The Swiss flash manufacturer, Elinchrom, and the innovative video light maker, Light & Motion, announced today that they are joining forces to bring new game-changing products to the market. The news comes in right after Elinchrom made the Skyport Protocol open to other brands. Thus, it’s no surprise that the new partnership is unveiled along with two new wirelessly controllable video lights.
For anyone who appreciates the use of flash, there comes a point in photography work when you want more power than a standard speedlite can offer. Many strobe options provide more power, but require you to be tied up to power outlets. Few strobes offer a simple portable lighting option. Many would contend the Profoto B1 is currently the best self contained portable strobe on the market. That may be changing with Impact's newly released strobe, the Venture TTL 600.
The Westcott Ice Light has been around for awhile, and a number of photographers in the community on our site have shown it to be a part of their kits. Whether they're being used to light cars for an automotive shoot, or for food or small product photography, one thing that's been noted more than a few times is the steep price.
Last year, Sweetgrass Productions made an incredible skiing short film, "Afterglow," which they followed up last month with "Darklight," its mountain-biking equivalent. Right away, one of the film's main intents is to blast you with color. Entire mountainsides have bright, neon-colored hues cast over them as bikers bomb down them through lime-green forests and over deep orange-magenta ravines, all in the middle of the night.
Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.
When you're shooting a wedding, every minute is valuable. There is often a compromise between the amount of time you spend on a shot and the level of quality you can achieve from that shot. That's partly what makes Fstoppers member Paul Keppel's ring shots so great. They take him almost no time to shoot and they look fantastic.
Ryan Brenizer is famous for his shallow depth of field panoramas known as the Brenizer method. In addition to this, he has photographed presidents, singers, athletes, and has more than 350 weddings under his belt. He was named one of the "10 most sought-after wedding photographers in the world” by Rangefinder Magazine, so when he talks, you should listen. In this video, Brenizer goes through five lighting tips that can help you throughout the day of shooting a wedding.
If you're into macro photography, Adaptalux could be your new best friend. The new Kickstarter project is aimed to solve a lot of the lighting issues macro photographers face and offer new ways to light objects in creative ways. The Adaptalux is a small device with five ports and five adjustable LED lighting arms with different color outputs. The device can be mounted on the camera itself for on-the-go outdoors shooting, or can be placed off-camera in more controlled environments.
Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?
Shooting for the majority of my career with nothing more than an iPhone and various mobile devices, it's a struggle to find that same look and feel of high-end flash photography without going to my DSLR and speedlights. Enter a new addition to the world of mobile photography with Lume Cube. A powerful compact flash alternative that reaches 1,500 lumen and can fire up to five at once with one touch of a mobile app.
Inverse Square Law of Light is something we all hear and know about, but don't always know how it really affects our photography. We always hear the math and the science behind it, but there is nothing like seeing it in a visual way to fully understand it. For people like me who find it hard to deal with math equations, those 2 great videos by photographer Karl Taylor will show you the important basics about the law you should know.
Eric Kress, an accomplished cinematographer whose credits include "The Girl With A Dragon Tattoo," (2009) recently led a lighting class at Gokinema, an annual film workshop in Sweden. This video is the first in a series that captured Eric's demonstrations. Grab a coffee, sit back, and watch as he masterfully crafts a cinematic look for a mock scene.