After the successful release of the Skyport Transmitter Plus HS that brought Hi-Sync capabilities to the Elinchrom lineup, the Swiss flash manufacturer now introduces the new Skyport Plus System. While many thought the Skyport Plus HS was the replacement of the old Skyport, it was not. The transmitter announced today is the real replacement.
Commercial Photographer and Videographer Jay P. Morgan has spent the last 25-plus years mastering light, production, and the business end of photography. He shares most of his insights on The Slanted Lens, his site dedicated to providing step-by-step instruction on how to light for photography and video. His latest video finds him in Gettysburg, combining strobes with ambient light, featuring Honest Abe and a couple of sweet cannons, while he shows us how to light a scene during sunset.
It's usually all about that sweet, soft light. Many of us portrait photographers probably would never even consider using a harsh, bare light without something to diffuse it, but Profoto and Pye Jirsa with SLR Lounge show you there is a time and place in this video tutorial that includes three step-by-step scenarios that teach you how to create dramatic photos with a single naked and unmodified strobe.
About two years ago, in the spirit of adventure and creativity, I decided I was going to try and photograph the ocean with artificial lighting. I had an image in my head of all the things I’ve seen in daylight hours, with the stark contrast of an illuminated wave against a dark backdrop. A run-of-the-mill day down at the beach certainly wasn’t going to do either. We were going to go straight to the top and shoot the biggest and meanest waves we could find.
Young photographers often don't have a great budget to buy a lot of equipment when starting out, let alone high-end lighting gear such as Broncolor's flashes and light shapers. Unless the equipment in question is given away, which is exactly what Broncolor offers to talented photographers under 30.
In this video, Daniel Norton of Adorama takes you into his studio, showing you how to set up for three different lighting scenarios, with the ability to change from one to another at the flip of a switch. This is great for if you have extremely limited time with models or actors and need alternate looks or options between them.
Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
Shooting portrait work during the day outside has always meant that you have to think on your feet and improvise depending on what Mr. Sunshine decides to do. Some days, you get brilliant, bright rays of sol pummeling the entire city with impunity, and other days the order of the day is cloud cover and über diffusion. The biggest challenge, in my opinion, occurs when the sun and clouds start to play games with you and change the game every few minutes, causing you to contend with hard light at 3:54 p.m. and soft diffused light at 4:03 p.m., etc. So, how do I deal with that?
Lumopro has had several flashes on the market, like the LP160 and the wildly popular LP180 of Strobist fame. This fall, however, Lumopro announced a brilliant new unit, the LP180R. As far as specifications, the LP180R is almost identical to the LP180, but there is one key difference that makes it an excellent tool for photographers both experienced and inexperienced.
Satoki Nagata came to Chicago in 1992 with a Ph.D. in Neuroscience, a field in which he worked for a decade, before turning his attention to photography, studying with Damaso Reyes. In experimenting with flash and slow shutter speeds, he created the series, "Lights in Chicago," which elegantly captures the winter months in the Windy City.
Have you ever wondered how to create dramatic cross or Rembrandt lighting using only one light source? In this short, concise, three minute video, photographer and retoucher Glyn Dewis explains exactly how to create this look using one light. Whether you are using a giant octabox or a simple speedlight with a flash bender, Dewis shows you how to achieve this look with enough light to slightly spill onto the other side of the subjects face as well as how to check your lighting before even firing a shot.
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?