After weeks of rumors, Profoto officially announced their latest A1 flash; a speedlight sized powerful flash, which can be used both on or off camera. The company calls their latest product “the smallest studio light” and considering its features, they seem to be right.
When it comes to off-camera lighting with strobes, there are three main ways to sync your camera so the lights fire when you click the shutter. In this week’s video with Jay P. Morgan from the Slanted Lens, he goes over the three ways to sync your strobes.
There are several debates over which type of lighting is better between natural light and off-camera flash lighting. Some photographers build their style on one over the other, while some find themselves using both. I believe that it comes down to your personal preference in which you like over the other.
Albert Watson. Legend. Period, end. With a career spanning five decades and multiple iconic images, his career in fashion and portraiture would be the aspiration of any budding photographer. Alongside Irving Penn and Richard Avedon, PDN recognized him as one of the twenty most influential photographers of all time. And in a new video by Profoto, the man whose subjects have ranged from Alfred Hitchcock to Kate Moss, discusses his approach to lighting, photography, and life.
Have you ever had that gut-wrenching feeling of being defeated after a wedding reception? Let’s be real, it happens. There comes a point where photographing wedding receptions get so frustrating that you either dive deep into off-camera lighting, or you get out of shooting weddings altogether. I can relate 100%. Despite the terrible lighting, there are a couple ways to pull this off without just turning all the lights on in the building and compromising the receptions atmosphere. These are a few of the ways I light a wedding reception.
Shooting underwater already comes with many obstacles in terms of visibility, posing, light, and clarity. Thankfully lighting can easily be taken off this list in many cases with a few sets up from the surface. Connecting your land strobes to underwater is not as difficult as one may think.
In this video, Photographer Andrea Belluso uses strip softboxes to create dramatic portraits of his friend and pilot along with a gliding airplane. Strip softboxes create soft light with a long highlight on the aircraft body.
Announced earlier this year, the brand new Elinchrom ELB 1200 is finally about to be available on the market. The Swiss flash manufacturer has just published all the details regarding their premier adventure light for photographers, including its release date and the trade-in offer for Ranger RX owners.
Hensel claims that their Cito 500 is the fastest flash in the world with a flash duration of 1/100,000th of a second. This is so fast that it can "freeze" a bullet mid flight. We decided to put this sales pitch to the test and set up a shoot with some live ammunition.
Broncolor is often thought as one the most exclusive flash manufacturers. Its studio units are renowned to be built like tanks and to be remarkably consistent in terms of color and exposure. The Move L is no exception even though it’s meant to be used outdoors. Solid, well designed, and powerful, it will match any sport and action photographer’s needs, even more so now that it can sync up to 1/8,000s with compatible cameras, thanks to HS.
Looking to add some color to your shadows? There are a few different methods to achieve this, but what if you could do it all in-camera? Well, you can. Jay P. Morgan from The Slanted Lens covers four different ways to add some color into your shadows with gels.
"Glow" is a creative new music video from Toronto-based cinematographer Jonah Haber. Using a glow-in-the-dark background similar to what is often called a shadow wall, Haber captures the dancer's movements as a series of shadows frozen in time.
Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?
There are several ways to create more interesting photos, one way is to use off-camera lighting to help separate your subject from the environment or even making them the main focus of the shot. Carsten Schertzer shares 10 flash techniques he uses in his wedding and engagement photos to make them more interesting. These technique do not have to stop there, some of them can be used in other portrait sessions or even shooting products.
We recently released Where Art Meets Architecture 3 with Mike Kelley, our newest tutorial on photographing hotels and resorts. With this new tutorial comes a new behind the scenes series and in Episode 2, Mike reveals a lot of tips and tricks of the trade.
Anyone who uses off camera lighting is familiar with the Profoto brand name; the Swedish company has been revolutionizing the market for years, continuously upping the ante with the products they release.
Fuji is, at this point, the last major manufacturer to not have TTL, high-speed sync, and wireless control support from most major lighting manufacturers. Profoto and Elinchrom have now made wireless remotes specific to Canon, Nikon, Sony, and Olympus. Fuji, even with their new medium-format monster, the GFX 50s, has yet to get such love from the lighting community. While I can imagine that something is in the pipeline from these manufacturers for Fuji, nothing is certain and many of us need something to work with right now. Enter the Nissin Air system.
With the introduction of new features such as TTL, HSS, HS, and the likes, flash manufacturers have been forced to develop a different remote for each camera brand. Profoto has its Air TTL system for Sony, Canon, and Nikon, but was lacking micro four third systems compared to Elinchrom. It’s now a thing of the past with the release of the Air TTL-O remote.
Last week Fstoppers released Mike Kelley's latest photography tutorial called "Where Art Meets Architecture: How To Photograph Hotels, Resorts, and the Business of Commercial Architectural Photography." It is the third installment of Mike's thorough educational series on shooting real estate, architecture, and hotels. Throughout our travels, we never turned off the behind-the-scenes cameras so that you can experience a first-person perspective of what goes into producing one of these tutorials. In episode 1, Mike gets settled into the amazing Mauna Launi Bay Resort on the Big Island of Hawaii and shows just how exhausting photographing complex properties can be.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.
The Broncolor Scoro was initially released in 2012 by the Swiss flash manufacturer. Five years later, they introduce a new release of the high-end power pack and it’s called the Scoros S WiFi/RFS2. Along with it, the bronControl app is made available for Mac and PC to make remote control of your units easier than ever.
The Profoto Pro-7a power pack probably one of the most ubiquitous strobe packs in high-end photography studios around the world. Despite two newer models replacing it, the Pro-7a is still widely available for rental at photo studios and equipment houses. Several Pro-7a packs have been popping up on the used market at very appealing prices. The problem is that they are actually Profoto Pro-6 Freeze packs with a few cosmetic updates.
San Francisco based commercial and sports photographer, Alexis Cuarezma, has just announced he is launching a YouTube channel with 100 videos on photography. He'll be discussing topics such as lighting, working with models, and taking full advantages of your locations.
A while back I reviewed the Godox AD600 which I thought was going to be the all-in-one solution I was after. Even after comparing it to the Profoto B1, I was more impressed with the AD600, especially at its price point. It had a few construction issues, but overall was a flash to compete with the big boys. As I said, I thought it was going to be the solution I was looking for. Then Godox dropped the bomb: the Wistro AD200. This little flash promised to be less than half the weight and powerful enough for most of the work its big brother was made for. So, is it all it's said to be and how does it stack up against other options?
A few weeks ago Elinchrom announced their new adventure light, the ELB 1200. However, they didn’t release any pricing at the time, but they are now official. The Swiss flash manufacturer also recently added a few versatile light shapers to their already comprehensive range of products.
Boudoir clients range not only in background but also shapes and sizes. She may be a model or the stay at home mom that wants to feel like a model. Knowing your client and how to pose for flattering looks as well as creating a lasting experience is what one boudoir photographer is about to explain.
In recent years, the radio flash transmitter market has grown extensively. Every camera brand and strobe manufacturer has come up with its own system, but as if that wasn’t enough, some brands specialize in designing their own as well. Today, Elinchrom is opening its Skyport protocol to third parties with the hope of creating a new industry standard and solving the cross-branding issues photographers are facing nowadays.
Implementing gels into your photography is a really simple and effective way to make sure your images really stand out from the rest of the crowd. There are a ton of different ways to use gels to create some absolutely stunning imagery, but in this post I am just going to show you a few ways that you can use them to add color to your background to produce really dynamic portraits.
Have you been booked or plan on shooting a large group for their company team photo? Not sure what you need to do or even how to start? Jay P. Morgan from The Slanted Lens is back with another video with some of his tips on how he shoots his corporate group portrait photos.
From the realm of "how not to be a professional" comes the story of a concert photographer who violated venue rules, put the musician at risk of a medical issue, and did little to help his case after the fact.
