Gear

It's been more than three years since Canon first released their flagship camera the EOS-1D X Mark II. Since then, plenty of other cameras have been released, new flagship models from other manufacturers and even a whole new mount. Three years is a long tie in the world of technology so how does the current Canon flagship camera hold up to today's standards?

The fast pace of changing technology is not slowing down. Add to the mix new mirrorless systems, VR, 8K it’s starting to make more and more sense to rent camera bodies, or does it?

It was about five years ago that I first tried this out, and it’s crazy to me how camera manufacturers will omit such a great feature.

For those of us who insist on lugging our gear out on location, a sturdy backpack is a must-have. As a hiker, climber, and chronically over prepared photographer, I’m used to packing a heavy load up the side of a mountain. That’s why I was so excited to get my hands on the 20L Tenba Axis Backpack.

Panasonic isn’t holding any punches with this new camera. Just how much have they crammed in?

Longer telephoto lenses can be very pricey, especially if you're only looking to use one occasionally or simply don't have the money to drop five figures on top of the line glass. Luckily, third party companies have been producing excellent long zoom lenses for the last few years at much more affordable prices. Today only, you can get an even better deal on the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens in Nikon F or Canon EF mounts.

ND filters range from useful in landscape photography to bordering on necessary for filmmakers to keep control of your aperture while under any lighting condition. This new ND filter from Panavision is special - it is electronic and fits into a standard matte box.

A lot of my work has light placed in very precise spots, just over the eyes, or the lips, or just on one spot on the face. I often get asked how I do it, and instead of just saying the product, I thought I should go more in depth and talk about the ins and outs of how to get the most out of Cinefoil.

Continuing our A to Z foray into the world of photography, we move on to B. What better place to start than an iconic manufacturer in the form of Bronica and Burtynsky?

With five new camera codes recently patented, we could be in for a flurry of bodies launched in 2019 and 2020 as Nikon looks to pad out its range of Z series mirrorless cameras. Are we a few months from the announcement of a high-end, full-frame camera complete with dual card slots, beating Canon to the punch?

In what is sure to be another blow to DSLR users, Canon is now rumored to be ending some of its more prominent lines, including the high-megapixel 5DS and 5DS R and its hugely popular 7D line.

The rumor mill is always turning and the future of RF and Canon’s full-frame mirrorless offerings is where many photographers are keeping their accumulated attention. For those who shoot the “big white” lenses, this just might be the turning point for those whose talents extend to wildlife and sports photography with lenses that many times average more than $10,000 to purchase.

A lot of photographers and videographers longingly look at new gear, trying to rationalize dropping a lot of money on the latest and greatest cameras and lenses. But when do you really need to actually upgrade? This great video offers some useful questions and guidelines to help you make the correct decision.

A few days ahead of the official Lumix Cine camera announcement, the first specifications are leaking on the internet. Here is what we know.

Like any product, cameras receive a sizable dose of marketing, and like any marketing, that can be... misleading.

Drone-maker DJI made a bold decision to descend from the heavens and put its cameras into the hands of action sports junkies with the recent release of the Osmo Action camera. But while we know DJI has dominated the skies, how does it stack up against the competition in the action camera market? Kai Wong puts it to the test.

Sony's G Master lenses are the cream of their crop, akin to Canon's L series lenses, and they're known for their sharpness, bokeh quality, and well, their prices. What makes them so expensive, though? This great video aims to answer that question.

The mirrorless war has been raging for some time now, particularly since Canon and Nikon entered the frame. Not all were well received, one of which has just been called "the most underrated camera of 2019" by a prominent YouTuber.

In this section of my five-part series, I’d like to look at the overall experience of shooting with a medium format camera versus shooting with a full frame or APS-C sized sensor. We’ll also look at some of the unique quirks to take into account with the Fuji GFX 50S.

Most of us have used an f/1.4 or f/1.8 lens at some point and seen the crazy bokeh you can get once you start getting into those really wide apertures. But f/0.95 is more than a stop wider than even f/1.4, and the light-gathering power and bokeh you can get from such a lens is on an entirely different level. Check out this look at the Mitakon Zhongyi Speedmaster 50mm f/0.95 III lens.

The entry point for medium format has been tragically high for so long. With Hasselblad and Phase One acting as the resolute gatekeepers of a camera type that has been alluring for decades, and a long-standing staple of professionals.

The Sony a7 III, whether you like it or not, took the photography world by storm. One of its real selling points is just how customizable it is, so it's worth learning just how to set it up to suit your needs.

The interesting looking and very niche probe lens has started to show up more in videos as owners find creative ways to use its unique features.

One of my biggest fears as a professional photographer is that someday, somehow, for some reason, I’m going to lose critical images from a shoot and make a client, and myself, very unhappy. A memory card gets corrupted, a hard drive fails, or my studio burns down.

They say the best camera is the one you have with you, and certainly, the DJI Osmo Pocket is one that you can easily carry everywhere with you. But do you have to sacrifice video and image quality for that small size? This great video review takes a long-term look at the device and answers that exact question.

Lomography has just announced its new Petzval 55mm f/1.7 Mark II lens for Canon, Nikon, and Sony full-frame mirrorless cameras, a piece of glass that seems made by hipsters for hipsters and could only be less understated if it came encrusted with diamonds.

The camera press went a little crazy this week as a small company announced that something tiny will sell for something massive. As someone who hates tripods and will go to some lengths to avoid using them, trying to get my head around the column inches has been fascinating.

Leica has announced a brand new model. Called the “Drifter” Set, the Leica M Monochrom is a limited edition, faux python skin camera designed by musician Lenny Kravitz , retailing to the tune of $24,000.

When we think of "need to own" lenses, sometimes we ignore the utility for the aesthetics. Other times, when looking at new equipment it really comes down to the usability of a lens and whether it should be taking up space in your bag. If you’re trying to make those decisions now, Pye Jirsa may be able to help.

With an optical viewfinder, you are literally looking through the lens, so you see exactly what will be in the frame. Now, we have reached the realm of the electronic viewfinder, the EVF. But there are some things you need to be aware of.