Along with the X-H2S, Fujifilm has announced the XF 150-600mm f/5.6-8 R LM OIS WR lens, which offers a ton of reach for sports, wildlife, and bird photographers. How does it hold up in the real word? This excellent video review takes a look at the sort of performance and image quality you will be able to expect.
Fujifilm's latest camera, the X-H2S, is here, and it brings with it a veritable plethora of improvements and new features. This excellent video review takes a first look at the camera and the sort of performance and image quality you can expect from it.
Pocket cameras and action cameras used to put convenience and ruggedness ahead of image quality, but in the past few years, we have seen remarkable steps forward, and now, you can have your cake and eat it too. If you are looking for one to add to your kit, check out this fantastic video overview that will show you the best pocket, action, and 360 cameras for summer 2022.
Zoom and prime lenses both have their own purposes and respective pros and cons, although beginners typically default to using zooms, particularly since most kit lenses are of that variety. There are a few properties than should make you consider grabbing a prime lens instead, however, and this excellent video discusses one of the subtler reasons using one can benefit your photography.
If you’re anything like me, you like to save as much on gear as possible. As expensive as gear is, there are some things I suggest you should not go cheap on. This list consists of stuff that is long-lasting and will not go out of date quickly.
Samyang has long been known for making affordable and sharp manual focus lenses, but recently, they have started producing autofocus lenses as well, but they have still managed to keep prices below those of many first-party options. One such option is the 50mm f/1.4 AF Series II, and this fantastic video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Sony's FE 70-200mm f/2.8 GM OSS II takes what was already an impressive lens and improves on it to make it even better, making it a desirable option for a lot of photographers and filmmakers looking for a fast and versatile telephoto zoom. This excellent video review takes a look at the new version and the sort of image quality and performance you can expect from it in practice.
Fujifilm's GFX line of mirrorless cameras turned the paradigm of medium format on its head by making it far more affordable, so much so that it has become a viable alternative to full frame, particularly for people like portrait, wedding, and landscape photographers. If you are interested in the camera for your work, check out this fantastic video review that discusses one photographer's thoughts on the camera after using it for landscape work for a year.
It's no secret about how Apple and other manufacturers get around the optical zoom problem on smartphones. One only needs to look at the back of the phone to see the ever-increasing number of lenses and sensors stuffed into the back shell. Sony, however, has figured out another way.
Ever since the EOS R5 hit the market, Canon has pushed ahead with vigor in the mirrorless market, and it looks like they have no intention of slowing down. In fact, the company seems to be planning a camera that will challenge Sony for the crown of resolution by quite a bit.
Why do all lenses, including the one in the human eye, flip an image upside-down? Or do they? It's far easier to understand than you might think.
There has been a wealth of smaller brands cropping up, looking to dethrone photography royalty. Meike is one of them and they targeted Canon's cinema lens set. So, are they far enough behind Canon to warrant an extra $15,000?
The Sony FE 70-200mm f/2.8 GM OSS II is the second iteration of the company's fast telephoto zoom, making it an appealing tool for a lot of professional photographers and filmmakers. It brings with it a wide range of improvements over the original, and it looks like quite the impressive lens. This fantastic video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Fujifilm's GFX line of medium format mirrorless cameras turned the paradigm of large-sensor cameras on its head by making them highly competitive on price, so much so that they became viable alternatives to upper-level full frame options. The first of them was the GFX 50S, and though the line has evolved since, it remains a viable option and might just be one of the best deals in photography right now.
What did you do during the pandemic? With most of the industry at a standstill, sports photographer James Quantz started a new company, Pro Light Mods, and designed a prototype of his "Maxi Brute softbox". Not only are they super awesome, but any photographer can pick one up now!
The Canon RF 50mm f/1.2L USM lens was one of the first made for the company's full frame mirrorless mount, and it put the photography world on notice by showing Canon was committing to a new standard of image quality in their RF lenses, a standard that has been upheld in many of their lenses released in the last few years. This great video review talks about the lens' performance and image quality after three years and almost 70,000 photos and if it is worth the premium price.
Graphic tablets allow photographers to work with precision when it comes to editing and retouching. Let’s take a look at how a large but cable-free tablet can affect your workflow and comfort.
SanDisk is currently running the biggest one-day sale of the year on memory and storage.
The Canon EOS R10 is here, and it offers a lot of performance at a very affordable price, making it a great entry into the company's mirrorless systen or a reasonable backup body for photographers already shooting in it. If you are interested in adding the camera to your arsenal, check out this fantastic first look video that will show you the performance and image quality you can expect from it.
Nikon's first throwback retro camera, the Df, received a lot of mixed reviews upon its release, with most people noting that it placed a little too much emphasis on form and not quite enough on function. The Z fc mirrorless camera keeps the look but ups the ante, providing a nice set of balanced specs at very reasonable price. The excellent video review takes a look at the camera and the sort of image quality and performance you can expect from it in practice.
Are you using the right lenses for landscape astrophotography? The traditional goto lens for landscape used to be a 16-35mm or thereabouts, as long as it had a maximum aperture of f/2.8, it could double for night duty.
This unique laptop from ASUS offers more than just a powerful computer. Let’s take a look at how the ProArt StudioBook 16 can contribute to your post-processing and retouching workflow.
High altitudes, snow, biting cold, and a lot of equipment. Some shoots are harder than others and this music video looked particularly grueling. Nevertheless, the Nikon Z 9 is well-equipped for such trials; see how it performs in a testing climate.
While Canon has been pushing aggressively in the mirrorless space, one place they have yet to explore with the RF mount is APS-C — until now, that is. The EOS R7 is here, and it fills the place left by the highly popular 7D DSLR series. This great video takes a first look at the camera and the kind of image quality and performance you can expect from it.
As someone who's been a regular Canon EOS R system user for the last few years, it's really dawned on me through teaching students how much things have changed for the better with serious mirrorless cameras.
Modern cameras, even entry level, are remarkably capable machines, offering a wide variety of useful features for photographers and filmmakers alike. And yet, one basic feature is still left out of many models, despite its tremendous usefulness and popularity. This great video discusses why more cameras should embrace it.
At just two inches long and 4.6 ounces (130 g) in weight, the Panasonic Leica DG Summilux 9mm f/1.7 ASPH. lens is ridiculously portable, making it a great wide angle option for Micro Four Thirds photographers and filmmakers. If you are looking for a wide angle lens with a wide aperture for your kit, check out this awesome video review that takes a look at the sort of performance and image quality you can expect from it in practice.
Tamron has made a name for themselves in the last few years by creating lenses that are highly practical and offer great image quality without costing an arm and a leg. One of the most exciting newer options is the 35-150mm f/2-2.8 Di III VXD, which can replace a multitude of lenses in a photographer's bag, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
Today, I’m reviewing the XDynamics Evolve 2 Drone. I’ll share thoughts on build, performance, and other details as well as my favorite features. Drones, or “airplane cameras” as my kids call them, are an awesome piece of technology that can take your photos to a whole new level.
Sony users have a ton of choices available when it comes to lenses, with many manufacturers offering a wide range of focal lengths and maximum apertures that can fit just about any budget. If you are wondering how to navigate all those choices, check out this great video that will show you 10 excellent third-party lenses for Sony mirrorless cameras.
