Zeiss lenses are known for providing sharp and contrasty images with silky-smooth bokeh, making them favorites of a lot of photographers. For photographers looking for a 35mm lens, one option is the Zeiss Loxia 35mm f/2, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
How far should you sit from your screen? How large can you print your photos? Why are stacked sensors better? There is much more to those pixels than you might think.
The Panasonic GH6 mirrorless camera is here, and it came with a variety of new features and improvements over the popular GH5. This great video review takes a look at the camera and the sort of performance you can expect from it in practice.
There’s an old bit of nonsense that states there are two factors that affect price when buying a tripod: stability and weight. Benro has proved there are two more. So, is their Hydra 2 worth their cost?
Canon's RF lenses have been highly impressive, offering fantastic performance and image quality while pushing the envelope of lens design, but on the other hand, many of them are quite expensive. There are some budget gems available, however, and this fantastic video will show you three great options that get you a lot of performance and image quality for not a lot of money.
At the moment, all of the focus on Canon cameras and lenses is on the RF line, but before that series existed, there was the EF-M line, which is still hanging around and offers small and impressively affordable bodies and lenses. If you are looking for such a setup, check out this fantastic video tutorial that offers a comprehensive guide to all the lenses in the EF-M system.
After a long period of mediocrity where Canon sat in the dead zone between going all-in on mirrorless and staying with DSLRs, Canon is back to producing superb cameras. Is this one of their best?
Fujifilm's XF 70-300mm f/4-5.6 R LM OIS WR lens offers X series photographers a ton of reach at a relatively affordable price, making it suitable for anything from sports to bird photography and more. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
The next drone in DJI's Mini lineup, the DJI Mini 3 Pro, is almost upon us, and though it looks to be a successor to the Mini 2, some reviewers have already gotten their hands on it to show that it is, in reality, a different beast entirely with its "Pro" nomenclature.
The humble keyboard is one of those crucial pieces of equipment that will always be needed by photographers. If comfort, style, and functionality are important to you, a customized mechanical keyboard is a must-buy.
24-70mm f/2.8 lenses are the workhorse of choice for a variety of genres, offering a versatile focal length range in tandem with a wide aperture that allows them to tackle a lot of needs with ease. Which one is right for you, though? This great video comparison takes a look at the Sony 24-70mm f/2.8 GM, Sony FE 24-70mm f/2.8 GM II, Sigma 24-70mm f/2.8 DG DN Art, and Tamron 28-75mm f/2.8 Di III VXD G2 to help you decide.
The rise of alternative, affordable lenses has been sharp in the last few years, with many great lenses offered at a fraction of the price of their desirable counterparts. This lens takes on anamorphic lenses, but how good is it?
24mm lenses are quite useful, as they offer an attractively wide focal length that is not so extreme that significant wide angle distortion starts to creep in. Premium 24mm lenses can easily run well over $1,000, though. On the other hand, the Viltrox AF 24mm f/1.8 is quite affordable. Can it keep up with those more expensive options? This excellent video review takes a look at its performance and image quality to answer that question.
Billingham Eventer II is the latest camera bag from the UK-based manufacturer, Billingham. This bag is an update on a previous version that was probably the most expensive camera bag that Billingham produced at the time. The Billingham Eventer II now holds the mantle of being the most expensive camera bag produced by the company.
85mm lenses are the classic choice of portrait photographers, and it shows, as almost every manufacturer has one, with many of them offering multiple options. So, why are they so popular among portrait photographers? This great video discusses some of their properties and how those features make them a fantastic choice for photographing people.
I recently made the switch to Mac after a lifetime of Windows. My MacBook Pro isn’t perfect, but in this video ,I discuss the top 10 things that it does better than my Windows machines.
Filters can feel like unimportant and superfluous purchases at times, but they have the power to make a big difference. Some are necessities to get the shot you have in mind and others are stylistic choices. Here are three one photographer uses constantly.
Canon has been chugging along the last few years, releasing some impressive mirrorless cameras and lenses. It seems they have no intention of stopping, with another major announcement of multiple cameras and lenses coming soon.
A wide angle zoom lens is a great one to have in the bag for a variety of genres and scenarios, and for Fujifilm shooters who do not need an expensive f/2.8 option, there is the XF 10-24mm f/4 R OIS WR lens. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
A 35mm lens with a wide aperture has long been one of the most popular options for both photography and filmmaking, offering a wide but relatively neutral focal length that can cover everything from portraits to landscapes. There are a lot of 35mm lenses available to choose from, and this excellent video review takes a look at one of the most affordable options, the Viltrox 35mm f/1.8 AF.
So, you’ve got two or more internet sources and you want to combine them to create one faster, more reliable connection? Here’s how to do it.
With the release of the Z 9, Nikon ensured that the race for best full frame mirrorless camera was a three-horse race between them, Canon, and Sony. This great video takes a look at the Z 9 in the field and how well it tackles a tricky subject, birds in flight.
Hey, camera manufacturers! Stop lying to us.
Like it or not, Canon is one of the most dominant forces in the camera industry, and their bodies and lenses can be found in the hands of countless professionals and hobbyists. Of course, that does not mean the company is infallible, however. This interesting video discusses the good and bad of Canon cameras and what they can do to be even better in the future.
While 85mm lenses are generally the classic choice of focal length for portraiture, 135mm lenses are a popular second choice that offer a different look and a bit more compression than their shorter cousins. If you are looking for one of your own, check out this fantastic video comparison that looks at four options: the Samyang AF 135mm f/1.8 FE, Sony FE 135mm f/1.8 GM, Sigma 135mm f/1.8 DG HSM Art, and Zeiss Batis 135mm f/2.8.
The early 2000s were a golden age for digital cameras. Companies like Olympus, Nikon, Sony, Canon, Ricoh, and others seemed to release an endless stream of unique, quirky, and often excellent cameras. I was lucky to work at a large camera store at the time, and almost every day, I remember unboxing some new gadget that was pushing the boundaries of design and resolution. The most fun days were when a new DSLR arrived.
The electronic viewfinder is one of the greatest advantages of mirrorless cameras, offering the ability to preview your exposure in real-time, leaving behind the days of miscalculated shots. However, as this informative video details, it can easily mislead you and cause you to mess up important photos.
There is a saying that zoom lenses can make you a lazy photographer. And that might be true if you use them the wrong way.
A 35mm lens with a wide maximum aperture is a classic choice for a wide range of applications. With a wide but still mostly neutral focal length and lots of light-gathering and subject-isolating power, it is equally at home in the studio, at a wedding, or on the street. For Sony shooters, the top option is the FE 35mm f/1.4 GM, and this excellent video review takes a long-term look at the lens and how its price, performance, and image quality stand up to other options.
24-70mm f/2.8 lenses are the workhorses of choice for a lot of photographers and filmmakers, as they cover a range of the most commonly needed focal lengths and pair them with a wide maximum aperture, making for a versatile combo. However, such lenses are rarely cheap. The Sigma 28-70mm f/2.8 DG DN makes a few smart compromises to bring its price way down, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
