A tiny digital camera made for kids has unexpectedly become a hit with adults who want a simple, screen-free shooting experience. But what if it could be more than just a toy? One creator decided to take this little camera and push it to its limits, transforming it into something completely different—and way more fun.
Canon’s RF 35mm f/1.4 L VCM lens is an intriguing option for anyone invested in the RF system, especially those who shoot both photos and video. It brings some unique features, a high-quality build, and Canon’s latest autofocus technology. But with a price tag of $1,500, it’s important to weigh its strengths and weaknesses before making a decision.
Nikon is exploring an innovative lens concept that could make portrait and wedding photographers drool.
I've never had the highest opinion of Hasselblad. 10-15 years ago I saw two of them completely fail on set. I saw them struggle with autofocus even in a bright environment. I've seen my cheap DSLR take better-looking images in low light.
The Viltrox AF 135mm f/1.8 LAB FE lens is a budget-friendly telephoto prime that competes with much more expensive options from Sony, Canon, and Nikon. It’s part of Viltrox’s LAB series, which aims to push optical performance to new heights without costing a ton.
A camera’s real value isn’t just in specs—it’s in how it fits your work. High-resolution sensors, dynamic range, and autofocus systems matter, but usability, workflow, and price matter just as much. The best camera for you isn’t always the latest model; it’s the one that balances performance and practicality.
The OM-3 from OM System is here, and finally, it shows photographers that, yes, someone is alive and designing new camera bodies at the company.
If you own a Leica Q3 or Fuji X100 series camera, you’ll fit into one of two camps: those who love the simple, old-school design of the cameras and are happy to use them as is, or those who don’t like the lack of grip. Up until now, there have been very few options to help those wanting a more comfortable solution when holding their little retro-styled cameras. But fear not, PolarPro has just launched a few products to solve this issue. And one of those options is rather sexy too!
OM System just announced their new camera and a raft of new lens versions. The new camera is an exciting addition to their stable and will be aimed at a completely different type of photographer. Street and urban wildlife photographers and photographic artists, check out the OM-3.
Sony has announced an update to its Creators’ Cloud platform, bringing new features to its Creators’ App. The latest version, 2.6.0, allows users to automatically transfer images and videos directly from select Sony cameras to Google Drive or Adobe Lightroom, simplifying cloud-based workflows for photographers and videographers.
The Fujifilm XF 16-50mm f/2.8-4.8 R LM WR is the company’s latest standard zoom lens, replacing the aging XF 18-55mm f/2.8-4 OIS. With updates in optical performance, autofocus, and weather resistance, it’s positioned as the new kit lens for select Fujifilm cameras. The removal of optical image stabilization and a shorter telephoto reach, however, raise some important considerations.
Nikon’s line of prime lenses just got a lot stronger with a professional lens that promises to be a staple in many a photographer’s kit for years to come: the brand-new NIKKOR Z 35mm f/1.2 S.
Nikon has just announced an update to its popular line of superzoom cameras with the Nikon COOLPIX P1100.
Early adopters of the Fujifilm GFX system, many of whom migrated from Canon and Nikon, have long awaited a native tilt-shift solution to meet their professional needs.
There aren’t many photographers who own all three cameras, so this isn’t a side-by-side comparison you’ll see too often. Forget the megapixels for a moment and find out which of these three heavyweight cameras gives the most pleasing results.
Nikon users, you’ve been hearing whispers about a pro-grade 35mm lens for years – and it looks like it’s almost here. A Nikkor Z 35mm f/1.2 lens is rumored to be announced in the next few days.
For many photographers, owning a Leica is a dream, and perhaps the most desired model right now is the M11. However, this camera comes with some notable issues, as this video finds out.
Canon’s RF 100-300mm f/2.8 L IS USM takes a different approach, offering the flexibility of a zoom while maintaining the optical quality expected from a prime. The question is whether the trade-offs—extra size, weight, and price—are worth it.
With the announcement of a new streamlined version of the Blackmagic URSA 12K LF camera for less than half the price of the kit version, Blackmagic Design has once again proven itself to be a company in touch with its customers' needs.
Smartphones have come a long way as imaging tools, yet some still argue they aren’t “real” cameras. Traditionalists insist that only dedicated cameras count. But the reality is, smartphones are fully capable imaging devices, and dismissing them is more about personal bias than technical limitations.
Three-chip cameras have been a staple in broadcast television for decades. Unlike the single-chip cameras most people use, three-chip cameras capture color more accurately and produce flawless skin tones without additional processing. This is crucial for live broadcasts like the news or major sporting events, where there's no time for post-production corrections.
When Dwarflab announced the development of the Dwarf 3 Smart Telescope, I could not contain my excitement. I thoroughly enjoy astrophotography. For me, that has been limited to subjects like the Milky Way or Aurora Borealis. Deep Space photography and solar imagery have always been a dream of mine, but the learning curve and costs can be extraordinary. The Dwarf 3’s promises are big, but does it deliver? In this article, I put this smart telescope to the test.
I love space! Seriously! Whenever we have clear skies, I really appreciate spending my time looking up at the...
Sharpness and image quality are always top of mind for photographers. How do we get the best quality image from the lenses we purchase? Whether the lens is a budget lens or a premium lens, there are always ways we can work to the lens's strengths. Learn how to maximize the capability of your lenses.
Filter manufacturer Haida asked me to review the new NanoPro Soft-Star 2-in-1 filter. It combines a starburst filter and a soft focus filter, promising a more glittering and glamorous appearance whenever point-like light sources are in the frame.
There are some things we photographers don’t realize we need until we own one. Although a field monitor is essential equipment for a serious videographer, it can be a boon for photographers too. Here’s what I discovered when I put the Neewer F700 7” monitor through its paces.
We've reached a point in photography where basically every camera can take great images, so does skill simply not matter anymore?
Wide angle photography opens up a fascinating world of perspective, and the Laowa 15mm f/5 is a remarkable and compact lens that invites you to explore your surroundings in an expansive way.
Just starting your photography or filmmaking journey and unsure how to spend your limited funds on limitless gear options? Today, I’ll offer eight simple steps to hopefully help you get the best bang for your buck.
I’ve always been curious about what the "Q" in the Leica Q stands for. After some use, I’ve come to a conclusion: it stands for "Questionable."
When done well, A LONG EXPOSURE transforms ordinary scenes into something surreal. Smooth water, softened clouds, and simplified compositions give images a fine art feel. But dialing in the right exposure, balancing filters, and choosing the right settings require patience and experimentation.
