Hot Light

If you were approached by a big client and asked to only shoot with one light, would you freak out or would you make the most of the situation? In Nike's latest basketball commercial Basketball Never Stops, they only used one single hard light to tell the story how the game and fans go on even after the court lights turn off. I think videos like this are a great reminder that sometimes less is more. Sometimes a simple setup can still produce dramatic results (even if you have you substitute a helicopter for a lightstand). Check out the video below and click the full post to see a short Behind The Scenes video on the making of this latest Nike Ad.

The amount of effort that went into Sony's 3D commercial Two Worlds is pretty unbelievable. I've watched this video twice now and still don't know if I know what I'm seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I've ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it's real, making sense of what is real and what isn't real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.

Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively "paint" over your subject and capture it on your sensor. The newest image in Eric's American Pride and Passion series is one of the most complex light painting images I've ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric's website to see many more examples of his layered light painting photographs.

A green screen, also known as a chromakey, can make life really easy if you are doing a lot of video work and want a simple solution for dropping in different backgrounds. David Dugdale created a great tutorial for green screen which shows how to effectively light a chromakey background and key it out in Premiere. ReflecMedia has created a different solution for chromakeying with their Chroma Background Kit. It uses a green LED ringlight that illuminates their special background made up of glass beads. Even with the lovely Olivia Tech explaining how it works, I'm still a bit shocked that such a small ringlight can illuminate the background without affecting the subject. This system isn't cheap but I can see the advantage of not having to carry extra lights just to evenly light a huge background especially out on location.

TheUnderwaterRealm.com is a blog that is following the production of an independent film that will take place completely underwater. Each week the guys and gals are releasing a BTSV which shows exactly what they have been working on. If you are interested in movie production, I highly suggest checking out their website. In the video below the team is forced to build an underwater Kino Flo lighting system. This video is 1 of 29 so there is a lot more quality content to be seen.

If you are planning a behind the scenes video for our 2011 photo contest, you probably also need to setup an interesting interview segment to explain the details of your photoshoot. Most photographers spend a lot of money on their flash equipment but often don't have much in the way of constant lights. The guys over at SLRlounge have come up with a great BTS video on how you can create an interesting interview set on a budget. In this video, Pye Jirsa used basic work lights mixed with natural ambient light. In our contest video we either shot completely natural light or mixed in some of these inexpensive LED lights to make it a little more interesting. Taking a little bit of time to make your interview footage look good always goes a long way and is often just as fun designing as the actual photoshoot itself.

In the past a ring light/flash was a piece of gear that few photographers could actually afford. Today there are a few cheaper options including the Diva Ring Light that can be found on eBay. In the video below Olivia Tech does a quick review of the $200 unit. Now you may still be thinking that is a little steep but when you look at similar products, the price isn't too bad.

Have you ever wondered how to make your own breakaway glass? It's surprisingly simple and in the video below Jay P Morgan walks us through the process step by step. Jay is also currently giving away 2 bottles from Alfonso's to one of his Twitter followers so make sure you are in the running!

I just ran across an incredible ad by Nike called "Nike Chosen." The concept was to grab the best surfers, snowboarders, skaters, motocross, and BMX riders and film them doing their thing at night. The BTS footage (that can be found in the full post) is not as informative as I would like but if you pay attention to the details, there is a lot to be learned. The lighting, especially for the surfing session, is really amazing and although you may not ever do a shoot of this size, the same techniques could be used for your still photography at night.

Monte Isom had one of the most populars videos on Fstoppers back in February. Well he is back with a fun stop motion video for NYC comedian Colin Kane. Monte filmed this entire video on the Nikon D3s with just a few Litepanel 1x1 bicolor constant lights. The final video was made with 14,000 still images to create the final 90 second promo. Below is the final video but you can check out the BTS video in the Full Post as well as read Monte's own words on how he approached this shoot.

Jay P Morgan is most known for his photography but he is also a director. In the video below Jay shows us the technical side of shooting a quick comedy short. Many of the same techniques for video also apply to stills. Check out the full post to see the finished video.

Everyone claims that they know how to shoot subjects on pure white but many of them still struggle with the background light washing out their subject. In the video below, Olivia Speranza shows us how she created the look for a video but the same techniques apply to flash as well. The key is to light the background as evenly as possible and expose it so that it is just barely pure white. If your background is a few stops past pure white, the light will begin to eat into your subject.

Bruton Stroube Studios sets up a beautiful breakfast only to throw it into the air and film it in super slow motion. It's obvious that a lot of planning went into such a simple concept but it was worth all of the effort. Check out the full post to see the finished video.

A few months ago Patrick and I flew up to NYC and filmed our first ever full length DVD (dual DVD actually) with Peter Hurley. The DVD is still being edited but we can finally see an end in sight. Initially we didn't plan on having a pre-order but when Peter Hurley decided to start teaching workshops, we decided to create a special pre-order deal. When the dual DVD is released, it will cost $300. If you purchase it before October 1st, 2011, we will give you a $300 credit towards any of Peter's workshops (and this can be used at any time) so you are actually getting the DVD for free. Peter is also going to personally sign all of the pre-ordered DVDs. Patrick and I are working as fast as we can to edit this DVD while managing Fstoppers.com and also shooting a wedding every weekend. Things are busy but we hope to have this DVD released sometime this summer. Head over to Hurley's website to sign up for "The Headshot Intensive," his new 2 day workshop. There are currently 4 slots left for his first workshop on May 21-22.

Yes, it has been done to death but everyone loves to see it so we will keep posting it. Digital Rev TV has been doing a series called the "Cheap Camera Challenge" and so far they have created 3 videos with 3 different photographers shooting on 3 different cheap cameras. Check out the full post to see all 3 videos.

R. J. Kern and Amanda Tipton are both photographers from Denver Colorado. Together they setup a vintage "Mad Men" style photoshoot at the Cruise Room within the Oxford Hotel. They give a lot of useful information about how to achieve a true throw back look by using Fresnel Hot Lights, vintage clothing, and a classic 1950's style location. By shooting with hot lights, RJ and Amanda are both able to shoot at the same time without having to worry about recycle rates or light contamination as they work on sets in close proximity to each other. You can check out Amanda's images HERE and RJ's image HERE. I think both sessions turned out great but if you have a preference for one style over another, let us know in the comments.

Inspired by Light: Behind the Scenes of a Vintage Shoot from R. J. Kern on Vimeo.

I was a little on the fence whether this video was good enough for the front page of Fstoppers or not. Although there is no technical information in this video, I think the final photos by Thomas Vassort are outstanding and should inspire us all to raise the bar on our commercial style shoots. I really love the aviation vibe Daniel Hechter went with on their Spring 2011 clothing campaign. It appears most if not all of these images were shot using natural light along with hot lights or HMIs which is probably a lighting style few of us have used. It also appears these were all shot on a regular old Canon DSLR (somewhat rare for campaigns like this). Check out the final photos in the full post.

Director Paul Clements produced a pretty amazing commercial for Cat Footwear. By using a single high frame rate video camera and a large array of DSLRs he produced something that I am having trouble describing with words. You'll just have to watch it for yourself. Check out the BTS below and the finished product in the full post.

One of my favorite bands recently is The Black Keys (ironically, I like most bands with the world Black in them). They have really exploded in popularity with the release of their current album Brothers, and the latest video to come from that album is Howlin' For You. In a nutshell, this video is ridiculously badass; I've never seen a music video completely bury the music under a fake trailer before! The Black Keys are pretty good about making BTSVs, and in this one Chris Marrs Piliero explains the concept behind probably his best video to date. There's not a lot of technical talk in this clip but the overall concept and great directing make it worth watching. Pick up at least one Black Keys record if you think about it and check out the final music video in the full post.

I was going to post a video showing Rafael Nadal's latest Armani underwear shoot but figured Megan Fox might be a little easier on the eyes. Now you are probably thinking that any photoshoot with Megan Fox wearing little to nothing would probably produce strong images from any photographer and you'd be right. But what I found interesting was the way photographers Mert and Marcus used hotlights and large scrims to light the entire set creating a natural light feel. You can see the setup around :35 seconds. Not everyone has access to large HMI lights but it's still an interesting way to shoot and could probably be reproduced firing strobes into white walls in a room. Click the full post to see the final video and you can see the photos here.

When Denis Smith found himself faced with a dark depression in his life, he found motivation and purpose through his newly found photography hobby. After moving to South Australia, Denis picked up a camera and began to explore the serendipitous world of night photography. After playing around with long exposures he realized he could bring his own creativity to his images in the form of light painting. Denis's images are really interesting because he mixes strong technical long exposure landscapes with his unique "ball of light" light painting technique. Skip to 5:20 on this video to see how he came up with the idea and check out many examples of his work over at Ball of Light.

Ball Of Light from Sam Collins on Vimeo.

I created the iPhone Fashion Shoot to attempt to prove this point. 50% of the people who saw it "got" it and the other 50% claimed that it only looked good because I used $10,000 worth of light. Well I've always said "light is light" and all those expensive light modifiers do is make the light source bigger or smaller. Don't believe me? Bert Stephani will take over where I left off shooting with these work lights (the same ones that I used for part of the iPhone shoot) and a shower curtain.

The other day I came across a popular video on Vimeo right now that featured an amazing new projection technique hitting large buildings across the world. The art is called 3D Projection Mapping and the effect is really cool. By creating 3D graphic models and merging it with video and stills shot on green screen, these artists are able to project dynamic sequences onto buildings in a way that makes them come to life. Everyone from Samsung, Adidas, and Toyota have used 3D projection mapping for advertising, and the results are spectacular. Ralph Lauren recently created a 3D Projection Map sequence for their 10 years of digital innovation runway show in NYC and they filmed a great behind the scenes video. Click the full post to see the final video and several other amazing videos.

If you were a film student and your professor gave you an assignment requiring you to show a series of different lighting setups, what would you do? John Note and his fellow classmates created a pretty funny video tutorial that shows 10 different lighting setups that you could use in both your films and your still images. If you are a photographer you might not be completely familiar with the power references but you can probably imagine the different ratios if you had to convert them to strobes or speedlights. I have often found in my own photography that simply changing the lighting setup to one which I might normally overlook can really change the story telling element of your photos. Has anyone else tried to reproduce morning light or midnight lighting before?

Ten Lighting Setups from John Note on Vimeo.

Scott Martin and Lance Keimig teach a night photography workshop in Texas and they created a quick BTS of the experience. The video is beautifully filmed and incredibly interesting to watch.

If you haven't checked out Mark Wallace's Adorama TV channel over at youtube you really should. He does a great job creating informative and useful videos on all sorts of digital photography and videography topics. In his most recent video, Mark shows a lot of different types of hot lights that can be used for lighting both your behind the scenes videos as well as your photoshoots themselves. He also talks a bit about how to light different subjects including how to light for a two person interview. Here at Fstopppers, we are using the Photoflex Starlights for our video productions. We really enjoy the versatility they give us but of course you can use anything that fits your budget. I know photographers sometimes stray away from constant lighting in favor of strobes so if you have any questions or thoughts about how to use these to the fullest, leave a comment below.

The holiday season is almost behind us and if you've spent any time watching college football tv then you've probably seen the new holiday Victoria's Secret commercials. The creative team at VS always makes some of the most high intensity commercials year in and year out. This year they have at least three different themes and one of the directors is even Michael Bay (creator of the greatest movie of all time Transformers 2). Of course VS can't give away all their secrets so don't expect to be shooting Adriana Lima on a white horse anytime soon! Hopefully you can at least pass these videos off as educational should your gf or wife question this content :) Two more videos in the full post. https://www.youtube.com/watch?v=W_4l_LpvL1M

Now I am not going to jump to any conclusions. Maybe these guys and gals had a VERY similar idea, and not one of them had seen the iPhone Fashion Shoot (which has been seen by about a million photographers so far). And even though this video is filmed in the exact same way and has all of the exact same information, MAYBE it is just a coincidence. And MAYBE this really is the worlds first and I am actually living in the Matrix. Still a good video though :) < The strangest part about this whole thing is that we actually used a super-clamp to mount the camera in my video but we changed it and went with the velcro because it was blocking the button on the phone and it was never actually shown in the video. It's like these guys were spying on me as I was doing it!

Jesse Rosten got his hands on $4500 worth of iPads and decided to do a photoshoot with them. You may be thinking that this is totally pointless and for stills I might have to agree that this is overkill but a single iPad could be used to add softlight to extremely low lit scenes; something a small strobe could never do. An iPad can also change color temperature to match the ambient light around it. I see this being used more for video that stills anyway. Don't believe me? Well you can buy this light panel for $500 and I'll stick to my iPad.

iPad Photoshoot from Jesse Rosten on Vimeo.

Some of you may not remember this but as a very young kid with HBO in the house, I remember always being amazed watching this intro. Now I think movies on HBO just start with the parental ratings and nothing more. So next time you are thinking of making a cool intro for your business in after effects, remember how much harder it actually could be! As always, click the full post to view the original trailer. <