Strobe light

The Profoto B10 is here, and it's one of the most exciting advancements in lighting that I've seen in years.

If you are relatively new to flash photography, you have likely heard of high-speed sync, but might not understand it. Here is a full explanation.

After Sony, Canon, Nikon, and Olympus, it’s now Fuji’s turn to get access to all advanced Elinchrom features such as HS, HSS, and TTL.

Profoto just released a teaser video announcing a new product is about to be released. It may well be an updated B2 or a baby version of the B1X.

For a hobbyist or someone just starting out, the cost of renting your own studio space can simply be too much or something not yet justified by the amount of time you spend on photography. This great video shows how one photographer made a studio space out of a small room in his New York apartment.

When photographing commercial interior images, a common issue is an unsightly glare on reflective surfaces. Removing these reflections by compositing image layers significantly improves your images, separating you from the pack of "run-and-gun" real estate and interior photographers.

High-speed sync is a super useful technological advancement in flash technology that makes life a lot easier for photographers using strobes, but that doesn't mean you should always use it. This helpful video will show you some situations where high-speed sync has an advantage and others where standard flash should be your choice.

Name brand speedlights — like a lot of things in photography — are absurdly priced, and although they carry the big brand names, they also lack in a number of key areas versus the lower cost, third party alternatives. Take a look at my reasoning for steering clear of the big camera manufactures brand speedlights.

Beauty can be a lot of fun to shoot and it’s fun to find different ways to light a face in a flattering way. We might not be perfect in real life, but on camera? On camera we can be as perfect as the lighting setup and editing allows us to be! Magic? No. We still need gorgeous models but a great setup certainly helps.

Colors are very important in a composition and should be considered at the moment of capture. When shooting in still life, for example, gels can bring a good shot to the next level as Dustin Dolby from Workphlo shows us in this video.

Trying to replicate certain looks, especially from our favorite films, is a great way to enhance our skills as photographers, but it's not always as easy as it looks. Gavin Hoey from Adorama TV gives us some great tips on how to light a scene like a film noir.

Earlier this year, I reviewed the Elinchrom ELB 1200. It has become one of my most used lights along with the ELB 500 TTL. However, quite a few users missed the possibility of using the unit as a power pack in the studio instead of relying on batteries.

Canon, Nikon, Sony, Fujifilm, Olympus, or Panasonic, it doesn’t matter what system you use with Elinchrom anymore. All of these are finally or extremely close to being compatible with TTL, HSS, and Hi-Sync.

Although I've been shooting weddings for years, I've always done bridal portraits as a "day of" service. In Colorado, there wasn't much of a market for bridal portraits before the big day. Now that I've moved to North Carolina, it's an entirely different ballgame! Pre-wedding portraits are big business down South. So, how can you separate yourself from the pack? Well for starters, take advantage of the fact that you now have one resource that isn't on your side on the actual wedding day: time.

Elinchrom is joining forces with Red Bull to offer the best action photographers with reliable and robust flashes. It will translate into more behind-the-scenes content and inspirational content for all of us as well.