Portraits

Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.

Last spring, I got a dream call from one of the photo editors at Sports Illustrated to photograph the legendary Dan Gable, a wrestler from Iowa, and one of the most winning athletes of all time. From winning gold in Munich during the 1972 Olympics, to having coached other U.S. teams to gold after, this guy oozes excellence and passion in everything he does. I’m not one to be intimidated by people because of their status in life, but people who work as hard as he does definitely stand out to me.

In Part 1 of our Dramatic Beauty Portrait Tutorial, we looked at the lighting setup, gear breakdown, and shooting of our dramatic beauty shoot. In Part 2 of the tutorial we will now look at two different ways of exporting and preparing your image for retouching. The first method involves creating versions in Lightroom and exporting directly to Photoshop. The other method utilizes Adobe Camera Raw and the ability to make variations within Photoshop. I will also discuss the overall goal of our pre-edit stage.

Pull up almost any lens review these days and one of the primary attributes people are judging is the oh-so-important bokeh. Purchases are made and lenses are brought back all because of the how a lens does or doesn't measure up in the bokeh department. Well I’m here to tell you, at least for portraiture, it’s just plain overrated.

Childhood is an adventure; a whimsically frightening maze through fields of glowing neon-green fauna and deep, daunting dungeons. Or at least that's how it can seem. Attempt to visualize your youth in the most romantic way your mind can muster. Envision how those racing emotions and that sense of adventure would have looked if painted or photographed. Such is the awe-inspiring catalog of imagination, imagery, and childhood wonder created by 10-year-old Alice Lewis with the help of her mother, photographer Kelly Lewis.

When Nashville-based photographer Jake Harsh was tasked with coming up with an original photoshoot where he could flex his artistic freedoms, things turned slightly dangerous. His brave subjects for this shoot, the electro-pop band Hand of Hearts, would stand in a room with 18 pounds of fireworks being ignited and what transpired after that would be unpredictable. Here’s a behind-the-scenes video of what happened and the resulting images.

In the often collaborative world of fashion and commercial photography, there are many who contribute to the final product. From the styling of the model and the brands involved, to your crew and retoucher. No fashion image is a solo act, yet there are many who will never credit those that were a part of the production. This phenomenon is not exclusive to photographers, but to models and other creative professionals. Before you post up your next photograph without credits, give the following reasons some consideration.

When starting out in wedding photography, one of the most common questions that gets asked is, “What lens is a must have for my first wedding?” The most popular answers to this question are all over the map. They range from 50mm to 85mm to 70-200mm and so on. What you likely never see on the list is something like a 20mm lens, but for me, I will always have one of these lenses in my bag.

This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.

The critical value created when shooting a great portrait is tied to building impact that lasts. Psychologically, humans have evolved to take notice of sexually attractive people, focus on them briefly, then completely forget. This phenomena helps maximize genetic quality in a population but can also have an impact on how viewers remember your sexy photos.

Ryan Brenizer is famous for his shallow depth of field panoramas known as the Brenizer method. In addition to this, he has photographed presidents, singers, athletes, and has more than 350 weddings under his belt. He was named one of the "10 most sought-after wedding photographers in the world” by Rangefinder Magazine, so when he talks, you should listen. In this video, Brenizer goes through five lighting tips that can help you throughout the day of shooting a wedding.

There is a romanticized dream of what it is like to be a destination wedding photographer. Outside of that idea lies a reality of what it actually entails. It is hard and exhausting work to photograph weddings full-time, let alone fly internationally on a weekly basis to cover them while also hosting workshops across the planet. But what is it that actually drives some of us to quite literally go the extra mile? There is a narrative behind the work you are about to see as well as the individual who has completely redefined the meaning of destination wedding photography.

In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.

When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.

When building a successful photography business, there is no aspect more crucial than a client meeting. This is your chance to represent the very best of your brand, while putting a face to the person behind the camera. For many photographers, the decisive face-to-face meeting can be an intimidating challenge. For others, it is their opportunity to shine and demonstrate how personable they are. Whether your are a wedding photographer or a commercial photographer, there are many techniques that can make your meeting a success.

Most dog or cat owners have had to use an Elizabethan collar at one point or another with their pet. “It’s a necessary and beneficial part of the healing process, but to them it’s like being put in timeout,” photographer Ty Foster explained. In this photo series of his, he visually expressed the emotional hardships that our animal brethren have to endure while wearing what he refers to as “the cone of shame.” In the series, Foster goes out of his way to show the trials and tribulations that come along with wearing this shameful collar.

The Russian photographer and mother, Elena Shumilova, is making a big splash again by sharing some great photo advice. In early 2014, her whimsical photos of her children went viral and inspired parents and photographers all around the world. For the first time since she her images exploded on the scene, she allowed cameras into her home and gives some great tips for others to capture images of their children.

Gabe McClintock is an internationally known award-winning wedding and boudoir photographer based out of Alberta, Canada. His work carries an incredible amount of intimate nuances with a tonality that shifts towards dark and atmospheric. With so much emphasis out there about his wedding work, I took a bit of time to talk with McClintock in regards to his absolutely beautiful boudoir photography in hopes to better understand his approach and workflow.

This ingenious video has gone viral as the true level of photoshopping to manufactures 'beauty' is exposed. In this clip, we see 6 hours of photoshopping sped up to fit into a 90 second clip. All of these hours of work has gone into creating just one perfected image of a model.

Before I learned about makeup I used to strengthen or create contouring in post the same way on every single picture. However, because everyone’s face is different, contouring should differ from person to person. Contouring not only can help create dimension it can also help alter shapes. Let see how we can make our model’s and client’s face look their best without going crazy with the liquify tool. Shadows and highlights are photographers and makeup artists best friends!

Street photography continues to be a growing area in the industry. More and more people enjoy it and are learning how hard it is to get it right. Here are some tips from distinguished professionals Eric Kim, Yanidel, and Martin Parr on how to improve your own street photography.

Learning how to light your subjects with one light is easy. Learning how to light a subject in a variety of ways using one light and one modifier requires a bit of creativity. When you're using one light, each inch you move your modifier ultimately affects your scene. Lighting at that point becomes very purposeful.

The battle between Floyd Mayweather and Manny Pacquiao coming up on May 2nd is of epic proportions. Alexis Cuarezma had the opportunity to photograph both of these welterweight icons for an HBO press conference back in March. Cuarezma told me he only had roughly 30 seconds with each fighter, and he sure made the most of it!

Shooting in harsh sunlight is always a challenge. Recently I shot a test while out on a trip in Los Angeles. Due to scheduling we had to start shooting around 4 p.m., so we were dealing with hard sunlight. In this post we will look at five different setups you can use to shoot in and manipulate these less than ideal lighting conditions. In a previous post, I showed how to quickly scrim hard lighting. In this quick tutorial we will look five different ways to light while in the same environment and conditions in order to alter the look of our image.

When you are shooting for magazine publication (outside of the medium format realm), one thing you always have to consider is the aspect ratio of your images. Paper sizes, in most cases, do not match up to image size, so there are crop variables you have to constantly keep in mind -- especially for editorials where there will be titles, typography or article copy on the page as well.

"A Book of Beards" is exactly what it sounds like. Dudes and huge gnarly beards documented in black and white by photographer and art director Justin James Muir. What started out as a simple idea, evolved into something much much bigger.

You have probably heard it a few times: photographers raving about how Capture One is awesome for developing portraits from raw files. However, just like when I first installed it, you might not see any advantage over the current raw processor you are using. Then I found a few functionalities that made my workflow that much quicker and my images look a tad better before even retouching them in Photoshop.

For the "Preservation" project, widely acclaimed Los Angeles-based photographer Blake Little covered a variety of models in 4,500 pounds of honey. You read that right. The idea for this shoot was originally inspired by a previous session where he depicted a man as a bear eating honey. He was startled by the way that the honey gave the appearance that the man was "preserved in amber" and by how it can "distort and amplify forms."

I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.

Post-Production and Retouching is just as much an integral part of creating a great image or series of images as pre-production and the actual shoot, especially when you are shooting for a client and not just for yourself. Each genre of imagery, advertising, beauty, fashion, etc. has a slightly different set of rules and parameters when it comes to retouching. In this tutorial we will look at the complete start to finish of a fashion editorial image. Last week I posted the complete gear list for this exact shoot. This week we will look at the first part of retouching, including cleaning up our white seamless and correcting distractions in our image.

Dana Pennington is a Los Angeles-based Fashion photographer. He recently moved to become a permanent resident in Los Angeles, from his home town Denver, Colorado. I had the chance to sit down with Pennington during my first trip to L.A., over the past weekend, and talk to him about his journey into the fashion photography industry.

Fstoppers.com owner Lee Morris recently decided to shave his 5 month beard while having a little fun. Lee created 8 different "characters" with different lengths of facial hair and then released his unretouched images to the Fstoppers.com. These photographers took these files and pushed them to the max, creating 8 hilarious final images.

Any good makeup artist will tell you that great eyebrows will make any face look good. Think of eyebrows like frames for prints: when they are beautifully crafted, they will make your prints standout. Eyebrows will do the same for a model's face, whether it is a male of a female model. They can totally change the expression and the look of someone depending on how they are shaped. Sometimes, a makeup artist can only go so far and we are left with work in post-production. So it is important to have a little knowledge on what the eyebrows should look like to get the best out of a model's face.

During our 4 month project with Elia Locardi I didn't shave once. During this time my beard got a little out of control. Last week I had a little fun shaving it off slowly and creating portraits of myself as different characters. I'm now giving out the raw files to you, to abuse them as you see fit.

Bruce Gilden is one straight talker. The no-nonsense Brooklyn born, Guggenheim-awarded, Magnum photographer does not mince his words, that’s for sure. There is so much to learn from him in this interview, in between his quips and comments. Listen in as he shares more than 45 years worth of experience as he critiques a selection of images of street photographs in this VICE interview.

As if you didn't already have enough competition as a photographer it now seems the animal kingdom is trying to get a piece of our pie. In New Zealand there is an Octopus named Rambo, trained and equipped by Sony, to do your job. World, meet the first Octographer.

As photographers we like to believe that everything we shoot is flawless straight out of the camera. The truth is that, most of the time, each of us spends more time and effort editing our work than actually shooting it. We will completely change the color or the crop of an image without thinking twice. Why then don't we at least consider one of the easiest way to completely change an image; the "horizontal flip."

I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.

I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.

Many makeup products can make the skin glow and can look great when associated with a good contouring. However, shiny products when used under strobe light can be difficult to dose out correctly. In a previous article I showed you a technique to diminish that glowing effect when too much highlighter or too few setting powder is applied. Let’s see how we can amplify the glow of the skin when more products could have been used to give a fresh look to your model's face.

PRO EDU just wrapped a week of shooting video in New Orleans, where they captured content of Dani Diamond teaching his approach and style to natural light portrait photography. This behind the scenes video takes you along for the ride and shows you the locations, models, and gear we got to use, and what it takes to make a video tutorial come to life.

Having a process is one of the most essential keys to success in art, design, and photography. In this tutorial we will look at what to do after we have completed all of the major changes to our portrait retouch. In the beginning of our retouching we will commonly address larger issues like blemishes, distractions, tone smoothing, dodging and burning, and color corrections. But, after completing the major steps of our retouch, what are the finalizing steps in our process? Let's take a look at the five final steps you should follow before completing any portrait retouch.

As I spend more and more time around other photographers, I’ve had the opportunity to sit back and listen to everyone’s take on what makes a retouched image successful. Some photographers spend minutes retouching, while others spend literally hours on an individual image. Regardless if you spend 15 minutes or 3 hours retouching in image, it’s important to have a strong workflow so that you maintain your sanity.

About a year ago, Pratik Naik wrote an article about a video the guys at FX-Ray made regarding hair retouching. At the time I found the video very interesting and quite educative. The only problem I had with the technique described was recreating a realistic looking texture. Since then I have found a perfect solution with Aaron Blaise's custom brushes. Best of all they work with almost any hair texture you could possibly be up against.

Matthew Jordan Smith has gained a reputation as one of the industry's top fashion photographers and also as one of the leading photography educators. Those of us who have seen Smith teaching or in interviews have been left with the same impression: he is a photographer and instructor that is forthcoming, sincere, and passionate. My experience in interviewing him proved all of these to be correct. Smith was both very candid and insightful, and here are 10 takeaways from my interview.

Tired of booking the same types of shoots? There’s an easy answer: stop posting them. Instead, only post the type of work you want to get hired to do. Coupling strategic use of Instagram with a strong portfolio of the types of shoots you actually want to book is the best way to increase getting the work you want!

Having a makeup artist when shooting is a luxury for some photographers. While it is a must-have on a beauty or fashion set, when doing more simple portraiture it is not always easy to justify the cost for one. The biggest problem I find myself with when not having a makeup artist on set is people with oily skin are going to shine under strobe lighting. A simple makeup brush and some setting powder can do the trick, but sometimes we don’t even have that with us. So I am going to show you a way to quickly correct that using Photoshop.

Knowing when to stop is the hardest lesson to learn for those new to retouching. In this tutorial we will look at how to recover lost texture and over smoothed skin tones, even when your file has been flattened. In this image the texture has been over retouched resulting in a significant loss in the skin texture. The transitions between skin tones have also been slightly overdone. Frequency Separation is a term we see in retouching all the time its also a technique I'm working on using less and less and bring in as a last resort. By using frequency separation here we can borrow texture and...

For Feature Shoot 's first video release they were lucky enough to catch up with celebrity photographer Martin Schoeller. Hours of conversation were condensed down to 6 minutes of behind the scene stories, inspirational anecdotes, advice and insight.