Lifestyle Photography

An unnamed man living in Wisconsin hired a photographer to catch his sunrise mountaintop proposal, but all did not go to plan.

Creative genius rarely erupts onto the scene full force and in your face. Its entrance into the world is often quiet, gentle, allowing only a few to see it and recognize its brilliance. Such is the case with Portland, Oregon-based Kate Woodman, whose use of color in her work produces an instant halt to the ever scrolling feed of images - causing even the average user to stop and appreciate the story unfolding before them.

Those who have never been on a glacier may not realize how big a crevasse can be and how dangerous falling into one is. Last December, Jamie Mullner while skiing in Zermatt discovered it all within a few seconds when he tripped and ended up at the bottom of a crevasse. He wasn’t injured, but happened to have his GoPro on and documented the accident. The video is quite impressive but also surprising!

Have you ever considered going pro as a landscape photographer? What does that even mean in today's business? Professional Landscape Photographer Erin Babnik shares the often obscured truth about the genre.

Change is one of the hardest things people will have to deal with during their life time. Some people love it, others hate it, but there’s really no way around it. And one of those big steps that can really alter your path is a career-related change. Most people spend a third of their day at some sort of job. Maybe it’s temporary, maybe it’s a means to an end, or maybe it’s an amazing career with a path for growth that you find favorable. But most of us have to work the majority of our lives to get by.

Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?

The Internet is loaded with articles on new gear or popular techniques. Everywhere you look, you will find some new unboxing video or review piece. Everyone promising that they will make you the photographer you have always wanted to be. Don’t get me wrong, I enjoy looking at fancy new equipment as much as the next guy -- and I have written a few of those articles myself -- but do all the toys and tricks help my career in the long run?

I am always on the hunt for new stock images to incorporate into my photography and find that stock enhances my photography business in several ways. Stock provides me with the ability to incorporate different locations and textures into my images that I am not able to easily shoot. As a result, I have not only seen improvements in my own work, I have also gained an eye for spotting opportunities to take extra images to sell.

What do you get when you combine over 800 horsepower housed within the loins of a world-class trick-truck, one fearless driver, and the scenic streets and culture of Havana, Cuba? If the always creative Sweatpants Media is involved, you end up with an intensely high-octaine adrenaline rush of a short film, respectfully referred to as Recoil #4.

We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).

YLE, a Finnish Broadcasting company, were on a mission to attract a younger audience. They needed to make a change to their strategy and get some new programs produced. They knew these shows had to tell stories that were going to speak to a younger audience. Stories that would captivate the senses - and get people excited about the outdoors, to travel and explore.

The time of year in which many of us pause, reflect, and consider the changes we wish to make for the year ahead has arrived. Resolution inquiries may excite you or fill you with dread as friends or family members begin asking you what you have planned for 2017. Myself, I am not a fan of resolutions set at New Year and forgotten a few weeks later. Some of us have likely abandoned several already. Research continues to show us that one thing is very clear, to be successful, you must have clear goals, but you must also become very intentional in your process toward that target. So here is a list of things you can change in your live today, that will benefit you greatly if you make them a part of your routine.

Instagram has always been a tricky one where nudity is concerned; “Free the Nipple” movement, anyone? But Los Angeles-based photographer Magdalena Wosinka has garnered much attention after posing naked in a series of snaps taken across California.

As much as we’d all like to be able to say that we’ve lived life up to this point with no regrets, the fact is, some of us may have many; and that’s OK. Identifying things you may have done differently is a vital step towards moving forward in a productive way. Here are five aspects of photography that you may regret if you're not conscious of them as you work throughout the next five years.

This is not an article supposed to inspire you. It’s not written to be thought of as something light hearted and full of heart-warming messages. It’s a call to arms. We’re heading into 2017. 2016 was a rollercoaster. We’ve had unexpected Brexit, US Elections, the death of icons who gave us music that gave us purpose. Musicians like Leonard Cohen, Dawid Bowie, Prince, and George Michael will never be again. That time has past. In the film industry we’ve just lost Carrie Fisher who played Princess Laia in Star Wars, and we also lost the great Mohammed Ali.

Work of many talented street photographers in San Francisco is being recognized at The Harvey Milk Photo Center. The exhibition includes 52 works of 28 street photographers, with all images captured within San Francisco, California. The exhibition was the brainchild of David Christensen, the Director of the Harvey Milk Photo Center. A group member, CJ Lucero, brought the group to David’s attention and, after having reviewed the images from the SF Facebook page, he became determined to present the work to the public. The groups' administrators then labored over several months to put together this amazing show: that team included Michael Kirschner, RE Casper, Denis Englander, and James Watkins.

Can iconic photography be passed from father to son? This was the question that caught my attention at the beginning of this short film. Los Angeles-based street photographer Estevan Oriol’s style is intense. It’s raw and it’s edgy. It depicts a side of street culture that isn’t always positive, yet within the images a captivating reflection of humanity can be witnessed.

Last week we reported on one of the most extreme cases of a photographer having their work ripped off. The story was that of Lauren Bullen, a travel photographer who allegedly discovered one of her followers was quite literally travelling the globe in order to replicate her images. Seem far-fetched? These new clues suggest the whole thing may have been a hoax.

Think back to the first time you experienced the world through a viewfinder. The moment you found focus on whatever it was that caught your eye, and the excitement that followed hearing the mechanical slap of the shutter, there to verify that you’ve captured that specific moment in time forever. For me, that excitement was experienced at a young age, and as I watch my oldest child near the same age that my memories of photography begin, I feel a responsibility to share the same opportunities with him that I was afforded early on.

The New York Times published a video about photographer Philip Toledano's fear of growing old. Philip decided to grow old as many times as possible. Joshua Seftel produced the short film by following Phillip's process of "seeing" himself ageing, and even dying.

As a full time roadtripper, I am constantly in search of amazing landscapes with the hopes of adding a unique take on what is most likely an over-photographed scene already. There are several ways to do this, but I am going to suggest one which is rarely discussed but hard to overlook in today’s social media outlets: the human element.

According to my extensive research (Back to the Future Part One, Two, and Three), we should be in an age of flying cars, sneakers with power-laces, and hoverboards by now. We all know that life often imitates art, but let’s expand on that for a moment and take a stab at how photography may advance in the future.

Homelessness is something most of us encounter on a daily or weekly basis, but few of us have ever had to personally experience the hardship of being homeless. Many of us probably probably don't realize that today, October 10th, is World Homeless Day; a day started in 2010 which is observed by every major continent and dozens of countries. Its goal is to draw attention to homeless people’s needs locally, and provide opportunities for the community to get involved in responding to homelessness.

When photographing on location, be it a campaign for a clothing company, lifestyle images for a client, or just making portraits of someone outdoors, I always go through four steps before I actually take a photo.

It is a common expectation that when clients hire you, it is because they like your style and think you will help project their brand’s identity. But what do you do when, despite previous exchanges, on the shooting day, you realize that your clients have entirely different expectations. Do you just change everything to adapt to their needs or do you say no?

The humble beauty dish is a studio favorite but it is not often the first modifier most reach for when heading outdoors. Most beauty dishes are not all that portable and can add significant weight to your kit. With a few collapsible beauty dishes currently on the market you can now easily take that gorgeous light with you anywhere. Joel Grimes shows you how to make the most out of using a beauty dish in an outdoor setting.

A gimbal is an important piece of technology that makes for some smooth video. It's the device that stabilizes the camera so you can get that cinematic look in your shot. It removes the vibration and shake. The gimbal's motors keep the camera level as the camera operator moves it. Drones use them, the DJI Ronin is basically a large gimbal, and the DJI Osmo is the latest handheld gimbal that DJI brought to market.

Photography is a game of emotions. Think about some of the most powerful images that you’ve ever seen. The ones that have left a lasting impression on you. Sure, they might have gorgeous tones, light, or composition, but the reason they have stuck with you for so long is probably the emotion or mood that the image evokes. Our job as a photographer is to control those moods and to decide which emotion we want our viewer to feel.

Dutch photographer Hans Eijkelboom captures the way we universally dress like bad extra's in 80's B-films. In his latest project, "People of the Twenty-First Century" (Phaidon, $35), the Dutch photographer shares the results of 20 years of skulking around the world's busiest streets. The images tell an amazing story of just how average we all are.