I'm one of those photographers that likes to take control, especially of my light. I use grids, snoots, barndoors, and every other contraption you can think of to maintain the maximum amount of control over my lighting. One of the most important light modifiers for my work isn't a soft box or a beauty dish, it's actually a piece of fabric on a metal frame called, a flag.
A few weeks ago, I flew to Los Angeles to shoot a commercial project for Mitsubishi. They had a custom Outlander built by RIDES Magazine and were in need of press shots. Studio shooting can be among the most challenging of all types of photography, but with a little patience and some care, its really not that difficult. Here's how we did it.
When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).
There are dozens of cool effects that one can achieve when mixing ambient light with controlled lighting, but today I would like to talk about mixing lights in studio - impulse (i.e. strobe or flash) and continuous. I love this technique and hope my article inspires you to try it out too.
As an architectural and interiors photographer, I own more lights than I even want to think about. Pelican cases full - hot lights, speedlights, monolights, color balanced bulbs, and modifiers to go along with all of them. Lowel recently released the very polarizing GL-1 Hotlight to much controversy: people mocked it or loved it. And truth be told,
Canon has recently come out with their short film, "Rhythm of Life' showcasing their new line of cine lenses. Shot with the Canon C500 director, Dean Hargrove and cinematographer, Steven Poster ASC, explain how the different cine lenses affect the footage and change the color and feel of your shots. The BTS video was shot with the Canon C300.
Have you ever wondered how different diffusing fabrics affect the quality of light that you shoot with? Jay P. Morgan from the Slanted Lens walks you through the different diffusion materials by Rosco. He explains how the different fabrics can lessen the stops of light and how it can affect your color temperatures and look of your shoot.
As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.
A good photographer or videographer depends on good lighting to create a shot. Lighting creates the mood of any scene and sets the stage for the story you're trying to tell. In an unusual but entrancing method, Nacho Guzman creates a dramatic scene and shows how quickly light can change the mood and expression on a woman's face. Although the woman in the video only moves her face subtly over time, the rotating light around her causes striking mood shifts in the image.
Jaroslav Wieczorkiewicz best known for his amazing milk dress series is back with another amazing lighting tutorial. In this video he explains how to create some pretty nifty looking light streaks to create a fiery effect in your photographs. Using both a modeling lamp and normal flash from some Paul C. Buff Einsteins he shows how you can drag your shutter to create the effect.
With a well thought out idea and fantastic execution, Max Riche managed to win several awards with this photo series. The concept was to capture the progression of amateur's journey into professional athleticism in one photo. He was thoughtful enough to video several of his shoots and explain the process that led to these well recognized photos.
Happy Thanksgiving Fstoppers. I hope you are all having a wonderful day with friends and family (if you are somewhere which celebrates Thanksgiving). Today I give thanks for friends, family, and many other things, including Ben Von Wong's latest behind the scenes for his video and still shoot for Filler Magazine, entitled "The Red Mistress."
While thinking over possibilities for new landscape photography, Ernie Button acquired some inspiration over his breakfast food. In this fantastically creative series of dubbed Cerealism, Ernie creates some pretty "Cerealistic" looking places and puts a nice background to them. The best part about it his set came after the shoot with the addition of a spoon, bowl, and milk.
What does it take to turn a blue BMW M5 into a bullet? A little of this, and a little of that, but mostly it takes a team of talented individuals with a dream and the know-how. With a limitless imagination, impeccable understanding of light and meticulous attention to detail, photographer/director Marek Glaser and Big Block digital productions took the imaginary and made it reality.