When you buy new (or used) lenses, they almost always come with a lens hood that you can attach to the end of the lens. They serve various purposes but do you really need to use them?
Hasselblad is known for producing medium format cameras such as the Hasselblad X1D II. These cameras produce stunning results and operate with sensors that are larger than those found in full-frame and APS-C bodies. So, what is Hasselblad doing co-developing smartphone cameras and are they any good?
A photographer in New York has filed a class-action complaint against Sony for alleged defects that cause unreasonable failures in the shutter of the wildly popular a7 III.
Viltrox has been quietly busy producing a number of lenses for the Sony system, the latest being the 24mm f/1.8 that’s priced a refreshing $429. Is it any good? This review seeks to find out.
When I first wrote about using mirrorless cameras for journalism in 2014, the Sony Alpha series had just been launched a few months before in 2013. Panasonic was just hitting its stride with the GH series of cameras and Fuji had just really started kicking off its X-Series cameras. Things have certainly changed.
Curved sensors will solve some of the challenges posed by the laws of physics that manufacturers battle with when designing lenses, but when is this new technology going to bring about dramatic changes to the world of photography?
The Tamron 20mm f/2.8 Di III OSD M 1:2 is a very affordable and portable prime lens that also offers semi-macro capabilities. This excellent video review takes a look at the lens and the kind of performance and image quality you can expect from it in practice.
A wide-aperture 50mm lens is one of the most versatile out there, useful for anything from portraiture to low-light events coverage. For Nikon shooters, the premium option is the NIKKOR Z 50mm f/1.2 S, and this excellent video review takes a look at its performance and image quality in real-world usage.
The tilt-shift lens is probably one of the most special lenses available. It allows the photographer to turn, shift, and tilt the lens in many different ways. In this article, I explain when and how to use the tilt function.
When Canon's RF 100-500mm f/4.5-7.1L IS USM lens was announced, it raised a few eyebrows over its maximum aperture, but as the reviews have started to pour in, it seems like the company has created a winner. This great review takes a deep look at the lens and how it compares to one of Canon's most expensive supertelephoto prime lenses.
The fact that the focal plane of a picture must always be parallel to the sensor plane is so obvious to most photographers that they don't even bother questioning that fact. Here's what happens when you do question it and how modern mirrorless cameras can help you do it.
As more and more cameras are released, older cameras continue to fall in value despite the chasm between spec sheets shrinking. But how does a 14-year-old RED camera fare today?
Sigma has just announced the new Sigma fp L mirrorless camera, and we've been testing it over the last week. On the surface, there aren't any differences between the new model and the original Sigma fp. However, take a closer look, and you may be surprised at what Sigma has managed to produce here with its latest model.
Medium format has been quietly becoming more powerful and more affordable and many photographers have started dipping their toes. In this video, one landscape photographer takes the 102 megapixel Fujifilm behemoth for a spin.
The Sony a1 is groundbreaking in its technological capabilities, but is it the perfect camera? Not quite. If we’re going to nitpick, there are definitely a few areas where it falls short, and there are several design decisions that are hard to explain.
As advanced as phones have become, they are still outdone by dedicated professional cameras with larger sensors. However, the device they have largely replaced, the pocket camera, are on a more level playing field. So, how does a top-level cameraphone compare to a premium compact camera? This great video review compares the Sony ZV-1 to the iPhone Pro 12.
For Fujifilm GF shooters, the GF 45mm f/2.8 R WR lens offers an equivalent focal length of about 35mm along with a wide maximum aperture, making it perfect for a wide variety of scenarios. This excellent video review takes a look at the lens and the kind of performance and image quality you can expect from it in real-world usage.
They might have different focal lengths and different maximum apertures, but the Sigma 24-70mm f/2.8 and the Sony 24-105mm f/4 are very similar in price thanks to a rebate, and each would make a solid choice when it comes to a lens that does a little bit of everything. Which one should you choose?
Sony just announced three new lenses, the FE 24mm f/2.8 G, FE 40mm f/2.5 G, and FE 50mm f/2.5 G, each a very compact and light prime meant for quick shooting with easy portability. This excellent video review takes a look at all three lenses and the kind of performance and image quality you can expect from them in real-world usage.
The Canon EOS R5 is the company's highest-resolution mirrorless camera to date, but as the general 5D analog, it actually is not meant to be the company's high-resolution body. This means we will likely see a high-resolution RF mount body at some point, and it looks like Canon is aiming to clear 100 megapixels.
So, you’re starting to think that you really want to grow and try something new with your photography, but don’t have the funds for a new camera? Well, there’s a good chance that you can make significant upgrades to your productivity without breaking the bank.
Nikon mirrorless fans will be pleased to hear that the company is planning at least a dozen new lenses for the next 12 months, greatly expanding their lineup and filling in both some popular and premium options.
Many who try to create a glow effect in their shots will end up with something closer to soft focus. Here's how one photographer gets a dreamy feel to his images, without sacrificing sharpness or important details.
Aputure has released a number of cost-effective and innovative lights for photographers and videographers in the last few years. Now, one of their most popular lights (and most innovative for that matter) can come as a complete solution.
Zeiss lenses are known for their nearly perfect optical performance, and the Otus 85mm f/1.4 may be one of the best in their lineup. If you are looking for some of the best optical quality you can find in a portrait lens, check out this great video review of the Otus 85mm f/1.4 ZE lens.
Sony has just announced three new prime G lenses for the E-mount and they come with a twist.
The X-E4 slots into Fujifilm's beloved X Series line of mirrorless cameras as an affordable option that still offers a wide range of features paired with the company's latest iteration of the X-Trans sensor. This great video review takes a look at the camera and the kind of performance and image quality you can expect from it in practice.
It’s often read and repeated: Micro Four Thirds is dead! Olympus’ camera department has been sold and full frame mirrorless is currently ruling the game. Am I the only one who doesn’t care?
No doubt, cameras have made remarkable progress in the last few decades, and modern bodies can do some incredible things. How far have we come? This interesting video compares the Nikon D200 to the Z 7 and shows us that while we have made huge progress in some ways, in other ways, things have not changed all that much.
Few lenses create images as instantly magical as the Canon EF 200mm f/2L IS USM. So, how does this beast perform? Check out this great video review to find out.
