Insta360 has released a new AI-powered 4K webcam with a host of intriguing functions. I’ve been running tests on it to see how it performs. Compared with others, it's good, but would you need the improvements I suggest?
Canon’s RF mirrorless system has been missing something important: affordable prime lenses for its APS-C cameras. The Sigma 23mm f/1.4 DC DN fills that gap, offering a bright, compact option for shooters looking for a standard wide angle prime.
Travel tripods have been following a certain newer form factor in the past couple of years, but Manfrotto’s BeFree tripods are sticking to their staple design. Let’s see what’s new about these tripods.
The Fujifilm XF 16-55mm f/2.8 R LM WR II lens is the brand’s new flagship standard zoom, offering a versatile focal range and bright aperture. If you need a workhorse lens for everything from landscapes to portraits, this could be worth a look.
When it comes to photography trips, I always make sure my dedicated camera bag is packed with everything I need to capture my next shot. My gear is safely stored, ready for quick action when the location and conditions allow. But something that often gets overlooked is the extra equipment—clothing, accessories, and other essentials for the journey.
The Viltrox AF 28mm f/4.5 XF lens is one of the most compact autofocus lenses you can get. It weighs next to nothing and turns your camera into something truly pocketable. But is it worth the $99 price tag? There are some trade-offs to consider, and some of them may be deal-breakers depending on how you shoot.
Wide angle lenses dominate landscape photography, but they aren’t the only option. Telephoto lenses offer a different perspective, bringing compression, depth, and new composition possibilities. They let you isolate details, enhance layers, and create a more immersive feel in vast environments.
Following the recent successful launch of the latest AI-powered smartphone gimbal, the Flow 2 Pro, Insta360 has introduced the latest AI tracker as an additional attachment to meet the demand for a seamless and intelligent tracking feature as mobile content creation continues to evolve.
There are a ton of obscure cameras out there, but typically, there’s at least some documentation buried in a weird corner of the internet. Unfortunately, obscurity does not guarantee performance, as this photographer finds out.
Dive into a hands-on review of OM System's hotly anticipated OM-3, a camera that bridges the gap between classic SLR aesthetics and modern photographic innovation.
SmallRig has recently unveiled the RC 220B Pro LED Video Light, marking a significant evolution in its COB lighting lineup. Promising professional-grade performance in a lightweight, compact package, the RC 220B Pro is positioned to be the go-to light for video creators of all levels. I’ve had the opportunity to put it through its paces in real-world production environments to see how it stacks up.
Not all standard zoom lenses are created equal, even when they cover similar focal ranges. Fuji has refreshed its lineup with two new lenses, while Sigma’s popular budget-friendly option remains in the mix. Whether you need the best sharpness, the fastest autofocus, or the most compact option, here's a good guide to what's best for your needs.
There are a thousand and one different wireless microphone options on the market, and these two options from Godox aim to cater to a range of users. But since the brand is better known for lighting gear, are they any good?
Tamron may be eyeing an ambitious new lens: a 200–800mm ultra-telephoto zoom for mirrorless cameras. A recently published patent in Japan reveals optical designs for a Tamron 200-800mm f/6.7 lens, as well as a companion 200-600mm f/5.6 design.
I'm not quite sure what the fascination is with young folks and 2000s-era point-and-shoot cameras, but it seems like everyone is snapping these up in droves.
The Andoer 18-megapixel digital camera is one of the cheapest cameras you can buy on Amazon, but is it even worth the 23 bucks? If you've ever wondered just how bad a budget camera can get—or if there’s any way to make it work—you’re in for a ride.
Canon is looking into resin (plastic) lens elements as a way to make professional camera lenses lighter, according to a newly uncovered patent. The patent outlines designs for zoom lenses that use plastic optical elements to cut down on weight, potentially revolutionizing the build of heavy telephoto lenses.
You’ve been a photographer for many years, and you’re curious about making videos. After all, your camera likely has some amazing video capabilities. But moving to video is daunting; there’s so much more involved than still photography. Here are a few thoughts to help you get started.
Some cameras are built for power, others for portability. Micro Four Thirds cameras aim to balance both, offering a lightweight system without sacrificing performance. But with full frame cameras becoming more affordable and APS-C sensors improving, is Micro Four Thirds still worth it?
Picking the right aperture is a balancing act. Too wide, and you risk losing sharpness in the background. Too narrow, and diffraction can soften your entire image. Knowing how to find the right setting for maximum clarity can make a huge difference in your landscape photography.
In the first big announcement since Nikon’s acquisition of RED Digital Cinema, the company now offers new options that open up the platform for a world of innovation.
Furthering its commitment to professional filmmakers, Nikon today announced the new Z 28-135mm f/4 PZ power zoom lens, made specifically for film and video production.
Choosing the right telephoto zoom lens can be a challenge, especially when balancing price, performance, and usability. If you're considering a Canon lens in the 100-500mm range, you have multiple options, each with its own strengths and trade-offs. Knowing which one best suits your needs is crucial.
These opinions might ruffle feathers, but they're rooted in years of shooting, testing, and loving cameras of all shapes and sizes. From color science to craftsmanship, lens lore to mirrorless revolutions – nothing is off-limits. Disagree? Good. Fight me.
Canon has released many legendary lenses over the years, but some models remain obscure. One of the rarest is the EF 50-200mm f/3.5-4.5 L, an autofocus L-series lens from 1988. If you’ve never heard of it, you’re not alone. It’s so rare that even finding information on it can be difficult, but that makes testing one all the more interesting.
Size, weight, and cost can make finding the right super-telephoto lens a challenge. A lens that balances reach, image quality, and portability is rare, but this one might be just right.
Scotland’s rugged landscapes and dramatic weather make it a dream location for landscape photography. The challenge is capturing that beauty in a way that does it justice. The right gear helps.
Given that finding a Fuji X100VI is ultra rare and the Leica Q3 is reserved only for those with very deep pockets, surely there’s a gap in the market. None of the big three manufacturers seems interested, but why not?
Last week, I received an email from Saramonic. They wanted to sponsor a video featuring their new Ultra Mic System. But unlike every sponsored video request I've ever gotten, they didn't want control over the video, they asked for a fair and honest review, comparing their product to two of the industry leaders: DJI and Rode.
Fujifilm’s XF 16-55mm f/2.8 R LM WR II lens updates one of the most popular zoom lenses in the X-mount lineup. With its versatile focal range, constant f/2.8 aperture, and improved design, it’s built for those who need flexibility without sacrificing image quality. The big question: is it worth upgrading if you already own the original?
