Nikon has kicked it into high gear with the likes of the Z 9 and NIKKOR Z 400mm f/2.8 TC VR S, keeping the pressure on Sony and Canon to continue innovating and pushing the envelope. This great video features two photographers testing out the latest from Nikon and discussing how it compares to some of their best DSLR cameras and lenses.
100-400mm zoom lenses are some of the most popular out there, offering a versatile focal length range that can tackle a wide range of scenarios including everything from sports to wildlife photography and more.
As a photographer and videographer, I need a lot of fast, redundant, widely accessible storage. Let me show you my setup.
Australian Dylan O'Donnell's over-the-top astrophotography adventure videos often introduce us to new equipment. But his "HOTTEST New Astrophotography Products in 2022" video caught my eye. At the very least, it's a bit presumptuous to think that the hottest products come out in the first half of the year!
With video capabilities on par with the best available options for moving images, Nikon’s Z 9’s has gone from a hopeful purchase to a critical part of my photography and filmmaking.
The 24-70mm zoom range is versatile, and for many photographers and videographers, it's probably one of the best starting points when building out your lens collection for a new mount.
A tripod can get dirty over time, especially if used in water, sea water, sand, and mud. A regular cleaning will extend its lifetime. I have cleaned my Gitzo tripod after heavy use at sea, and I will show how it can be done in five easy steps.
Street photographers have had a wealth of great lenses across many different systems to choose from over the years. Two of the most common lenses available for this are 28mm and 35mm lenses, often the preferred tool for many. But, which one is better?
Shallow depth of field is a popular technique for genres like portraiture, but when it comes to landscape photography, deep depth of field with most or all of the frame in focus is the standard. That does not mean you can't shoot with a shallow depth of field, though.
When it comes to supertelephoto zoom lenses, Canon mirrorless shooters have two options, the RF 100-500mm f/4.5-7.1 L IS USM and the RF 100-400mm f/5.6-8 IS USM. With different prices and feature sets, these two lenses fill different needs, and this helpful video comparison will help you choose the right option for your work.
Every time we make the leap to the next expensive purchase, there is a lingering thought in our head: will I regret it later? Well, at least in my head. Nonetheless, if I need to make a purchase, I do it. Here are some purchases that I wish I didn’t make.
Canon has been pushing ahead with vigor in the full frame mirrorless market, releasing a wide variety of competitive cameras and innovative lenses. The company shows no signs of stopping, as patents for more high-level lenses have appeared.
Samyang has long been known for creating very sharp and affordable manual focus lenses, but in the past few years, they have started offering autofocus-capable options while still keeping those budget prices.
With the Nikon Z 9 on the market, the competition for best mirrorless camera is a three-horse race again, with Nikon's option competing against the Sony a1 and Canon EOS R3. All three cameras offer highly impressive feature sets that can tackle just about anything you can throw at them, and this great video discusses the pros and cons of each and which edges out the other.
One of the first devices I bought for my office when I started with photography was, in addition to a proper monitor, a calibration device. Editing my photos with accurate colors and brightness has always been a priority for me. And the use of a colorimeter and monitor calibration software is a requirement for achieving those.
A 24-70mm f/2.8 is the workhorse of choice for a huge number of photographers, suitable for a wide range of scenarios and needs. Sony recently released the second version of theirs, the FE 24-70mm f/2.8 GM II, and this excellent video review takes a look at the improvements and new features in the new lens and the sort of image quality and performance you can expect from it. &nbs
50mm lenses can cost anywhere between less than $100 to over $2,000, with every level of image quality and performance imaginable. At $179, Canon's RF 50mm f/1.8 STM sits at the lower end of the price spectrum, but it still brings with it a range of quite useful features.
Using filters for any kind of photography and filmmaking has always been an extra process to consider. This new filter system from H&Y just might be the most innovative one to date.
The Fujifilm X100V is a popular and widely respected camera that offers a unique shooting experience and excellent image quality. With a fixed 35mm-equivalent lens, however, you might sometimes wish for a bit more versatility.
The newly released Profoto Clic Softbox is a modifier that is designed to fill in the void that the A1 system had: no soft modifiers. Find out now how Profoto created the first Clic softbox that you can assemble in one second and whether this softbox is even any good.
Most modern cameras have ergonomic considerations built into them but are primarily designed to get results without getting in your way. However, the Fujifilm X100V mirrorless camera marries capabilities with an inspiring and fun to use design, making it quite the desirable and unique option.
Canon's mirrorless camera has filled out nicely in the last few years, with powerful models like the EOS R5 and EOS R3 offering professional-level performance and options like the EOS RP and EOS R6 offering more affordable pricing with reasonably balanced feature sets.
Nikon's Z 9 turned the mirrorless camera competition into a three-horse race again, keeping the pressure on Sony and Canon to continue innovating. Furthermore, Nikon just released firmware 2.0, which makes the camera even more powerful.
The new Sony FE PZ 16-35mm f/4 G lens has turned quite a few heads as a portable, versatile, and relatively affordable wide angle zoom. This great video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
Using a phone to shoot professional work isn't new, but most instances involve situations where the photographer has almost full control. But how would a phone stand up to the same test if the photographer had little to no control over the lighting and environment?
Wide-aperture 85mm lenses are the classic choice for portrait photography, but, of course, they are not the only focal length you can use. 135mm lenses have long been a popular alternative choice, and several companies make impressive options.
70-200mm f/2.8 lenses are highly popular workhorses, suitable for a huge range of genres and applications. That being said, they are both expensive and rather bulky. If you do not need that extra aperture to stop, but still want the versatility of that focal length range, a 70-200mm f/4 can save you both bulk and money.
For the last couple of months, Patrick and I have been moving into our new homes in Puerto Rico and building out personal studios in each. Let me show you what I've built.
Creating a successful landscape photo takes creative vision, solid technique, and often, a bit of luck. If you would like to improve your landscape images, check out this fantastic video tutorial that will show you seven helpful tips sure to help you improve your photography.
One of the best tools you can use to progress as a photographer is one that anyone can obtain without a single dollar being spent.
Do you occasionally transfer many memory cards at the same time? Do you also need a Thunderbolt dock that allows you to attach multiple peripherals to a computer with a single cable? Well, I have the perfect product for you.
Shooting landscapes at night often calls for gear that isn’t entirely essential for shooting during the day. Here are some suggestions for shooting single images, as well as star trails and time-lapse photography.
Is this the king of flash? Well, very likely, yes. The Profoto Pro-11 is the world’s most expensive flash, that behaves like the world’s most expensive flash. I had the Pro-11 unit to review and here are my thoughts.
I have a cage for my iPhone. But I thought about how I could it to rather use MagSafe instead of clamping it in each time I wanted to shoot a video. And now Moment has released the perfect MagSafe-equipped Mobile Filmmaker Cage. They’ve sent one over for me to test, and here are the results.
Once they got serious about mirrorless cameras and lenses, Canon wasted little time expanding the RF mount's offerings, but one standard lens that is still missing is a fast, premium 35mm prime. No doubt, that lens is coming eventually, and it looks like we can expect it later this year.
Voigtlander is known for making rugged lenses with good image quality, and the Voigtlander APO-LANTHAR 50mm f/2 Aspherical is no exception to that rule. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
Wide-aperture 35mm lenses are some of the most popular out there, at home in a quite varied range of applications, including portraiture, weddings, astrophotography, traveling, and a lot more.
100-400mm zoom lenses are some of the most popular out there, offering a highly versatile focal length range suitable for just about everything from wildlife photography to sports and more.
The Mac Studio is powerful — ridiculously so. It comes in two flavors, the M1 Max and M1 Ultra, and you might be wondering which version is right for your needs. This great video review discusses both and weighs their performance and cost to help you decide.
When it comes to photography gear, what do you actually need to get the image and what is probably a waste of time buying? That can be a tough question to answer, or is it? With the photography market pushing everything at you from all corners, it all depends on what you are hoping to achieve with your landscape photography.
Wontancraft has announced their new Scout camera bag. Known for combining old-school craftsmanship and modern-day functionality, their World War II 50s-style bag is designed for just that. The newest bag in their line boasts an accordion-style opening, YKK waterproof zippers, and water-repellent Cordura fabric.
One of the best parts of the Micro Four Thirds system is the wide selection of sharp but quite portable lenses, and if you do not need a particularly wide aperture, the OM SYSTEM M.Zuiko Digital ED 40-150mm f/4 PRO is especially compact and light while also not breaking the bank.
Modern cameras support fantastic image stabilization, and ISO noise is not a problem anymore. We can shoot freehand in dusk conditions and get stunning, sharp photos. So, have tripods become obsolete?
Tamron has established itself as a manufacturer of superbly practical and affordable lenses in the last few years, but they have also started to push the boundaries of lens design to create some impressively extreme lenses.
Superzoom lenses are often overlooked because their extreme focal length ranges mean inherent compromises in image quality, but in recent years, we have seen some impressive advances that make them viable options for a lot of work. This excellent video features an experienced landscape photographer making a case for using a superzoom lens for landscape work.
Samyang has long been recognized for creating affordable and sharp manual focus lenses, but in recent years, they have expanded into autofocus options, vastly increasing the versatility of their offerings while maintaining budget prices.
Traditionally, portraits are shot with focal lengths between 50mm and 135mm, though there is no reason you can't use a longer focal length. Nonetheless, 400mm f/2.8 lenses are traditionally reserved for professional sports and wildlife photographers who need a lot of reach and the ability to capture as much light as possible.
While the 85mm focal length is the classic choice for portrait photography, 135mm is a popular alternative, and there are some real gem lenses to be found there. One such option is the Sony FE 135mm f/1.8 GM, and this great video review takes a look at the lens and the impressive performance and image quality you can expect from it in practice.
Perhaps no lens has a wider price range than the 50mm, which can cost anywhere from under $100 to well over $2,000 depending on the sort of performance and image quality you are after. Two options at the top end are the Canon RF 50mm f/1.2L USM and Sony FE 50mm f/1.2 GM, and this great video review takes a look at both and which edges out the other.
Modern cameras offer a wide variety of settings to change the behavior and customize to your own preferences. There are also a lot of basic settings you choose once and forget about it. Did you know there are settings you can ignore completely? I found eight of those.