Having multiple cameras as a photographer is always a good idea as it gives you security and versatility. The good news is you can easily add an extra camera to your arsenal for less than $100.
The Mac mini has long been a favorite of casual users and creatives alike who want the Mac experience in a desktop without dropping top dollar on a Mac Studio or Mac Pro. And now, with the ability to add an M2 Pro chip, the mini is more capable than ever. This great video review takes a look at the new Mac mini with the M2 Pro chip and just what you can expect from it.
While the Canon EOS R5 got a lot of the accolades upon its release, the EOS R6 is arguably the most practical workhorse in Canon's lineup, with a balanced feature set that borrows a lot of the advanced capabilities from its bigger sibling without the added luxuries that would drive its price up. The EOS R6 Mark II takes that foundation and includes a range of improvements and new features that add up to a refined and well-rounded professional instrument. This great video review takes a look at the camera for stills work and how it compares with the latest options from Sony and Panasonic.
Katelyn James breaks down the essential (in my opinion) options you need to know and master on Canon's EOS R6 to be able to nail AF and eye-tracking options ensuring a sharp and tracked subject every time. Her style is easygoing and she's great to listen to and I love her videos and explanations which make sense and put everything into perspective.
The MacBook Pro has long been the workhorse of choice for many creatives, able to handle the needs of even the most demanding photo and video projects. Apple's transition to their own silicon has revitalized the lineup with improved performance and battery life. The latest model features the new M2 Pro and M2 Max chips, and this great video review takes a look at what you can expect from it.
Canon has been quite aggressive in the development of RF mount lenses, releasing some extreme designs, such as the RF 28-70mm f/2 L USM and the RF 85mm f/1.2 L USM. They seem to have no intentions of slowing down, as another boundary-pushing design has emerged in a recent patent.
Nikon’s newly released MC-N10 handgrip might be the accessory you need, even if you didn’t know you needed it.
Canon has developed a new sensor that employs a clever trick for increasing dynamic range.
Everybody's got to start somewhere. The difference these days is about where you want to start. Whether it's vlogging, still photography, or making feature films, beginner cameras have really branched out into specialized tools in recent years.
The Sony a7R series of mirrorless cameras has long been popular for offering some of the highest levels of resolution and image quality available in a full frame camera, but now in the fifth iteration, the a7R V is far from a one trick pony. A range of new and improved capabilities make it a powerhouse camera capable of tackling a variety of scenarios and needs. This great video review takes a look at the camera and the sort of performance and image quality you can expect from it in practice.
The Canon EOS R5 signaled to the industry that Canon was deadly serious about the professional mirrorless space, but along with it came the EOS R6, which kept many of the former's most impressive capabilities without such a high-resolution sensor and features like 8K raw video, which the vast majority of professionals do not need. It was also significantly cheaper, making it quite the intriguing camera. Now, the second iteration, the EOS R6 Mark II, is here, and it brings with it a number of worthwhile improvements. This great video review takes a look at the performance you can expect from it.
Canon has filled out the RF mount lens library at an aggressive pace, with many options that offer impressive performance and push the boundaries of lens design. Nonetheless, there are still some missing lenses. Some new patents have emerged that indicate Canon is working on filling those holes, and they might do so with some fairly extreme designs.
While features like lighted buttons have slowly become a bit more popular in the industry, haptic feedback has been largely ignored, despite being an extremely common feature in other technology. However, that might change eventually, as a Canon patent for a vibrating shutter button has appeared.
Cameras like the Fujifilm GFX 100S have revolutionized the paradigm of medium format gear in the last few years, bringing features and capabilities typically reserved for smaller systems and doing so at a price that competes with the upper levels of full frame. This has made medium format a viable alternative for many photographers, particularly landscape, portrait, and wedding shooters. So, what all can you expect from the switch? This great video features one photographer who made the switch discussing his experience.
The 30mm f/1.4 DC DN Contemporary Lens from Sigma is an affordable, fast prime lens. On paper, it looks like it should be a fabulous piece of glass. I put it through its paces to see if it lived up to its marketing blurb.
Traditionally, professional photographers have shied away from superzoom lenses, as the sacrifices it took to create such a large focal length range were simply too great to make them viable for their demands. On the other hand, they might be worth a second look, especially if you are a landscape photographer. This great video essay discusses why a superzoom lens can often be the ideal choice.
The Canon RF lens lineup is growing nicely, though there is still a hole at the ultra-wide angle end of the lineup. Thankfully, however, that will likely change soon, with a premium ultra-wide angle lens on the way.
For Fujifilm photographers, the XF 18mm f/1.4 R LM WR and XF 33mm f/1.4 R LM WR offer both a wide angle and a normal focal length in tandem with a wide maximum aperture, making them versatile options for a wide range of genres, including wedding work, street photography, portraiture, and much more. How do they hold up over time? This excellent video review takes a look at the sort of performance and image quality you can expect from them.
Don't let anyone tell you gear doesn't matter. It does. It might not be the only thing that goes into getting good images, but it's certainly a big factor. But not all the gear you need has to be bodies and lenses. Here, learn about five purchases you can make to transform your landscape photography overnight.
Lens makers these days are coming up with some incredible options that were unheard of just a few short years ago. That continues here, with the Sigma 60-600mm f/4.5-6.3 lens put up against the Sony 200-600mm f/5.6-6.3 in a battle for the title of best wildlife lens. You could also make a case for it being an action sports lens shootout too. So, how do they perform, and which comes out on top?
Fujifilm's latest entry in the X Series, the X-T5, brings with it some of the company's newest and most advanced features and capabilities in its most well-known design. Can it compete with the many powerful full frame options on the market? This excellent video review takes a look at the performance and image quality you will be able to expect from it.
Sony just announced an all-new full-frame lens, the FE 20-70mm F4 G, which combines an ultra-wide focal length with a standard zoom.
The new Sigma 60-600mm f/4.5-6.3 DG DN OS Sports lens is one of the company's most versatile lenses yet, covering everything from normal to supertelephoto focal lengths and promising to do so with great performance and image quality, making it a potentially fantastic option for sports photography, wildlife work, and more. Can it live up to its potential? This excellent video review takes a look at everything you can expect.
Modern cameras are impressively capable machines, full of a range of advanced features and capabilities. One of the most useful features has been around for much longer than mirrorless cameras, though; in fact, it goes back to the film era. This great video tutorial will show you where to find it and how to take advantage of it to make your workflow easier and to help you get more shots.
Sony announced the development of the 300mm f/2.8 G Master OSS lens, with an expected arrival date of early 2024. The lens is sure to be welcomed by a variety of professional sports and wildlife photographers.
Today, Apple announced the next generation of the Mac mini, powered by the M2 and new M2 Pro chips, as well as the new 14-inch and 16-inch MacBook Pro, powered by the new M2 Pro and M2 Max chips.
In this video, I test the new Fujifilm X-T5 against the Canon EOS R5, which is my go-to studio camera. Originally, I intended only to compare the image quality of Fuji's new 40-megapixel cropped sensor against Canon's 45-megapixel full-frame sensor, but after using the X-T5 for a number of sessions in my studio I decided to make a friendly general comparison of the two cameras.
Fujifilm's mirrorless cameras are highly respected for their design, capabilities, and innovative features, and they have become the system of choice for many wedding photographers. This great video essay features a wedding photographer taking you through the Fujifilm cameras, lenses, and accessories he uses for the big day.
Sony's a7R series has long been respected for offering extremely high levels of resolution (the highest available in a full frame camera, in fact), along with a range of advanced features that make it the workhorse of choice for a wide range of applications. Now in its fifth generation, the a7R is quite refined and can satisfy the needs of many users. This great video review takes a look at the camera and the sort of performance and image quality you can expect from it in practice.
There's definitely more than meets the eye with this new standard zoom lens option. Aside from a wider range and a smaller size, let’s see what else this has to offer.
