Superzoom lenses are often overlooked because their extreme focal length ranges mean inherent compromises in image quality, but in recent years, we have seen some impressive advances that make them viable options for a lot of work. This excellent video features an experienced landscape photographer making a case for using a superzoom lens for landscape work.
Samyang has long been recognized for creating affordable and sharp manual focus lenses, but in recent years, they have expanded into autofocus options, vastly increasing the versatility of their offerings while maintaining budget prices. One such lens is the AF 135mm f/1.8 FE, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
Traditionally, portraits are shot with focal lengths between 50mm and 135mm, though there is no reason you can't use a longer focal length. Nonetheless, 400mm f/2.8 lenses are traditionally reserved for professional sports and wildlife photographers who need a lot of reach and the ability to capture as much light as possible. With super-sharp results and a narrow depth of field, they seem like a great (if somewhat impractical) option for portraits, and this fun video shows you what you can expect.
While the 85mm focal length is the classic choice for portrait photography, 135mm is a popular alternative, and there are some real gem lenses to be found there. One such option is the Sony FE 135mm f/1.8 GM, and this great video review takes a look at the lens and the impressive performance and image quality you can expect from it in practice.
Perhaps no lens has a wider price range than the 50mm, which can cost anywhere from under $100 to well over $2,000 depending on the sort of performance and image quality you are after. Two options at the top end are the Canon RF 50mm f/1.2L USM and Sony FE 50mm f/1.2 GM, and this great video review takes a look at both and which edges out the other.
Modern cameras offer a wide variety of settings to change the behavior and customize to your own preferences. There are also a lot of basic settings you choose once and forget about it. Did you know there are settings you can ignore completely? I found eight of those.
Irix is known mostly for making manual focus wide angle lenses with rugged build quality and nice image quality, and the new 21mm f/1.4 Dragonfly lens seeks to continue that trend. The lens comes in Canon, Nikon, and Pentax DSLR mounts (and can be easily adapted to mirrorless), and this fantastic video review takes a look at the sort of performance and image quality you can expect from it in practice.
Astrophotography can be divided into two camps: terrestrial and deep space. Both can be equally challenging for different reasons. But recent advances in technology have also made both more attainable and enjoyable.
Sigma makes some pretty standard lenses, but they also create some more unique and less heard-of designs that can be the sort of creative shot in the arm that excites a lot of photographers. The 65mm f/2 DG DN Contemporary, which sits in a strange middle ground between 50mm and 85mm, is one such lens, and this great video review takes a look at the sort of image quality and performance you can expect from it in practice.
Some big new things are coming to Nikon’s line of mirrorless cameras.
Aputure’s new flexible LED panels may be the best in class. Intellytech and Westcott will have some serious competition. How do they all stack up?
Fujifilm Instax cameras are now the most popular instant cameras on the market. From these instant cameras, the Instax mini series holds the largest portion of the market. And the latest Instax mini camera is the Fujifilm Instax Mini Evo. With its retro camera-like design, how does this new Instax camera compare against the previous Instax Mini LiPlay?
The Nikon Z-series has a highly impressive firmware update coming, particularly for the Z9. Version 2.0 turns Z9 into a videography and sports photography titan, and if you have any interest in using it for either of those (or a great many other uses), you're going to want to check this out.
Wide-aperture 85mm prime lenses are the classic choice for portrait photography, but that does not mean they are right for everyone. This excellent video comparison takes a look at two options, the Canon RF 85mm f/1.2 L USM and the RF 70-200mm f/4 L IS USM, to help you choose the right one for your work.
Ok — let’s start with a disclaimer: I’m a fan of Platypod (both the company itself and the products individually). The most compelling photographs show us the world in a way we’re not used to seeing, which is where the Platypod excels.
Cameras in general tend to struggle in low-light scenarios. Even full-frame cameras such as the Sony a7S III will struggle to produce useful results in extremely low light situations. This is especially an issue for video; however, a company called Duovox has seemingly managed to overcome these obstacles.
I estimate over 90% of my shots are taken indoors, so I don’t give much thought to how my cameras would perform in a rainstorm. I’m in the minority with my lack of concern in this area, apparently, because I frequently see photographers voice their concerns when a new camera is announced that does not have weather-sealing.
Sennheiser recently sent me six different microphones from $49 up to $999. Does spending more money really get you better audio quality? You be the judge.
Gear isn't always about megapixels, dynamic range, or pixel-peeping. This piece of gear has changed nothing about the quality of my photos, but it might be my favorite purchase ever.
I came into photography after being a newspaper videographer for several years. I thought that my video skills would transfer cleanly into photography, and while in some ways that were the case, in more ways, it was not. Here's a video that breaks down exactly why that is.
Are you looking for a display that will make your precision editing and retouching more convenient? Let’s check out what a high-resolution pen display tablet can offer.
The form of the digital cameras has become relatively standardized. There are certainly variations from manufacturer to manufacturer, but the basic design is generally stable across companies. That was not always the case, however, particularly in the early days of digital. This neat video takes a look at 10 of the weirdest digital cameras ever made and just what made them so unique.
With every camera comes a nice strap, often mentioning the name of the brand. Although the strap works nicely, there are much better solutions. In the last decade, I have found a solution that suits my own needs. Since I often get questions about it, I decided to write an article about it.
Once you get wider than 20mm, you generally do not encounter apertures wider than f/2.0, save for a few rare circumstances. One such option is the Sony FE 14mm f/1.8 GM, which positions itself as a fantastic creative tool for a wide variety of uses, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
The camera industry is quite the well-oiled PR machine, with short update cycles that get photographers drooling over new gear every few months and a lot of hype drummed up over the latest and greatest camera or lens — some deserved and some not so much. This great video essay discusses five things camera companies will not tell you, and it is well worth giving it a listen.
With the release of the Nikon NIKKOR Z 28-75mm f/2.8, I thought it would be a good time to take a look at the current list of options for photographers of all types.
When I first heard of this Sony 16-35mm f/4 lens with power zoom, I looked at it as a gimmick feature. But after actually getting to use the lens, I think people are really going to love this lens.
Nikon has really started to step it up in the professional mirrorless realm lately, and the new NIKKOR Z 800mm f/6.3 VR S lens is particularly emblematic of that, offering professional-level performance and image quality in an extremely portable design, all at a frankly insanely low price. This great video takes a first look at the new lens and what you can expect from it in real-world usage.
You've probably never used a circular fisheye lens properly, which is to say in the manner it was designed. It's okay, almost no one has.
Kyle Hart has been making photo/video products we love for over a decade now. We love our Rhino Slider, but it's never been big enough for long dolly moves. The Rhino Dolly is here to change that.
