Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.
When you're shooting a wedding, every minute is valuable. There is often a compromise between the amount of time you spend on a shot and the level of quality you can achieve from that shot. That's partly what makes Fstoppers member Paul Keppel's ring shots so great. They take him almost no time to shoot and they look fantastic.
Ryan Brenizer is famous for his shallow depth of field panoramas known as the Brenizer method. In addition to this, he has photographed presidents, singers, athletes, and has more than 350 weddings under his belt. He was named one of the "10 most sought-after wedding photographers in the world” by Rangefinder Magazine, so when he talks, you should listen. In this video, Brenizer goes through five lighting tips that can help you throughout the day of shooting a wedding.
If you're into macro photography, Adaptalux could be your new best friend. The new Kickstarter project is aimed to solve a lot of the lighting issues macro photographers face and offer new ways to light objects in creative ways. The Adaptalux is a small device with five ports and five adjustable LED lighting arms with different color outputs. The device can be mounted on the camera itself for on-the-go outdoors shooting, or can be placed off-camera in more controlled environments.
Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?
Shooting for the majority of my career with nothing more than an iPhone and various mobile devices, it's a struggle to find that same look and feel of high-end flash photography without going to my DSLR and speedlights. Enter a new addition to the world of mobile photography with Lume Cube. A powerful compact flash alternative that reaches 1,500 lumen and can fire up to five at once with one touch of a mobile app.
Inverse Square Law of Light is something we all hear and know about, but don't always know how it really affects our photography. We always hear the math and the science behind it, but there is nothing like seeing it in a visual way to fully understand it. For people like me who find it hard to deal with math equations, those 2 great videos by photographer Karl Taylor will show you the important basics about the law you should know.
Eric Kress, an accomplished cinematographer whose credits include "The Girl With A Dragon Tattoo," (2009) recently led a lighting class at Gokinema, an annual film workshop in Sweden. This video is the first in a series that captured Eric's demonstrations. Grab a coffee, sit back, and watch as he masterfully crafts a cinematic look for a mock scene.
If you are a photographer specializing in kids and baby photography, or if you're just using your talents to shoot your own kids and family members, this product may interest you. Young kids have a very short attention span, and it's not always easy to get them to look directly to your camera. The 'Looky Loo' is a new product trying to solve this issue in a very simple way.
Stock Photographer Yuri Arcurs definitely went big with this experimental photoshoot, to see if it would be possible to shoot a fast moving fighter jet, and actually light it up with flashes. This behind the scenes video shows us how difficult it was to pull off, but that the end result justifies the elaborate and at times frustrating work.
An LED light kit for video is something I've always wanted to own. After years of using hot ARRI and Lowel lights, and renting LitePanels when the budget allowed, I discovered a company called Zabolight that was making LED panels and other fixtures at a much cheaper price. I purchased a kit of these, and did some testing to see how they compared to other more expensive brands.
Max Riché, a commercial photographer based out of Paris recently shot a huge project for the Red Bull Media House using the same concept as his "Becoming and Athlete in One Photo" series. Shooting trail-biker Petr Kraus against a black backdrop and using light painting techniques, some strobes and then later bringing all of the images into Photoshop he created these awesome fluid-movement series of photos.
I'm one of those photographers that likes to take control, especially of my light. I use grids, snoots, barndoors, and every other contraption you can think of to maintain the maximum amount of control over my lighting. One of the most important light modifiers for my work isn't a soft box or a beauty dish, it's actually a piece of fabric on a metal frame called, a flag.
A few weeks ago, I flew to Los Angeles to shoot a commercial project for Mitsubishi. They had a custom Outlander built by RIDES Magazine and were in need of press shots. Studio shooting can be among the most challenging of all types of photography, but with a little patience and some care, its really not that difficult. Here's how we did it.