I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
Upgrading your RAM from Apple is a lot like buying your tires directly from the car dealership. It's overpriced for essentially the same product and you shouldn't do it. In this video I cover the benefits of upgrading your RAM from a third party to maximize your computers ability for retouching and file management through various applications like Lightroom.
For a long time teleprompters were considered bulky, unweildy, and often required you to be tethered to a laptop or other control station. In the last few years, more affordable options that used wireless technology and compact mounts began to hit the market. Now, "The Parrot" might just be the most compact system I've ever seen, and it uses a device that the majority of us will already own: a smartphone.
If you’re interested in getting big budget looks in your low budget indie film, then you should be very familiar with the Shanks FX channel on YouTube. If you’re not, you should get acquainted with it… like now! Joe Schenkenberg aka Joey Shanks is the man with the know-how when it comes to creating Hollywood effects out of simple household items. He teamed up with PBS Digital Studios to bring you quality behind-the-scenes content online and has recently partnered with Red Giant to explain how he created a black hole effect very similar looking to the one in the recent movie Interstellar – all captured in-camera.
It seems as if the film edit is getting more popular every day. A lot of beginner photographers out there will do anything to achieve this look. The easiest way to do that is to buy presets but I want to show you how to create the look yourself. I believe once you understand how to create the look yourself you can begin to find your own style. I know too many photographers that take an image, slap a preset on it, and call it good. All the editing on these images was done in Lightroom 5.
Self-promotion is an aspect of photography that many, if not most, photographers struggle with. If you’re a photographer who’s in business for yourself, you know that a good portion of your working hours is spent exploring ways to stick out and stand out from the pack. While there’s certainly a fine line between shameless narcissism and tasteful and effective promotion to help your business and brand grow, The Photographer's Guide To Self-Promotion helps navigate that border with some keen advice and tips to grow your photography business.
The holiday season is right around the corner, and for many photographers it’s one of the most lucrative times for print sales. If you’re selling framed prints of your work, it’s imperative that you package your products correctly in order save yourself a lot of money from damages, and to avoid having disappointed customers. Let’s take a look at how to do packaging the right way and earn yourself repeat customers that will come back year after year.
I think we can all agree that catch lights in the eyes of our subjects can enhance a photo tremendously. Each modifier we pick renders a different reflection in the eyes of our subject and can give the image a completely different feel. I recently discovered a way to build virtually any shape modifier that can be used in a mobile photo booth or permanent installment in your studio. And it's amazing!
Owners of Sony Alpha and NEX camera bodies have long been complaining about the rotational barrel wobble experienced with mounted lenses. Entering what is quite a unique product space, Fotodiox recently released the Tough E-Mount that replaces the original body mount of these cameras. As a sufferer of said wobbles, I purchased the Tough E-Mount for my Sony a7R to test and give you my verdict of the installation and results.
If you're anything like me then you feel pretty strongly that your face belongs behind a camera, not in front of it. I absolutely hate getting my picture taken, and I'm never more displeased than when I get my photo IDs made. From garish drug store / post office lighting to a poorly executed smile there's always a reason to dread whipping out my driver's license or ID. While I can't really help you with your DMV escapades, passports are unique in that you can actually provide your own image for the document — something I recently took advantage of and you can too. So here it is, The Photographer's Guide to Taking a Passport Photo You Won't Want to Destroy with Fire. All in 10 minutes or less.
This week I wanted to share a few of the tools we commercial photographers use to create our tabletop images. Particularly the items used in photographing beverages. There's a lot of trial and error when it comes to this sort of photography, often times we find ourselves using things in ways far from their originally intended purpose. Having said that, there's a lot of things that have become kind-of standard practice in food/beverage photography, some of those items I'll share with you today.
Last year Fstoppers threw its very first live photography workshop in the Bahamas and world class food and drink photographer Rob Grimm was one of the instructors. I was able to sit in on a bit of Rob's class and I learned a ton about photographing drinks. We just got our new order of FlashDiscs in and I decided to try a shot of my own using the new modifiers.
Growing up in the family's studios and labs, I learned a thing or two about mounting and framing prints, and I also ruined a lot of them in the process. In this video, I'll demonstrate a version of my process so you can skip the lab and mount your own prints, fresh from your home or studio printer.
As a commercial photographer, I specialize in product, food, and architecture. One of the products we've been shooting a lot of lately is jewelry, specifically jewelry for catalog use. In my opinion, jewelry is one of the hardest things to photograph, and many photographers don't know where to start. Whenever we're tasked with photographing shiny, reflective, spherical objects, our studio sounds like a group of sailors on leave with all the profanity flying around (often times strung together to make complete sentences).
If you listen to the podcast On Taking Pictures, you know that co-host of the program Bill Wadman is a New York-based portrait photographer who's worked with the likes of Seth Godin, Malcolm Gladwell, Philip Glass, Ze Frank, and many, many others. Though his traditional portrait and conceptual work are tremendous in their own right, Bill has gotten quite a bit of attention over the years for his projects such as his critically acclaimed Dancers in Motion, cinematic Drabbles, and the 365 Portrait project that helped him to start it all.