Portraits

It felt like yesterday that we featured Underwater Dogs. Seth Casteel took those incredible photos and it definitely was a really memorable series of animal shots. How could you not love them? In fact, Seth is such a great animal photographer that he didn't just stop there. He's created some great tips on photographing animals for the intent of getting them adopted.

A few years ago when I was still new to the world of beauty photography and digital photo retouching, I prided myself on the ability to "fix it later in Photoshop." I would welcome retouching challenges as I was still learning, but things changed forever after I started working with professional teams and shooting for commercial clients.

There are a few unarguable reasons for getting it right in camera.

If you are into photographing people, the idea of working with professionals has probably been on the agenda at some point in your career. Whether an editorial photographer, fashion and beauty shooter, or just someone who likes creating awesome fantasy composites, the use of professional models will invariably improve your work. So how do we go about working with these gatekeepers of the people photography industry?

I'm glad you asked!

"Do you think we could do these photos that I found on Pinterest?" If you are a wedding photographer, or even a family photographer, it is more than likely you have heard this phrase before. My friends, Troy and Aimee Grover, extremely talented photographers in Southern California, decided to write up a post for future brides that shares the photographer's perspective on Pinterest, along with tips for brides. It's a fantastic read. With their permission I wanted to share some of the key ideas with our readers here.

Imagine never having the keepsake of a photograph as a memento of your family. This is a common reality for many in rural areas and third world countries and Portland-based photographer Joni Kabana aims to do something about it. She founded “Prints for Prints: A Global Rally for the Printed Photograph,” a non-profit that auctions photographic prints to raise money so that people in rural areas can have their own family portraits.

This is the second part of the article on how to learn to "read" lighting in photography. If you haven't read the first part yet, please start here: How To "Read" Light In Photography - Part 1.

And for those of you who have been waiting for the second part, let's jump right back in and see what other cues we can use to breakdown lighting in other photographers' work.

What draws us to portraits? In this video from PBS's 'Off Book,' photographers Matt Hoyle, Bex Finch, Jamie Diamond and Ethan Levitas offer their perspective on portraiture and why it is important to us as human beings. At the core of portrait photography, it is a documention of our existence, but it often surpasses that and becomes art.

UPDATE: Original video was removed, but we found it again! In order to make our subjects look their best we need to be shooting them from the correct angles. Peter Hurley is the master at this and in his DVD he gives so many fantastic tips on how to accomplish taking photos of people looking their best. This YouTube video that popped up today on Reddit is probably the best example I have yet to see of how the simple change of an angle will give your subject an entirely different look. This is might just be the best 14 seconds of your day!

Finding the right light for your images can be a daunting task, especially when shooting outdoors and with unpredictable lighting conditions. Professional fashion and portrait photographer Lindsay Adler, is here to give you her list of the worst lighting conditions outdoors, and how to correct them in camera, to give you the best possible photos.

One of the first very important skills I acquired in my Australian Photography course was the ability to breakdown lighting and determine approximate camera settings in images taken by other photographers. If you understand how the direction of light and its degree of diffusion are controlled and how they affect images, it should be easy for you to train yourself to "read" lighting in the images you see in magazines, on billboards and in your favorite photographers’ portfolios.

There have been many books written on the subject of face anatomy and how it impacts not only our perception of someone but our reaction to them as well. There are features we deem as authoritative, feminine, funny, somber, and so on. With over 7 billion people in the world we've got quite a few unique faces out there, and yet, certain features and proportions are universally and subconsciously interpreted as "appealing".

Yesterday, I showed you the process of pre-producing a successful photoshoot and used a recent session as an example on all the steps it takes to put together a successful session with a large team. Today, I put together a breakdown of the entire production and post production process on creating a successful portrait session and a behind the scenes look into what all goes into it.

Nick Suarez is a beauty and fashion photographer based out of New York City. Early in his photographic career, he has already developed some pretty impressive skills. It’s that visual competency combined with his high level of photographic literacy that give him an edge with the next generation of photographers.

When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).

There are dozens of cool effects that one can achieve when mixing ambient light with controlled lighting, but today I would like to talk about mixing lights in studio - impulse (i.e. strobe or flash) and continuous. I love this technique and hope my article inspires you to try it out too.

It’s very easy to get used to the option of being able to “spray and pray” – shoot a nearly obscene amount of photographs and hope for a few that meander over the line to above average. I know I can be guilty of this sometimes – modern shutters are both a benefit and a crutch. So I issued myself a challenge: go out and shoot without looking.

There are times when I find myself shooting the same stuff or using the same lighting setup over and over again. Repetition helps to improve and fine-tune my skills, but sometimes it just feels boring and degrading, let alone useless for my portfolio.

But as much as I dislike feeling stuck and repeating myself, I now realize how such times in fact help me to become a better artist and shooter. It's usually the desire to entertain myself and experiment that leads me to new personal artistic discoveries. It's when I'm bored and want to "spice it up", I start searching for new lighting ideas, tricks and techniques.

Since we released Peter Hurley's: The Art Behind The Headshot, the internet has been trying to replicate his signature look without shelling out thousands for his Kino Flo lights. The guys over at SLR Lounge put together a great video that comes up with a similar look by using only 1 light, 1 bank, and 3 reflectors. I think the results are fantastic.

I've been working on a personal photo series capturing movie and television cars (real and replica) for about 5 years now under the title "The Unicorn Project". I've posted about this before on Fstoppers (here, here, & here), as you may recall. Most recently, I had an opportunity to photograph a replica A-Team Van and KITT from Knight Rider while I was in Los Angeles. These happen to be two of my favorite television cars of all time. Watch the video and read the full post below to learn how it was done.

A single photograph from a photography session barely shows you all the planning and execution that goes into a photoshoot. Dozens of ideas, shooting styles and concepts often come into play in the pre production, not to mention the hours that can be spent in post production as well. As a result, I decided to give you all a breakdown of my recent photoshoot with good friend and model, Harmony.

This week, Ben Von Wong shows us a set of great conceptual photographs he shot with model Jen Brook that feature a great shallow depth of field and dark, moody atmosphere despite being photographed in bright daylight. Ben was able to do this using PocketWizard hypersync and was kind enough to document the shoot to show us exactly how he did it.

Día de Muertos or Day of the Dead is a Mexican holiday that has seen a spike in exposure in the United States the past few years making it a perfect subject for a photoshoot. Follow Jay P. from The Slanted Lens as he takes you behind the scenes of his latest shoot featuring a model dressed up as a Calavera (sugar skull) posing in an eerie cemetery backdrop.

Not since Matthew Brady’s work documenting the Civil War has the tintype photographic process been used on the battlefield. Staff sergeant Ed Drew, an aerial gunner in the California Air National Guard, brought tintype back to the theater of war to photograph his fellow soldiers during his deployment from April to June in Afghanistan’s Helmand province.

I've written about Glyn Dewis before on Fstoppers. He's a fellow Photoshop World Instructor, UK-based photographer, and has an amazing blog and youtube channel filled with great image post-production tips. In this tutorial, Glyn teaches how to add nice detail and grit to your portraits, as he did with his boxer portrait series featured here. Click to see the entire post to watch another tutorial video on this shoot.

The dreaded Myspace Angle, a condition that has plagued countless of self portraits for years. The extended armed and high angled photos still clutter up our Facebook newsfeeds long after Myspace whittled down to music bands and glitter graphics. Is it safe to assume that even Superheroes take the time out of their busy 'saving humanity' schedules to take a selfie? Apparently they do.

Do you ever feel like you're not hanging around enough celebrities? Maybe you wish you were court-side at a Laker's game sharing an emotional moment with Kobe, or maybe you'd rather be wrapped around Kim Kardashian like couch upholstery? If any of these things are true, you might be Peeje T - a pretty creative guy with a pretty good sense of humor and a knack for photoshopping himself into pictures with the likes of Jay Z, Beyonce, Rihanna, Alisha Keys and Kobe Bryant, among others.

In this interview, I speak with Russ Turner, a photographer who is relatively new to shooting fantasy portraiture, but has already received awards and praise for the quality of his work. Russ talks about working with costumed models, how he incorporates Photoshop, and shares some of the places where an aspiring shooter can get started doing photography in this genre.

When you think group shots, what lens immediately comes to your mind? Often, the initial reaction to a "group picture" is to reach for the widest lens in your bag. It's a safe option that makes sure you'll fit everyone in the frame. It could be said group shots are more about accounting for everyone who was present rather than being a work of art. However, if you care about the quality of images you're creating, maybe your widest option shouldn't be your default.

At 14 years old, I personally, was riding bikes, drawing and playing video games. I had literally no clue that I was going to become a professional photographer, or even how to really use a camera. So when I see photos from 14 year olds, I expect work as scatterbrained as I was. Boy am I wrong. Meet Zev, a 14 year old photographer who has the creativity and photo manipulations that will put most of our photography portfolios to shame.

Print is not dead and celebrity portrait photographer Sam Jones has created offCamera magazine — part print magazine, website, web television series and podcast — to showcase and profile actors, musicians and artists working at the highest level of their professions. Jones, whose work frequently appears in Rolling Stone, Vanity Fair and Men's Journal, intends for offCamera to be an artistic vehicle for further exploration of the casual chats that often occur on set during his editorial photo shoots.

Summer is upon us, which means fireworks. Previously, we have discussed using alternative methods to get smoke-like effects in your photographs. But using flour can make for a messy clean-up and smoke machines require electricity. Smoke balls, however, are cheap, come in a variety of colors and require nothing more than a lighter.

Along with our recent release of How to Become A Professional Commercial Wedding Photographer, we've featured several behind the scenes videos on how other photographs prepare for and shoot weddings. It's always worth a look to investigate what other wedding photographers outside of your area are doing differently. Rest assured, Doug Gordon will keep you entertained in his upcoming workshop on creativeLIVE.

It's no secret that many people have predetermined opinions about strippers and the private lives they may lead. In a recent project by photographer Bronwen Parker-Rhodes, their lives and their method of self-expression via exhibitionism are put on display.

Parker-Rhodes' began this project after forming relationships with some of the dancers at various clubs she would DJ at. It begs the question, 'How do you capture the private lives and intimate moments of someone that exposes everything (or almost everything) regularly? What do you choose to reveal?'

Couples spend a lot of time, effort and money to make sure their wedding day will be captured the best way possible - after all it's one of the most important days in their lives. But what about another major life event, like the proposal itself? Most times, unless it's meant to be a viral proposal, the proposer is not thinking of documenting it and the moment will never be shared or shown to family and friends. Wedding photographer Richard B Flores proposed earlier this week, and he knew he wanted to have this memory documented forever.

Benjamin Von Wong has finally wrapped up his long and productive European tour, Von Wong Does Europe. The very first shoot that he was able to do was also ironically the last to be published and for good reason. It will blow you away. Taking over 60 hours to retouch Ben collaborated with talented retouching guru, Chester van Bommel.

This might be an extreme take on the all-too-common client request of "get it done quickly," but it serves as an excellent benchmark of what can be done in a short amount of time. Odds are, you won't ever be asked to do a full post-production retouch in such a short amount of time, but the idea behind what Aaron Nace of PHLEARN is showing here is solid: with the right tools and knowledge you can streamline your workflow with extreme effectiveness.

You may not have known it, but I'm certain you've seen a Norman Seef photograph. What photo do you think of when you think of Ray Charles? He shot that. Carly Simon? Yup. Steve Jobs? Seef again. After reading our own Douglas Sonders' article on how short the window of time is when working with celebrities, seeing how much Seef could get out of his subjects is awe-inspiring.

As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.

If you're not tuned in to creativeLIVE right now, you should be! Today through Saturday May 18, creativeLIVE is hosting award-winning portrait photogrpaher, Brooke Shaden. Brooke is teaching some great tips to create eye-catching works of art without any flash or expensive studio props.

I love animals and many of us do. They're so expressive and it makes you wonder what they're thinking of. You see the innocence in their eyes and you know it's genuine. Let's not forget to mention their ever ready playful demeanor. When you combine these vibrant attributes with photography, it sets up for some endearing work. Cue in animal photographer, Jessica Trinh.

After looking at all of the great submissions for our April POTD contest, it took a few weeks to narrow them all down and come up with commentary for what were some outstanding photos. Like I said in the original post, it was truly humbling to have people from all over the world send us their images to view and judge against others. It was great to see images from all over the world of various cultures and places, and I'm happy to announce that we've finally settled on our top portraits and the winner of the $100.

Recently, I was hired by a corporate client to take the portrait of Rod Stewart here in New York City before a concert. After a day of pre-planning logistics, 4 cancellations/reschedules (same day), and 3 location changes, the shoot finally happened... and it took place in two shutter clicks. Now, this is not a complaint post or to prove what an intense shoot this was. This is merely the stark reality of what it's like to shoot celebrity portraits. You have to be ready for anything.

Location scouting is just one more facet of the photographic process that takes time and money to carry out. It can get especially difficult if you are planning an out-of-town shoot. A lot of times this would mean arriving at the shoot location a day early. But there isn't always the time or budget to allow for that, as was the case for my shoot with Japanese metal band Boris last week. Lucky for me, Google came to my rescue.

Photographer Mario Testino shoots my favorite super lady, Kate Upton, for the June 2013 Vogue. Kate keeps things super classy for her spread and even rocks some rather large, dark eyebrows with her look. I am certainly one that appreciates some curves on a model, so I am glad to see Vogue is beefing up to the competition (see what I did there) instead of the same ol' too-skinny girl. Click through to see the shots from her upcoming feature

Motley Crue bassist, Nikki Sixx is a recovering addict. But cameras, he says, are his new drug. He has been a musician, a writer and a radio host. His new passion is photography. To be honest, I was pretty surprised by his images. They are empathetic, penetrative and incredibly personal. He has teamed up with Leica to photograph a two-part interview series.

Wyn has been featured on Fstoppers quite a few times. Why? His work is outstanding. He comes up with some really cool concepts for shots. From using LED's on a basketball shoot to powder with Gymnasts. He does it all perfectly.

The film industry has the Oscars. The music industry has the Grammys. Broadway has the Tony Awards. The annual awards that celebrate the best and brightest of the culinary world are the James Beard Foundation Awards. NYC based photographer Landon Nordeman set up backstage at the 2013 awards with just an iPhone for a camera. The results are a captivating black and white series of shots that each capture the range of emotions of the night.