landscape photographer. The resulting video gives us insight into what his professional lifestyle entails and the change of pace enjoyed when shooting landscapes for personal fulfillment rather than clientele.
Photographer Felix Hernandez has done it again. If the name doesn't ring a bell then you might know him by his amazing miniature photography such as "The Love Car" or his "The Crow & The Dove." These projects has been floating around on the Internet, and we have an exclusive on his new project called "The Wardrobe."
From Star Wars to Rogue One, we just can't get enough of this series as it continues on to the new generation. I know that I myself can't get enough of the Star Wars saga, let alone the numerous examples of fan art out there, including photography concepts. Photographer Steve Brown has created an amazing Last Supper with The Emperor, Darth Vader, and Imperial Stormtroopers. The final image just blew my mind. From sketching, planning, and retouching the final product, we bring to you the step by step tutorial on how he created this masterpiece.
It's truly incredible what they can do with film today, especially with the advancement of visual effects and motion graphics. When I first heard they were remaking Teenage Mutant Ninja Turtles I was incredibly sad; all those years growing up watching the original live action films featuring the puppets crafted by Jim Henson's. It was brilliant and really well done for a movie of its time. Then came the almost 100% CGI filled epic by Michael Bay himself, yet it works and it's fun.