The iPhone 6s Takes Better Video Than My Professional Nikon DSLR

Yesterday we released the iPhone Bikini Shoot, a video in which I do a professional quality photoshoot with minimal gear. The point of the video wasn't to say that the iPhone was a better camera than a professional DSLR, it was meant to inspire photographers to use the gear they currently own to create beautiful images. Obviously the iPhone is infinitely worse than any current DSLR for stills but surprisingly it appears to be a far better video camera than my $3000 DSLR when there is enough light present.

Professional NFL Photographer Captures Prime Time Game with iPhone 6s Plus

Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.

Reviewing the Dynamic Range and 4K Video Quality of the New iPhone 6s

Recently, PRO EDU posted video reviews of the new iPhone 6s, which is getting major attention for its new video capabilities, namely its ability to record 4K video. In these two video reviews, PRO EDU takes a look at the dynamic range and stabilization ability of the new phone, as well as its overall video quality. PRO EDU, known for their video tutorials on photography topics, uses the iPhone on productions regularly, as I experienced firsthand, during the filming of the Dani Diamond Portrait Tutorial in my hometown of New Orleans.

Fstoppers Reviews the Fujifilm X-T10

The Fujifilm X-Series cameras have made quite a stir in the photography community over the past few years by asking us to take mirrorless cameras seriously. Since the debut of the X-Pro1, Fuji has released numerous iterations, but has really showed it was serious with the X-E2 and X-T1. Now, we have the X-T10, a scaled back X-T1. Where does it fit and who is it for?

iPhone 6S Vs. 6S Plus 4K Video Comparison Proves There Is No Substitute for Optical Stabilization

Aside from some people getting theirs early and others being in time zones where "today" was "yesterday," the iPhone comes out today in the U.S. And of course, those who have theirs have already spent plenty of time comparing various features. This new video by Giga Tech highlights the differences between the iPhone 6S' and 6S Plus' respective video qualities when it comes to video stabilization. The larger Plus model features optical stabilization as its predecessor did while the smaller size of the smaller 6S only leaves room for digital stabilization — and the difference is quite dramatic.

My Post Wedding Workflow For Image Backup And Cataloging

When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.

Fstoppers Reviews the New Tamrac Anvil Professional Series Photo Backpacks

For almost 40 years, Tamrac has been producing bags aimed towards photographers who embraced the great outdoors. Their brand new collection of Anvil backpacks — which replaces the Expedition line — continues their tradition while making a number of exciting design choices that make this collection their best ever. In this review, I take a look at the Anvil Slim 15, which is sized for photographers who have entered the exploding mirrorless market, but shares the same look and feature set of the rest of the Anvil collection.