For most photographers, magic hour is just as the sun is setting, but for Photographer Jordan Matter, it occurs after dark. In this video Matter gives us five tips for shooting nighttime portraits using only street and window light. Using this simple technique he is able to achieve three differently lit portraits in just a couple minutes.
Mannequin poses in fashion e-commerce photography is now a thing of the past. Fact. Fashion website brands are now dominated by a hybrid style of photography that mixes editorial influences whilst satisfying the desire of the customer to view garments before purchase. We go behind-the-scenes with British fashion photographer Luke Ayling as he shoots 40 looks for The Sports Edit in one day.
Environmental portraits are great for capturing people with the scene around them. If you want to show more of the environment you should try doing panoramic portraits. While traveling in New York shooting panoramic landscapes, Jay P. Morgan from The Slanted Lens had a thought to add people in the photo so he gave it a try. Since then, Morgan has taken more panoramic portraits so he decided to share his tips on how he sets up and shoots panoramic portraits.
I call it the 3-in-1 Headshot Method. As a professional photographer it is imperative that you are able to adapt to your surrounds and the needs of your clients. I run into a situation quite a bit where my client doesn't know exactly what they want out of their headshot session so it’s my job to give them multiple options. In many cases my clients are very busy and they may only have a few minutes to get the shots they need so that doesn't give me the time to tear down my set and build a whole new one just for one look. Anytime I find myself in a situation like that I try to use my 3-in-1 headshot method which allows me to shoot three very different looks with just two lights and one grey background. Check out this video where I go through my process step by step.
There's something that isn't really talked about among the freelance photographers that I know, or at least not something that I hear about often. It's a small truth that nags at us all the time until we really, really get to where we want to be in our career, and sometimes even after that. And sometimes it involves bread.
Photography isn't something you decide as a career path. You rather find photography and then setup your life to do it as a job. It has that effect and it's why it's such a beautiful art form. You'll never be a successful photographer if you are not passionate about it, which is different to deciding a financial adviser or insurance broker. I might be stereotyping, but I am sure there are many who love their job, but also many who do not, but at least get a good paying salary at the end of every month, so they keep at it.
Anyone who has flown a drone for aerial video capture has likely done one of the few shots that are pretty much the standard of any aerial video. In these two videos from Mark Richardson, he is going to explain techniques for three different kinds of shots you may not have thought of before.
Have you been booked or plan on shooting a large group for their company team photo? Not sure what you need to do or even how to start? Jay P. Morgan from The Slanted Lens is back with another video with some of his tips on how he shoots his corporate group portrait photos.
Sometimes when I'm shooting in a studio setting I find myself using strobes even when the shot doesn't lend itself to being lit with artificial light. After all, I'm inside and it just seems natural to use flash. That is of course until I stumbled across this behind the scenes video of Calgary based photographer Nathan Elson explaining some of his techniques for using both natural light and strobes in a studio setting.
One of my favorite things to do, when I'm able to, is to do pro bono work for local charities that need the help. There's something special, in a way, about not being paid: the "client" is usually a lot more flexible in their expectations and they allow you more leeway in your creative process. So when I got a chance to do some marketing material for a half-marathon that benefited local emergency services, I took it.
Take a few minutes and look up Photographer Joel Grimes. His portraits infuse a unique and identifiable lighting style that is edgy, dramatic, and often shot in studio with fairly simple lighting setups. Even more interesting is the fact that most of his shots are taken with the intent of compositing them into different backgrounds.