As advanced technology becomes more affordable, we seem to be seeing more and more photographers and videographers using robots to help them create jaw-dropping work, which requires precise movements. These machines are no longer only in the domain of the likes of NASA, Google, or Hollywood — and that's really exciting.
What happens when you fly half way across the world to shoot portraits of a model on an exotic beach, but then realize the light is not as soft or usable as you thought? In this video, learn how you can sculpt the natural light the way you want to create the most flattering results.
A lot of my work has light placed in very precise spots, just over the eyes, or the lips, or just on one spot on the face. I often get asked how I do it, and instead of just saying the product, I thought I should go more in depth and talk about the ins and outs of how to get the most out of Cinefoil.
Photographers love soft light and the “wrap around” quality that large modifiers can deliver. We contemplate the large parabolic softbox we need to purchase or the huge umbrella that will help us make window light anywhere. For impactful portraits that are just as compelling maybe it’s time you took a look at hard lighting.
When photographer Felix Renaud first discovered photography, a world of possibilities opened to him. With his background of drawing and cinema, he is drawn towards treating his images as if they were drawn from a film or inspired by a painting. He enjoys creating the ambiance and characters for his images.