Natural light photography has swelled in popularity as sensors improve, but the persistent battle between off-camera flashes or strobes, and just using available light continues. This video shows Manny Ortiz going head-to-head with Jessica Kobeissi to highlight the differences.
Achieving soft, directional light outdoors can be difficult. Sure, you can use an overcast day for soft, natural light, but often, this will not give you the most flattering light on your subject's face. In this video, we use my largest light modifier to see how you can turn an overcast day into a professional looking catalog image.
When it comes to shooting portraits, photographers almost always reach for an 85mm lens or even the 70 - 200 mm lens. As great as these two lenses are for portraits, they often fall short when trying to capture an environmental style photograph. In this video, I'm going to show you the most widely used lens in my camera bag and how shooting wide angle can sometimes create a better photograph than shooting telephoto.
Just when you thought zeroing in on, and staying put with the copious amount of camera and lens options was enough to alone cause sleepless nights, you then discover this wild world of high power flash photography. Good news is help is indeed on the way, depending on your needs as a photographer one of these three advanced flash options will get the job done.
When I first started shooting flash, I would lug my big studio lights and battery packs from location to location. But after a while, this became such a hassle that I stopped doing it. I instead settled for using a hot shoe flash or just shooting with no flash at all. But this may change now that Elinchrom has the new ELB 500 TTL. Not only does this light offer a significant increase in power compared to a traditional hot shoe flash, but it also does it with a much smaller package than standard studio lights while maintaining the benefits of TTL and HSS.