There are many staple lenses in portrait photography that are recommended to beginners and professionals alike. However, there is something of an unsung hero lurking in a different genre entirely that could complement your gear arsenal perfectly.
When it comes to portraiture, the wide-aperture 85mm lens has been the classic choice for years, but zoom lenses have come along quite a bit in the past decade, and with their impressive image quality, you might prefer the versatility of having a variety of focal lengths at your disposal. If you are wondering whether to use an 85mm or 70-200mm lens for your portrait work, check out this excellent video tutorial that will show you the pros and cons of each.
Ultra-wide angle zoom lenses with wide maximum apertures are popular for a variety of uses, ranging from astrophotography to weddings and events work. For Sony shooters looking for professional-level options, there is the FE 12-24mm f/2.8 GM, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
HEX has been on a tear lately, releasing plenty of functional bags with some meaningful limited editions. The HEX Back Loader DSLR Backpack V2 continues the trend with a useful and stylish package that’s just about perfect for shooters with DSLR or mirrorless cameras.
Fujifilm makes some pretty impressive lenses, and in between their well-established X Series and the respected GFX medium format line, photographers have a lot of choices when it comes to narrow depth of field and bokeh. This great video compares an option from each line, the GF 80mm f/1.7 R WR lens and the XF 50mm f/1.0 R WR.
The latest camera from the ONE R is getting an upgrade, adding some needed features.
I picked up a Fujifilm X-T4 about five months ago to use primarily as a backup camera and for street photography, video, and family use. Although I shoot with a Canon system in my studio, I fell in love with Fuji’s cameras years ago when I acquired an X-Pro1 and a few X lenses. In this article, I offer a friendly critique and some suggestions for Fuji to improve an already great camera system.
Leica is a legendary brand, well known for a very specific camera experience and a desirable, unique look to their images. Fujifilm has made significant strides in the past decade, though, and their X-Pro series offers an experience similar to a rangefinder with a variety of interesting advanced and hybrid features. So, is Leica worth its significantly higher price? This great video review compares the Leica M11 to the Fujifilm X-Pro3 to find out.
It used to be that most supertelephoto zoom lenses were significantly below the standards demanded by professionals, leaving you to either buy a stratospherically priced prime or make do. However, in the last few years, we have seen an explosion of better lenses, and one of the most impressive options out there is the Canon RF 100-500mm f/4.5-7.1L IS USM. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
It’s not just the price, which is considerably lower than any other camera in the market that gives the same quality. It's a camera like no other, and its digital film footage is pure eye-candy every single time I get into the editing booth.
A pen tablet improves your editing and retouching workflow. Here's an affordable option.
It happened again. My DSLR has failed on set. While being used to it and calling in for repairs right away, I caught myself thinking whether the time has come to buy a mirrorless. Here are some points that I brought up while having this debate with myself.
A good 50mm lens with a wide aperture is by far one of the most versatile a photographer can own, suitable for everything from portraiture to low-light events work and more. For Fuji shooters, there is the XF 33mm f/1.4 R LM WR, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
With the release of Apple’s new Studio Display, the new creative standard may be here. Are the specs and price good enough?
The Sony a7 IV mirrorless camera was probably one of the most anticipated cameras of the last decade, as the a7 III had set a high bar for versatility, quality, and affordability in a hybrid mirrorless camera. The a7 IV brought with it several new features and upgrades when it finally arrived, and this great video review takes a look at how it has held up after three months of usage.
Probably no lens runs a wider price range than the 50mm. You can pick up a new wide-aperture 50mm prime for anywhere from under $100 to well over $2,000 and just about everywhere in between. The most affordable options tend to have some serious limitations, though. The Viltrox AF 50mm f/1.8 offers an upgrade over those cheap models without breaking the bank, and this great video review takes a look at the image quality and performance you can expect from it.
The OM System OM-1 is here, and with its impressive upgrades and new capabilities, it challenges the paradigm of full frame or even APS-C cameras ruling the sports genre, at least on paper. Can it really keep up with top-level professional cameras, though? This great video review pits the OM-1 against the highly respected Canon EOS R3 to find out.
50mm f/0.95 lens options have exploded in the last few years, all offering an ultra-wide aperture at a versatile focal length in an affordable manual focus design. So, which of the options is best? This excellent video comparison takes a look at four of them: the Mitakon Zhongyi Speedmaster 50mm f/0.95 III, TTArtisan 50mm f/0.95, Brightin Star 50mm f/0.95, and the Venus Optics Laowa Argus 45mm f/0.95.
Canon took a bit of time to really hit the gas when it came to professional mirrorless cameras and lenses, but once the EOS R5 and RF 28-70mm f/2 L USM hit the market, the company started running and has not looked back since. Now that the company (and third parties) have a wide variety of cameras and lenses available, knowing what is right for you can be a little tricky. This great video buying guide will help you navigate the world of Canon mirrorless gear to find the best choices for your work.
Fujifilm's XF 56mm f/1.2 lens has long been one of the most popular portrait lenses out there. However, Sigma lenses recently arrived for XF shooters, creating a new option for X Series shooters, including the 56mm f/1.4 DC DN Contemporary. So, how do the two options compare? This excellent video comparison takes a look at both to help you choose the right one for you.
Apple's new Mac Studio has created an entirely new class of desktop computers for the company, offering some insanely powerful capabilities that should be able to tackle anything even the most demanding photographers and filmmakers can throw at them, all at a price that starts significantly below the Mac Pro line, making it an impressive value. In this review, we take a look at the new computer and just how much power it houses.
Sony creates some of the most advanced cameras and lenses in the world, and if money is no object, you can put together a kit that can tackle just about any photo or video situation you could possibly throw at it. There are a lot of options out there, though, so if you are wondering where to start, check out this helpful video guide that will show you some of the best choices in the Sony full frame system.
They may not cost a lot. But these are two lenses that punch well above their weight.
Normal focal length lenses with wide maximum apertures are some of the most popular options out there, suitable for everything from portraiture to low-light events coverage and astrophotography. The Venus Optics Laowa Argus 45mm f/0.95 FF lens offers that sort of package at a fairly affordable price, and this excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
Looking for a gimbal that's capable of stabilizing your mirrorless camera, phone, or action camera, all without taking up too much space in your bag? Zhiyun's newly announced Crane-M2 S brings the unique features of the larger M3, including a fill light, USB-C fast charge, and a built-in display, to the more compact form-factor of the Crane-M2. Want to see what makes this gimbal such a powerhouse?
The Xpan was one of the most innovative cameras ever produced. Launched in 1998, it was a joint venture between two giants: Hasselblad and Fujifilm. Its unique design brought panorama images to 35mm, with the ability to switch between standard and panorama images on the fly.
The OM System OM-1 is here, and it brings with it some mightily impressive improvements and upgrades along with a range of new features that help to modernize the system and make it competitive with APS-C and full frame options again. This great video review takes a look at the new camera and the kind of performance and image quality you can expect from it in practice.
To go with my new OM-1 Camera, I’ve bought the new OM System 40-150 f/4 PRO. I took it out for the first time in a violently windy afternoon to put it through its paces. Here's my real-world review of this lens.
There is a lot of advice on what gear you should buy in 2022. But, if you look beyond the marketing of companies, is there gear that you probably don’t need in 2022? The answer is, yes, there is a lot of gear you don’t need. Here are my top picks on what you should not get.
Along with shutter speed and ISO, aperture is one of the three fundamental exposure parameters that help to create a technically sound photograph. However, aperture is not just a tool for getting the correct exposure, as it gives you powerful creative control over the look of the resultant image. This excellent video tutorial will show you how to choose the correct aperture for a variety of images both to create a technically correct photo and to convey what you want creatively.
