To fully understand how white balance affects our perception, we must first explore how color shapes our emotional response in photography. Since the dawn of time, we humans have become accustomed to associating certain colors with specific contexts. The ability of humans to read visual cues for signs of danger is likely an instinct as a survival mechanism.
One of the most difficult things to accomplish is achieving a great composition. There are many rules and guidelines—enough to make your head spin. Perhaps there’s a better way to create an attractive composition, and that’s by ignoring the rules at first and concentrating on what you want to show.
I've been seeing spotlights used in shoots everywhere, so I wanted to jump on the trend and put my own twist on a spotlight shoot. Here’s how my creative partner, David, and I created a theatrical portrait session using a spotlight.
A few months ago, I explored a new photography challenge and invested in an infrared filter for landscape photography. I could've bought an already converted used camera, but after looking at what was available on the used market and specialist conversion services, investing in a filter seemed to be at a more appealing price point and the best of both worlds.
I see a growing number of new lenses hitting the market that rely on lens correction. These lenses have some benefits, but are lens manufacturers taking shortcuts with these lens designs? Will we be seeing more and more lenses with this reliance on lens correction in the near future?
This week, Fujifilm announced the development of a new camera designed with filmmakers in mind, the Fujifilm GFX Eterna. The camera builds on Fuji’s GFX line of medium format still cameras but will be focused on video capture and is aimed at independent filmmakers and documentarians.
When it comes to lenses, photographers who hear "ultra-wide" and "fast apertures" are usually bracing for an equally impressive price tag. The Viltrox 16mm f/1.8, however, seeks to deliver excellent optical quality and unique lens features at a reasonable price—in this review, I’ll see if Viltrox can execute a truly great ultra-wide prime.
As the season of goodwill, giving, and receiving rapidly approaches, what do you buy an established photographer if you want to spend more? Here are some big presents for those photographers nearest to us, or ideas your loved ones might consider for you.
Recently, I was flown out for the first time as a photographer, and this is everything I learned from the experience, as well as what I would change for next time.
Let’s walk through the top seven mistakes (because, let’s be honest, ten is too many, and five just feels lazy). Here’s the thing: your website is your storefront. It’s how people find you, decide if they like your work, and, ideally, hire you.
The king of kit lenses is dead. Long live the Fujinon XF 18-55mm f/2.8-4 R LM OIS!
Celebrated as one of the best kit zooms of all time, it is also Fujifilm’s best-selling lens ever. So why was this champion glass discontinued, and what prompted its slow slide to irrelevance in the X Series stable?
Being a professional photographer is about more than just the exposure triangle.
When editing landscape photographs, there are many ways to get from point A to point B. In this tutorial, we'll cover using Adobe Camera Raw to get the most out of your raw files.
You’ve poured your blood, sweat, and tears into your art. Now, it’s time to make sure it is preserved.
The latest M4 MacBook Pro marks another substantial upgrade in Apple’s pro laptop lineup, bringing a blend of powerful performance and practical new features. I've used it over the past week, and here are my thoughts.
Is there a difference between a photograph and a picture? In my mind, yes! A picture is a snapshot documenting a person, place, thing, or moment without intention. A photograph is created with intention, process, and technique.
Remember the smell of film rolls and the feel of manual focus?
Modern lenses are perfectly sharp and crisp. But perfection is overrated and can be rather boring. I have a solution to add some character back into my photography and videos.
As a professional photographer, I’ve been pleased with how technology has helped improve digital cameras and lenses over the past 20 years. It’s certainly made my life easier.
Access to photography has never been greater, yet now the risk of the family archive dying out has never been more of an issue. This article explains why the digital age has put the family archive in danger, and what we, as photographers, can do about this.
Natural light is one of the most important elements in landscape photography. It shapes the landscape, creates mood, and brings depth to a scene. However, natural light is also highly unpredictable and can either enhance or ruin your shot. For landscape photographers, understanding and ultimately mastering light is crucial, but it comes with several challenges.
It’s that time again when my brain starts to ponder the endless question: What would be my idea of a perfect camera?
Have you ever struggled to get your image from the foreground to the background in focus? As photographers, especially in the genre of landscapes, the ultimate goal is to achieve sharp focus from the foreground to infinity. Have you struggled with this in the past?
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess.
It is never easy to let go, whether it’s your favorite camera, light, or shoes that are just beyond repair. I’m the worst at letting go and don’t recall the last time I sold a light, if ever. The process seemed tedious and simply unnecessary. However, letting go can be much easier. Here’s the best way to let go of old equipment.
Every couple of years, our network access storage (NAS) gets nearly full of old photoshoots and video projects. Today, I am installing our biggest system yet, and it can hold a whopping 160 TB of data. Oh, and it's also 10 GbE, which allows us to edit video projects directly off the network.