Gear

The Canon EOS R5 and R6 are Canon's newest mirrorless cameras, and they are impressively advanced machines capable of tackling a wide variety of scenarios with ease. But to get the most out of those capabilities, you need to set yours up properly, which is a bit of a complicated process. Whether you just got your camera or you have had it for months, this great video tutorial will run you through all the important menu options and how to set them.

No doubt, many of us would love the extremely thin depth of field and light-gathering powers of an f/0.95 lens, and the price range of those options covers a huge range. Can an $800 f/0.95 lens keep up with an $8,000 f/0.95 lens? This great video review compares the Mitakon Zhongyi Speedmaster 50mm f/0.95 III to the Nikon NIKKOR Z 58mm f/0.95 S Noct lens to find out.

Clean up clutter backdrops in macro photographs by recycling the trash into a beautiful close-up DIY backdrop.

The Sony a1 is by far one of the most extreme cameras we have ever seen, with some particularly head-turning video features that make it (at least on paper) ready to tackle just about anything you can throw at it. How does its video performance hold up in the real world? This fantastic video review takes a good look.

The latest rumors for the Canon EOS R1 have been published on several sites, and in many respects, they're pretty unbelievable. The alleged leap in technology from Canon's current flagship, the Canon 1D X Mark III to the potential EOS R1 is huge, to say the least. However, this seems awfully familiar to what happened before the Canon EOS R5 was released.

Soviet-era vintage camera lenses are revered by many for their build quality and singular optics, but this particular lens is even better than most.

Leica may be the most polarizing brand on the market, but they have an undeniable quality of products. When it comes to their lenses, however, is this their crème de la crème?

Canon's 200mm f/2L is known as one of the most impressive lenses out there, and so, it was disappointing not to see it on the company's mirrorless roadmap. That may be changing, however, as a patent for a new version has emerged.

This is far from a "why you should do this" video, more a "why I do this." I want to talk about how I accidentally ended up shooting my whole portfolio with a single lens, even though commercially, I use many.

There are staple telephoto lenses, such as the 70-200mm, but this photographer believes the standout winner and the most underrated Sony lens, is a 100-400mm.

The Sony a1 is undoubtedly one of the most impressive cameras ever released, and it offers photographers and filmmakers extreme performance and the sort of versatility to tackle just about any project you need to. This excellent video review takes a look at the camera's video performance and if it is the right choice for your work.

It was a matter of time before Canon released the RF version of the popular EF 100-400mm f/4-5.6L II IS USM. This new lens has 100mm more reach, together with a smaller aperture at the longest focal length. I got a chance to review the Canon RF 100-500mm f/4.5-7.1L IS USM to find out how this lens performs.

Three leading brands, three leading cameras (with two in shops), and three different approaches. Has Sony, Nikon, or Canon got the best strategic approach for grabbing the mirrorless market?

A wide-aperture 35mm lens is a versatile tool, useful for a wide range of genres ranging from portraiture to events coverage and more. For Sony shooters, two of the most premium options are the Sony FE 35mm f/1.4 GM and Sigma 35mm f/1.2 DG DN Art, and this excellent video review takes a look at how the two perform for portraiture and which edges out the other.

What can you do with a 12mm wide lens and is it worth the upgrade?

I shoot with Nikon Z. I really like the system, and I’m excited to see Nikon making a clear commitment to the high end of the lineup. What I don’t like is the pointlessness of these pre-pre-release announcements.

Canon and Sony have continued to produce incredible cameras and lenses for all kinds of photography. For portrait photography, wide aperture 85mm lenses are one of the popular options. The large and expensive 85mm f/1.4 lenses are great; however, over the last few years, f/1.8 primes are starting to become better options in some regards.

Whether you’re a photographer or videographer, you know the difference lighting can make in creating a compelling shot. While there are dozens of tools and techniques you can leverage in your next shoot, the Godox TL60 tube light might offer the creative possibilities you’re looking for, particularly for video work. Want to see what makes it so special?

After a series of articles detailing when and what to buy, today, I’d like to have a look at the other side of that equation.

Sony has announced a new 127-megapixel medium format sensor that has a global shutter. Sony has described it as having "the industry's highest effective pixel count of 127.68 megapixels." This does, however, come with a number of caveats, although it is effectively the highest-resolution sensor with a global shutter.

We have known that a flagship Nikon mirrorless camera was likely coming at some point, but tonight, the company has officially confirmed its development and scheduled release for later this year. They have also confirmed some details about the upcoming camera and released an image of the body.

The 70-200mm f/2.8 lens is the workhorse of choice for photographers in a wide range of genres, but such lenses are both heavy and quite expensive. For those who want the versatility of those focal lengths but don't need that f/2.8 aperture, a 70-200mm f/4 lens is a far cheaper and more portable option. This excellent video review takes a look at Canon's mirrorless version of the lens, the RF 70-200mm f/4L IS USM.

Great news for bokeh lovers: a new super-wide-aperture lens will likely be announced next week. Sony will be announcing the FE 50mm f/1.2 G Master lens on March 16.

Insta360 has just debuted their latest action cam, just in time for the warm weather coming up. Is it worth upgrading?

A wide angle zoom lens is a versatile option suitable for a wide range of scenarios, and for Fujifilm shooters, one option is the XF 10-24mm f/4 R OIS WR lens, a recent update to the original. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Have you ever used a highly versatile zoom lens with a great range to it? They have grown in both number and popularity in recent years, so how is Nikon's one-lens solution?

After capturing the majority of my portfolio with the Canon 5D Mark IV over the last four years, it was time for a change. So, why did I choose the Canon R5, and what do I expect it to do for my photography?

In 2019, Canon did something weird: they crowdfunded a camera that no-one wanted. 18 months later, the reviews are largely terrible and you can now buy it for almost one third of its original price. What happened with the Canon IVY REC?

Twenty years ago, tripods were necessary for any sort of long exposure. Today, though, lenses and cameras can offer insane levels of stabilization of sometimes up to eight stops. With those capabilities, do you even need a tripod anymore? This interesting video poses that question and covers the times where you may or may not need one.

Alongside the release of the diminutive a7C, Sony released a new kit lens: the surprisingly compact 28-60mm f/4-5.6, which keeps its size and weight down by trimming 10mm off the long end and being collapsible. However, is it worth $500?