About two years ago, in the spirit of adventure and creativity, I decided I was going to try and photograph the ocean with artificial lighting. I had an image in my head of all the things I’ve seen in daylight hours, with the stark contrast of an illuminated wave against a dark backdrop. A run-of-the-mill day down at the beach certainly wasn’t going to do either. We were going to go straight to the top and shoot the biggest and meanest waves we could find.
Young photographers often don't have a great budget to buy a lot of equipment when starting out, let alone high-end lighting gear such as Broncolor's flashes and light shapers. Unless the equipment in question is given away, which is exactly what Broncolor offers to talented photographers under 30.
In this video, Daniel Norton of Adorama takes you into his studio, showing you how to set up for three different lighting scenarios, with the ability to change from one to another at the flip of a switch. This is great for if you have extremely limited time with models or actors and need alternate looks or options between them.
Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
Shooting portrait work during the day outside has always meant that you have to think on your feet and improvise depending on what Mr. Sunshine decides to do. Some days, you get brilliant, bright rays of sol pummeling the entire city with impunity, and other days the order of the day is cloud cover and über diffusion. The biggest challenge, in my opinion, occurs when the sun and clouds start to play games with you and change the game every few minutes, causing you to contend with hard light at 3:54 p.m. and soft diffused light at 4:03 p.m., etc. So, how do I deal with that?
Lumopro has had several flashes on the market, like the LP160 and the wildly popular LP180 of Strobist fame. This fall, however, Lumopro announced a brilliant new unit, the LP180R. As far as specifications, the LP180R is almost identical to the LP180, but there is one key difference that makes it an excellent tool for photographers both experienced and inexperienced.
Satoki Nagata came to Chicago in 1992 with a Ph.D. in Neuroscience, a field in which he worked for a decade, before turning his attention to photography, studying with Damaso Reyes. In experimenting with flash and slow shutter speeds, he created the series, "Lights in Chicago," which elegantly captures the winter months in the Windy City.
Have you ever wondered how to create dramatic cross or Rembrandt lighting using only one light source? In this short, concise, three minute video, photographer and retoucher Glyn Dewis explains exactly how to create this look using one light. Whether you are using a giant octabox or a simple speedlight with a flash bender, Dewis shows you how to achieve this look with enough light to slightly spill onto the other side of the subjects face as well as how to check your lighting before even firing a shot.
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
Back in October I posted a portrait of myself that quickly became the most popular photo on my entire Facebook feed for 2015. The image was never meant to be anything other than a test shot for a few lenses we were reviewing but people kept asking how I created it. In this Fstoppers video, I will show you a common lighting setup every photographer should know and how you too can achieve this simple look with your clients.
Priolite just announced the addition of a new flash unit to their HotSync lineup, the MBX300HS. This slightly smaller and lighter, but much cheaper, unit is a welcome addition to their current line of products. Alongside the already available 500Ws and 1000Ws strobes, this new compact unit looks like a solid alternative to more well-established brand's battery powered system.
With Veterans Day having just passed, there are a lot of thanks and praises going around to our past service members. We all give our gratitude in different ways. Photographer Louis Amore decided to create a series of portraits focusing on mostly elderly veterans. Amore said that the Remembrance Parade last year inspired him to create this series in order to preserve their memory and show thanks for their sacrifice.
A couple of weeks ago, Elinchrom released the Skyport HS, a new iteration of the very old and rudimentary Skyport. The Skyport HS seems to have everything a strobist could hope for, from the laser grid to focus in low-light conditions to the Hi-Sync mode. This new radio trigger is a welcome addition to Elinchrom's product line. At least, it is on paper. The Swiss company was kind enough to lend me a unit before it was even released so that I could play with it and review it for you.
Recently, the game of artificial lighting, including flash, has started to change. LED lights have become more common, but also TTL and HSS have become available to studio strobes, not just hot shoe flashes anymore. Today, it is Elinchrom's turn to join in this new era. The Elinchrom Skyport celebrates its 10th birthday this year, and over 400,000 units have been sold since its launch. However, it was time for an update. But Elinchrom did not just update the Skyport, they made a whole new version introducing a range of hi-sync products.