All this weekend, we're giving you exclusive coverage of PhotoPlus Expo in New York City, where all brands meet, announce and show of their latest products and innovations. Yesterday, we were able to give you an inside look at the Sony A7R, TriggerTrap RedSnap, DEFY Gimbal system and others. Today, we're able to show you an inside look into Samsung, Manfrotto, and more.
Photo Plus Expo is upon us, and I'm here to give you an exclusive look at what all that happened yesterday. If you're in New York, you're highly encouraged to check out all that is happening. If you're not able to check it out, I am here to show you the new products, exclusive interviews and all the events and news going on in New York this week.
Tonight from the PhotoPlus Expo, Sigma has announced the pricing and availability of its new 24-105mm F4 DG OS HSM Art lens. It will be on shelves next month, starting with Canon mounts, for the MSRP of $899. That's quite a bit less than the Canon equivalent that, for many, leaves a lot to be desired. If Sigma's past lenses have been any indication of quality, we can expect it to be worth it.
Nikon put out a video that seems to be teasing something huge for the company... the retro full frame compact that has been hitting the rumor mill pretty heavily in the past week. That said, this video from Nikon seems to be pointing to the rumors being more fact than fiction. This camera looks like it's coming, and soon.
This week we purchased our first LED lights pad kit and I have never been more excited. After much debate on which kit, which manufacturer, how many lights, we finally pulled the trigger on the ROSCO Gaffers Lite Pad Axiom Kit sold at BH Photo. There are so many options on new lights today and the choices are overwhelming. In the end we wanted a large kit that was compact, durable, dynamic, daylight balanced, and easy for a small crew to set up. This kit did all of that.
Ideal for mounting Leica X- and M-system cameras, Leica's new 24/38 ball heads and new carbon tripod provide the same high-quality precision engineering typical of the storied German brand. Well suited for travel and location work, the 2.6-pound carbon fiber tripod when matched with one of the ball heads extends to five feet high and collapse to 1.7 feet when packed.
Big news in the world of Fuji today. They’ve just announced the release of two new models - the mid range mirrorless, interchangeable lens 16.3 megapixel APS-C sensor XE-2, which replaces the XE-1. The also announced the compact point and shoot XQ1, which supersedes the XF1. Both cameras are available for pre-order now and will be shipping next month, in November.
In the wee hours of the night Nikon announced the new D5300, not even a year after its predecessor the D5200. It's no doubt that entry level cameras are going above and beyond what they originally were, but new features on the D5300 rumor to make it appeal to videographers and photographers alike.
Nikon has unveiled the Nikkor 58mm f/1.4G lens priced at $1696, apt timing after Zeiss released their $4000 55mm last week. The lens uses two aspherical elements, a Nano Crystal Coating, and Nikon's Super Integrated Coating in an attempt to remove all traces of flaring or light falloff. Nikon claims this will allow it to be used in low-light situations by maintaining edge-to-edge sharpness and even lighting at all apertures.
I've wanted to be impressed with Sony for a long time, and I think that time has finally come. The rumored full frame compact interchangeable lens camera is real, as Sony has announced the Alpha 7R and Alpha 7. Featuring full frame sensors, fast hybrid AF with phase-detection and a new image processing engine, these might be everything we've wanted in a compact camera.
UPDATED: Estimated arrival date released. In a stunning development, Sigma has placed the rumored 24-105mm on their website. I say stunning, because the whole of the Sigma USA team is on holiday today and we were never briefed on this lens officially (which is HIGHLY unusual, eg. this is the first time it's happened). This story is still developing, but the page is live and you can look at it yourself.
With so many options out there for off-camera flash gear, how do you know which is best for you? More importantly, how do you learn how to use it in a real life situation? Maybe my techniques and approach are just what you've been waiting for!
Do you remember the last time you were shooting at a less than ideal time of day, or maybe a less than ideal location for light? Think back to it. What did you do?
If you've been following Fstoppers, you might recall the Benro S2 and S4 video monopods that we reviewed in the spring of 2013. They're solid, and despite an abundance of plastic parts that could be a turn off, the larger S4 was a great monopod. Seeing the need for one just a bit larger, Benro today announced the S6 video monopod.
A couple of months ago, I created a video tutorial to show how camera movement can affect your story. The take away from the video and article was that filmmaking should be about the sexiest camera movement, but instead the focus should be on camera movement that fits your story. Learning how to put my story first was something repeatedly drilled into my head while attending a workshop by filmmakers “Stillmotion” last year. Stillmotion's story-first approach has been the key to their success and has helped them land huge contracts shooting the Superbowl, Callaway Golf and Canon just to name a few.
In this useful video by Jay P. Morgan of The Slanted Lens he walks you through how to pack your gear to be ready for airplane travel whether it be within the United States or overseas. Jay explains the proper paperwork you should have for your gear when traveling internationally and what gear he typically packs when flying and most importantly why. The video and the advice that Jay gives you is very detailed and extensive. It's a great resource to watch every time you're about to fly out to your next location and might just save you a headache or two.