Landscape photographers put their gear through some very challenging environments, from rain to snow to freezing cold temperatures and more. Unique landscape conditions tend to happen in inclement weather, making challenging weather the time to be out. But just how tough is your camera?
Superzoom lenses promise versatility and convenience. But is one lens enough to handle everything? The trade-offs between flexibility and image quality make this an interesting question, especially when you’re not shooting in professional environments.
As you might be familiar with Insta360’s Flow Pro, the first smartphone gimbal that features Apple DockKit, they have now released a brand-new model, the Insta360 Flow 2 Pro, which features a sleek design and even more advanced features. With the rapid growth of AI integration technology, the Insta360 Flow 2 Pro has taken the leap to become the next-gen AI-powered smartphone stabilizer, featuring the all-new Deep Track 4.0 that offers advanced tracking capability.
The focus often stays on cameras, lenses, and gear directly tied to capturing images. But there are plenty of non-photography essentials that can make your work smoother and more efficient. These tools might not be designed with photography in mind, but they can become indispensable in your kit.
Westcott has unveiled the FJ800 and FJ400 II Touchscreen Strobes, marking the latest additions to its FJ Wireless Flash System. These strobes are designed to provide professional photographers with advanced features for improved speed, flexibility, and precision in lighting setups.
With its high-end build quality and impressive specs, the Leica Q3 43 promises a premium experience. But does it live up to the price tag?
Neewer’s Q200 Outdoor Studio Flash is small enough to slip in my coat pocket, yet more powerful than my Speedlight. With its array of special features, it’s exactly what I have been looking for.
Medium format lenses promise unparalleled image quality, but they also come with a steep price tag. The Fujifilm GF 45mm f/2.8 R WR, priced at $1,700, sits on the more affordable end of this spectrum. It offers a versatile wide angle focal length and a relatively lightweight design, but does it live up to expectations?
Wildlife photography often demands a significant investment in gear, especially when choosing between two of the most versatile telephoto lenses: the 400mm f/2.8 and the 600mm f/4. Each has its strengths, but finding the right fit depends on your shooting style, subjects, and typical distances.
There are so many times I've asked myself: If I were starting fresh, would I end up within the same system of gear that I'm using now? When I started photography, Sony wasn't even a player in the DSLR game, and so inertia has invariably led me to (mostly) Canon and Nikon over the years. But today's new photographers are spoiled for choice. Which way to go?
Wedding photography doesn’t require a mountain of gear. The key is knowing what’s essential to deliver great results while staying focused on capturing the day. Simplifying your kit can help you stay present, especially if you’re just starting out.
Whether you are new to photography, an experienced pro, or somewhere in between, we start configuring our cameras a certain way and then stop once we think we have it perfected. This can cause a photographer to miss some very helpful settings that can make them more efficient in the field.
This camera backpack from Nomatic has been talked about by many photographers for its unique aesthetic. But is there more to this camera bag than that?
In our never-ending search for the perfect camera, we often bandy around a common term to describe the ultimate in performance: flagship. But what really is a “flagship” camera?
Lenses in the affordable range often make compromises, but the TTArtisan AF 35mm f/1.8 II aims to strike a balance between price and performance. With a focal length equivalent to about 50mm on full frame, it offers a versatile standard view suitable for various shooting styles.
Portrait lenses come in all price ranges, but finding the right mix of quality and affordability can be tricky. The Sirui Aurora 85mm f/1.4 offers an appealing middle ground, delivering strong performance at a budget-friendly price.
When even a compact tripod is too large, photographers don’t have many options for supporting their gear outside of tabletop tripods. In that narrow market, the offerings can feel gimmicky or cheap. In contrast, Leofoto’s MT-04 brings their CNC-machined aluminum build quality and feature-rich ball head to the smallest total tripod package I’ve tried.
Shutter speed plays a huge role in how your images turn out, but it’s easy to fall into default habits like 1/125 of a second. Moving beyond those defaults opens up creative possibilities, whether you’re capturing motion blur or freezing fast action.
Choosing the right lens often comes down to balancing performance, features, and cost. If you’ve ever wondered whether investing in a premium lens makes a difference, this comparison between Sony’s 28-70mm f/2 GM and Tamron’s 28-75mm f/2.8 could offer some clarity.
Pergear has introduced the second-generation 12mm f/2 lens, bringing improvements in design and functionality to this affordable APS-C wide angle lens. Here’s a closer look at what the new Pergear 12mm f/2 II lens has to offer.
There’s always been a gaping hole in Canon’s APS-C strategy. While there are plenty of competent APS-C cameras from the company, it hasn’t always produced the professional lenses to match the bodies.
I go through many a season with my gear. Sometimes it's Nikon season; other times, it's Panasonic or Fuji season. But no matter how many times I try to downsize, I always end up back where I started: with too many cameras.
For the past few months, you have been dropping subtle hints to your family about the camera you would love to own, and you have also been dreaming about your first shoots with your much-desired new camera. Christmas morning arrives, and the excitement of opening that box under the tree is palpable. It finally arrives in your hands; you tear open the wrapping paper and open the box, only to discover some socks and a knitted sweater inside. All is not lost...
When it comes to autofocus, today’s flagship cameras are pushing the boundaries of technology. The Canon EOS R1 and Sony a1 II represent the cutting edge of what’s possible, offering advanced tracking systems powered by AI processors. But how do these systems hold up in real-world scenarios?
There are plenty of camera bag options on the market today. Brands have introduced several styles and options in endless colors and features for every type of photographer. WANDRD is no different, but it offers some unique styles compared to its competitors. The PRVKE 31L is one of those bags. But how does it compare to other bags on the market?
Are you holding back in your creative career out of fear of failure? Take an unfiltered look at the importance of taking risks, stepping outside your comfort zone, and embracing uncertainty as a pathway to growth.
Offering a bright maximum aperture and a versatile 43mm equivalent focal length, the Fujifilm GF 55mm f/1.7R WR is designed for creating sharp, dynamic images with beautifully blurred backgrounds.
The Nikon Z50 II offers an affordable entry into Nikon’s mirrorless Z-mount ecosystem with improvements over its predecessor. But with some notable limitations, how does it stack up against the competition?
Choosing the right camera for your work can be challenging, especially with so many options promising to revolutionize your photography. Testing different systems can provide valuable insights, but it can also lead to wasted time and money.
