As photographers, we're often found shooting familiar subjects in everyday spaces. It's not uncommon for us to be found in some rather precarious positions from time to time as we invest ourselves in attempts to separate our images from the rest. Whether it's squatting down in the mud or climbing up a tree or a sketchy ladder, we do what it takes to get just the right angle to portray our subjects in the most appropriate way. In this short video, Photographer Ted Forbes talks about how shooting at a lower camera angle can help add depth and drama to your photographs.
In a previous article, I shared some tips on scouting locations for a documentary video shoot where interviews would be captured. The next step is to decide on a frame that complements your talent, topic, and tone. In this video, we discuss background elements we see in potential frames, any why one “look” might work better than another.
When doing a documentary-style video production, an interview or series of interviews is often at the heart of the content. Uncontrollable lighting, background noise, and the size of the space you have to work in all play a significant role in capturing a quality testimonial, so location scouting to check on these is an important facet of our production process. In this short video, Joshua Pardon and I explore two rooms at a location and discuss what we look for when making a decision on where to set up for a shoot.
Apple lovers around the world, including myself, now have some serious reason to leave behind their beloved iPhone they have for the new Google Pixel. Introduced back in October the phone was welcomed with huge praise boasting some incredible specs. Running their latest Android 7.1 along with a Qualcomm Snapdragon 821 paired with 4GB of RAM and both a 5 inch and 5.5 inch display option. Let's dig into why this might just replace your iPhone and finally bring you to the dark side, Android.
There is always something going wrong on set. Always. It could be something minor, like the gaffer forgot to tape a section of a stinger or something major, like the talent shows up hours late and then refuses to get out of the car. That's what happened to Co-Director Ryan Staake in his latest Vimeo "Staff Pick" video of rap artist Young Thug's "Wyclef Jean."
If you work in a competitive area for your photo or video work, chances are that you’ve experienced losing a client at some point. Whether there were creative differences, budget issues, or you weren’t available, there are some things that you can do to alleviate some of the sting from breaking up with a client, and perhaps put you in a better position to work with them in the future, even if the root cause is simply that they couldn't afford your rates.
"Rogue One" is the latest addition to the epic space battle in the "Star Wars" universe, and damn, did it impress. From all angles, the film looked to hit on all the cues that made the original 70s and 80s films incredible, yet still filled it with plenty of new and relevant stories to bring it to life in 2016. Capping off a wild year of many celebrity deaths, it brings an interesting question: should we bring back deceased actors to fill a role?
For some of us photographing the 24 Hours of Le Mans is a dream that would be a peak in our careers in the world of Motorsports Photography. The images created at this iconic race have been some of the most powerful images in the genre. For one collector however, his enthusiasm for the sport and an endless collection of scale replicas of the famous Le Mans cars led to him recreating some incredibly authentic looking images inspired by the Les Mans Race.
The more you photograph people, places, and things, the more you understand how much control the available light has over the outcome of your image. Taking advantage of tools like filters to limit or modify the light coming into your camera is a great way to craft a unique image and even add a dramatic flare that you may not be able to create otherwise.
Recently, I've gotten into surfing. I'm quite possibly the worst surfer in the world, but through surfing, I met some great, artistic friends. I acted as the DP on a super fun all-women's surf film this summer. I had no idea how to shoot surfers, so it was a huge learning experience. Now that I know a little bit more about it (and I stress the "little bit more"), I thought I would try and shoot a personal project just for fun to test out an artsy-fartsy idea.
In this episode of Chase Jarvis RAW, a fired up Jarvis goes off on a thoughtful stream of consciousness and details why so many photographers or filmmakers might not see the engagement they are looking for with their work. To him, it's because they likely stop working once the content has been created and shared, and they don't go on to interact with their community or audience. What's the trick to doing that? Check out the video for some very real suggestions on how.
If you're not a professional photographer, chances are that you may be under the impression that they do little more than take pictures all day, every day. While we definitely know that's not the case — I'm probably only actually shooting for around 20 percent of my work week, and running a business for the other 80 percent — that's not what I wanted to portray when I got asked to be "job shadowed" by an eighth grade girl a while back. I decided to make the day at least a little more interesting.