Swimwear Photography with Joey Wright Behind The Scenes continues today with Episode 3. In last week's episode we started filmed the first lesson of the entire tutorial but in this episode we cover 3 full days of filming.
Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different.
There are two characters that sit atop adjacent shoulders either side of my head and squabble over portraiture. One takes the form of my Gran and she sits there quietly knitting and ensuring me that rules are there for a reason and without them there would be chaos; she’s the voice of tranquillity, reason and over-feeding.
This week we released the longest photography tutorial Fstoppers has ever produced; Joey Wright - Swimwear Photography: Lighting, Posing, and Retouching.
Is Alexa Meade a painter or is she a photographer? Alexa's unique take on both mediums has completely blurred the idea of what is real and what is imagination. Traditional painting attempts to take a two dimensional medium and make it look 3D while photography does the opposite by capturing a 3D space and translating it to a 2D surface.
When a commercial photographer, Sasha Leahovcenco, decides to document the touching experience and life of people he has never met before, the result is quite astonishing. You would think pre-production played a huge part and that he had to have had exceptional gear, carried by a huge team, but the truth is far from that.
It’s easy to feel that we have great ideas for our images, but that we simply don’t have the budget to execute them to the standard we’re picturing in our minds. You should always try to find ways to be creative on a budget, so here’s how and why you don't have to spend a fortune to produce good results.
Last week, I took a look at personal projects and showed how I created my most recent portrait series. These personal projects are a great way to grow as a photographer and create new work you have a passion for, as you have the opportunity to create images with full control of the visual style. However, they may not always require you to step out of your comfort zone.
In a way, your journey as a photographer will start out with personal projects. Everything that you shoot for those first few months or years are things that you choose to shoot for fun. Personal projects help you to learn, experiment, and grow as an artist. Actually organizing and creating a series, however, takes a little bit of planning.
When I first saw the Love Wins project, I was moved by the beauty of the photographs and the important message that they represent. As a society, we have come a long way since Stonewall and the beginning of the AIDS epidemic, but there are still so many people in the world who have misconceptions and hatred of LGBTQ people.
My high school enemy is my new best friend. I'm talking about a glorious thing called "tests." In the photo world, a test is a shoot set up for the sake of portfolio-building, experimentation, fun, or all of the above. It's not a paid shoot, but these suckers pay off big time. A test shoot is when you book a model (we'll talk about how) to shoot a concept that you put together.
Retouching is a great tool, one that can save pictures in some situations. However, there are a couple of things that can be really time-consuming and annoying to correct in post, two of them being flyaway strands and chapped lips. I am sure those two have happened to any of you who shoot portraits, beauty, or fashion. However, no need to fear these anymore!
New York City born photographer/artist Roger Ballen spent the better part of the last four decades in Johannesburg, South Africa. In that time he has produced a body of work that has been described as a fictionalized visual dialogued between individuals, their architectural space, found objects, and domesticated animals.
Lately, I've seen a surge of photographers complaining that they just don't know where to begin when getting started with portraiture. Taking that first step can be a daunting feeling, especially considering that you need to convince someone to take a leap of faith and model for you, despite your complete lack of a portrait portfolio.
Just like ever camera owner is a photographer, every person who owns an abundance of MAC products is a makeup artist. At least that is how it seems on Instagram these days. There are now more makeup artists on social media than ever, and finding the right ones to follow can be tricky. Following the best makeup artists can make a portrait photographer better.
Photographer Nick Saglimbeni recently shot an image of Jhené Aiko for a Humane Society campaign to save the shark population. The goal of the image was to photograph Jhené in the ocean at night (or at least make it look that way). To create this shot, Nick decided to use a pool and strobes to create a similar look.
Scrolling through Instagram, I came across a photo that I deemed worthy of a double-tap. Curious, I clicked on the profile to see more from the same photographer. Scrolling through his feed, I started to notice that although every photo included a human subject, there wasn’t a single face in sight.
Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”.
Every portrait session with a new subject could bring new challenges. Some people are more comfortable in front of a camera than others, while some just take a little time to open up. I've put together a list of tips that may help you along the way during your portrait sessions.
Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!
With his brother, Romeo, the face of numerous Burberry campaigns, Brooklyn Beckham has now been spotted working on the other side of the camera for the famous fashion house. The teen, who last year was reportedly working in a West London coffee shop for £2.68 an hour, is the official photographer behind Burberry’s latest fragrance campaign, entitled "This Is Brit."
If you look back to the beginning of photography, color didn’t exist. In fact, it didn’t exist for a long, long time. Even as 35mm film pioneered the way that photography was used and purchased, black and white was king. Slowly, as time progressed, color film began to take a foothold in the industry.
Seeking to break down barriers and stereotypes and create allies, French Photographer Olivier Ciappa has created a remarkably intriguing series called "Imaginary Couples." The results are quite thought-provoking.
I hate being in front of the camera, and I think many photographers feel the same way. So when I discovered Mike Mellia and found out that his Instagram account is almost 99% self-portraits, I was more than a little impressed. But wait! Many of his selfies are also cinemagraphs? I don't know how much more impressed I can get.
Over the weekend, while millions along the Northeast were tucked away from Winter Storm Jonas, a photographer and an engaged couple despite the elements, created one attention-grabbing engagement session. The photo shoot has since gone viral and goes to show that taking advantage of unique situations can create beautiful imagery.
I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light.
Regardless of what genre of photography you shoot, understanding light and its characteristics is key to creating better photos. For those of us working with off-camera flash, there is another layer to the complexity: balancing ambient and artificial light. On top of that there are various modifiers that can be used for artificial lighting to replicate or create certain effects.
Parker Gibbons is an 18-year-old photographer and freshman student at the University of Utah. He recently shot and released a series entitled "Resolve" which shares New Year's resolutions from the subjects depicted. These simply shot images allow the subjects to be honest and silently share thoughts they may otherwise not share.
Vaping is a phenomenon that has swept across America and much of the First World, mostly as a safer alternative to cigarettes. The culture, however, is what has caught the attention of the media worldwide.
One of the most popular and sought after genres of photography is taking portraits of both male and female models. Getting started can be quite an uphill battle at times. So how do you really get started?
For the majority of people, the day after Christmas is usually filled with farewells to extended family members, house cleaning, writing thank you cards, and crashing on the couch to watch the final games of the football season.
Lumopro has had several flashes on the market, like the LP160 and the wildly popular LP180 of Strobist fame. This fall, however, Lumopro announced a brilliant new unit, the LP180R. As far as specifications, the LP180R is almost identical to the LP180, but there is one key difference that makes it an excellent tool for photographers both experienced and inexperienced.
As a photographer and an artist, one of the most rewarding accomplishments you’ll have is when you see your work featured in some type of way, whether it is in a magazine, an art gallery, an advertisement, etc.
Have you ever tried to photograph a black and white portrait, but had trouble getting the results that you were looking for out of camera? Maybe you have played around in Lightroom, or used a simple adjustment layer in Photoshop to convert your image to black and white and adjusted the color channels, but the results were just not dramatic enough for the look that you wanted 
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
As photographers, we're used to being behind the camera, contorting and squishing our faces against the viewfinder to get the shot. Wondering what we looked like behind all of that, Richard Johnson used his latest project, "Behind the Mask," to capture the moment when photographers capture a moment.
I have been unfailing in my anti-spoiler vigilance. I haven't watched previews, I haven't read articles, I haven't clicked links. A trailer came on during the finale of Fargo Monday night and I ran from the room with my hands over my ears. I'm taking this seriously.
Cooperative of Photography has brought us this slick little video that gives us a taste of the evolution of camera technology from the past 200 years condensed down into a sub-two minute demonstration.
Last time I wrote an article for Fstoppers was almost a year ago when I had just picked up a Hasselblad V-system medium format film camera for the first time. If you remember my first post, I taught myself to shoot 120 film while traveling in Europe. I reported my findings as best as someone with only a month of practical experience could.
Being involved in any creative industry usually guarantees one thing: we’re never happy with the work we produce. At least not for long. We’re constantly striving to better ourselves and the work we’re putting out. And in the age of the internet, we’re consuming more images from other photographers than ever, meaning that it’s all too easy to compare our work to that of our peers.
Recently, I had the opportunity to have a conversation with photographer Noah Abrams. I talked with him about his work, some ongoing projects, and his day to day life. Noah grew up skateboarding in Columbus, Ohio.
Have you ever wondered how to create dramatic cross or Rembrandt lighting using only one light source?
Fstoppers is adding a little something extra to this week's episode of "Critique the Community." We are inviting everyone to submit your lifestyle photography images for review.
What's your response when you're told that you're beautiful? Eighteen year-old photographer and student, Shea Glover, decided to "film what I thought was beautiful." Without intending to, she has conducted an amazing social experiment on the effect of simple positivity and a compliment. The reactions are perfect!
It is understandable that many beginners new to taking photos often get impatient when learning photography. Learning this craft is a process and involves the gradual addition of techniques that will eventually turn into second nature. We all get “the bug” and want to learn anything and everything as soon as possible, it’s natural.
No stranger to unique and challenging photography pursuits, Ben VonWong's latest adventure sent him across the Western United States in search of summer thunderstorms, with an entourage of assistants, filmmakers, and models helping along the way.
Portrait and Wedding Photographer Jordan Voth joins me for this month's exclusive chat, in which I ask him about his signature move of taking clients out into some of the most beautifully scenic backdrops I've ever seen.
The world’s best photographers are defined by their styles. For example, you can instantly look at an image by Martin Schoeller or Annie Leibovitz and recognize what you’re seeing. Their work is distinctly theirs. I believe that a big part of a photographer's success lies in finding this style. It may not come easily to everyone, however.
Retouched Magazine, the interactive magazine from retoucher and beauty photographer Julia Kuzmenko McKim, has recently announced that they are also now available in PDF format. The magazine brings some of the most talented and experienced photographers and retouchers together to teach and share their insight into the field of retouching.