In my journey to separate my family life from my work life, as detailed in my last post, a change in my work environment has been key. Namely, my wife was tired of seeing my hard drive sitting on the kitchen island and I was handily kicked down to the basement. I took this opportunity to switch up my workflow from using a local external hard drive to a NAS (network-attached storage). Here are some interesting things I've discovered along the way.
When I wrote "Seven Things About Being a Photographer I Wish I'd Known Earlier," I wasn't expecting such a strong response. I had far more than seven things I wish I'd known, but I tried to trim the fat and keep the article lean. Well, I liked the fat. So, now I'm compiling the trimmings into their own article, although I don't mean to infer that these eight are less important than my first seven; they aren't. I also can't guarantee there won't be a further set in the future. Make of that what you will.
Take a look behind the scenes as Photographer, Producer, and Marine Gunnery Sergeant Joseph DiGIrolamo documents the work of Photographer Matthew Callahan. Callahan is a U.S. Marine Combat Correspondent, who, when not telling the stories of the men and women who serve, is working on his personal fine art project, "Galactic Warfighters." This riveting photo essay is aimed at humanizing the fictional, faceless stormtrooper characters of the Star Wars galaxy.
We just can't seem to get enough of New York City-based Photographer David Bergman. Whether he's touring with Bon Jovi, shooting for Sports Illustrated, creating a 20,000-megapixel image, or just popping in with a quick tip from his "Two Minute Tips With David Bergman" series, David never fails to show us something worth our while. For his latest two-minute tip, he teaches us a quick and easy method for dealing with grey, overcast skies.
The Hitfilm crew, Kirstie Tostevin, Josh Davies, and Simon Jones take over Film Riot to bring you a kick-butt tutorial on how to create an Iron Man heads-up display effect with their free HitFilm 4 Express software. This eight-minute video takes us all the way from pre-production to post-production.
Branding yourself is probably one of the most important things you can do as a photographer. It is important to showcase your work, whether it is your best work at the time, your best work overall, or even some of the work you just like most. I personally put up the images I think are best, but a lot of the time, I can be very picky, and I tend not to like certain photos when other people still really like them. This is something that is 100% up to you. You are the person choosing what you want to show as a reflection of you and what you do.
Lindsay Adler is a high end fashion photographer and educator. She has been named one of the top ten fashion photographers in the world, so when she shares her insight, it’s probably best to take notes. In this free one hour webinar, Adler goes over five things that can ruin skin, and how to fix them.
You can have the tools, and you can have the know how, but what is one of the most powerful skills that most photographers, videographers, and just about anyone else will swear by in a creative industry? The power of forethought and pre-planning. Granted, for some this step isn’t as important as it is to others. However, whether you sit down and make a shot list, sketch out some rough ideas for shots, or just develop a really strong concept of what you want to accomplish on a project, most people do pre-plan in some way shape or form.
Photography is one complex profession which requires many skills, from the technical to the psychological. We have all been faced with unpredictable scenarios which have put us or our clients/models in an awkward position ,or a state or panic. It can be anything: an insecure model, no time to set up your planned light, an equipment which breaks or malfunctions, a sudden rainfall, an unhappy bride, etc. Being well-equipped won’t always save the day. And if we lack self-control, good communication skills, and if we lose creative approach in stressful situations, we could just pack our gear and go home with an unhappy client glaring at our back. Being able to deal with these different scenarios might be surprisingly beneficial both for your photography and business.
When SLR Lounge Founding Partner Pye Jirsa, noticed his studio's IT needs had grown to 'beast' levels, he decided they should perform a series of tests to find out which machine was best suited for their needs. Taking two similarly priced boxes, a $4,431 iMac, and a $4,370 custom built PC, they set to the task of testing each machines' speeds in Adobe's Lightroom.
Do you spend more time researching photography gear than shooting? Do you believe that you can’t achieve a particular look without buying the latest shiny product? Then you might be suffering from G.A.S., also known as Gear Acquisition Syndrome. Step into my office and let me share some prescriptions that can help you cure this debilitating disease!
Retouching, much like photography itself, is a really subjective topic in the community. What one photographer considers great, another considers mediocre. While there are many debatable topics regarding retouching, I think it’s important to note these three things most photographers get wrong when they’re retouching.
The Nikon 58mm 1.4 and The now famed Sigma Art 50mm 1.4 are two lenses that arguably have a lot in common and at the same time polar opposites. The fact of the matter is the Sigma series which is marketed under the “art” moniker has received its praise because of technical proficiency while the release of the Nikon 58mm fell flat due to misguided expectations.