When people think of high end commercial automotive photography, they’ll sometimes call to mind images of cars with that distinct light streak down the side. That light streak that so many automotive photographers lust after is actually not a product of black magic, as it seems to be when you’re starting out, but actually incredibly easy to replicate with a technique called light painting.
I've seen a lot of DIY setups over the years, but every now and then one comes along that's so unstable it's scary and yet way too cool not to try. You can tell by the title that this isn't going to be some amazing setup with a hundred cameras arrayed. This is what it sounds like...A GoPro on a ceiling fan whipping around your subject while
Imagine a colorful self-setting rubber that you can keep in your camera bag and bust out at any time to repair on-the-job cracks, breaks and tears. Sugru is such a product, a moldable Play-Doh-like synthetic that can also be shaped into custom camera grips, monopod and tripod mounts and can add color and texture to existing buttons on your DSLR.
What is "perfect lighting?" It will differ for every style of photography and every photographer's style. For my food photography, I think the perfect lighting is the soft, beautiful, natural light found from a large window with indirect sun coming through. Unfortunately, most of the locations where I have to go and shoot food don't have this light that I am looking for. In order to get the shoot done, I have to to create the light. What if I could create this "perfect light" and have it for every assignment?
One of my favorite 'old school' photo tricks is the macro reversing ring. When you turn your lens around - literally having the mount pointing at your subject - you will notice a pretty interesting effect. The lens (whatever focal length it is) becomes a macro. Of course, holding a lens over an open camera body is a pretty terrible idea. This is where the reversing ring comes in.
Tom Parker, avid aerial photographer and videographer from Cambridge, UK, decided to try and make his own homemade MōVI rig without losing all his savings in the process. Parker is a Product Design and Manufacturing student at the University of Nottingham, where he got the knowledge on how to design and build the rig for his GoPro camera. The final result works great, and all he had to pay was $200. Not bad if you compare it to the $15,000 it will cost you to get the MōVI. Check out how he did it.
Photographer Rob Grimm has posted a nice little BTS of his 'Micro Brewery Project' - where the photographs feature some various beers from the United States based on "unique bottle design, label, and/or flavor profile." The video starts out with a great, little trick for creating an even pour in a photo. The bottle itself is clamped in place, but by using twine, nail polish remover and fire, you can cleanly remove the bottom.
One of my regular followers, Mike Nelson, said that there are plenty of resources on WHERE to buy portfolios, but very little information on HOW to make a photography portfolio. He suggested I do a blog post and share my personal perspectives and advice on the subject. I’ve also included contributions and tips from other photographer friends (such as Luke Copping whose work is featured in the video above) in the industry. Hopefully the following post will teach you everything you need to know.
There's no denying the growing popularity of Lomo photography in recent years - especially if you've ever visited an Urban Outfitters. The motto for Lomography is, "Don’t Think, Just Shoot," - which is kind of ironic considering their newest offering requires quite a bit of thinking. The Konstruktor is a $35 build-it-yourself camera that should give hipsters a better understanding as to how their 'antique Instagram machine' actually works.
Sometimes those obligatory travel photos snapped on location are great on their own, but (at least for me) a lot of them aren't visually dazzling. Luckily, that can be rectified. Jonas De Ro recently published an absolutely breathtaking composite image psd.tutsplus that is jaw-droppingly amazing. Best part is, he shows you how to make it so all you Photoshop fans can try a similar project yourself. Turn ordinary into fantasy!
Last week I was at Disney with my family and had my DSLR with me to get some good photos, but I hadn't planned on shooting video and there was no way I was going to haul a video rig with me around the park even if I had planned on it. When I shot video I made sure to lean on something stable and let stationary objects do some of the work for me without the shake of my hand affecting the shots.
This is one of the most interesting, and almost bizarre behind the scenes video I've seen. Musical artist Jack Conte came up with an idea for a video to go along with a music track he created called "Pedals", and through building his own spaceship set, using real working robots, and even getting Jeff Orlowski to shoot it, everything came together for an inventive final product.
So as a lot of you have probably seen, you can now record full 1080p 14Bit Raw video on the Canon 5D Mark II and Mark III. This is truely incredible. However, you can not just import the video and get to editing right away. To be able to use the RAW video, you have to convert the RAW files to DNG. Here is a quick workflow tutorial on how to do that. It's really not that hard to do, just a little time consuming.
Do you remember 14 years ago when the Matrix came out and blew some of our minds with filming techniques? One of the most ingenious scenes at the time was the wrap around bullet shot where the camera spun around the actors on a large dolly while they were suspended in mid air. Popular Youtuber Mark Rober has come up a really simple and cheap way to replicate the rotational filming effect of that scene.
To see more of his creative videos, check out his channel.