When photographing commercial interior images, a common issue is an unsightly glare on reflective surfaces. Removing these reflections by compositing image layers significantly improves your images, separating you from the pack of "run-and-gun" real estate and interior photographers.
High-speed sync is a super useful technological advancement in flash technology that makes life a lot easier for photographers using strobes, but that doesn't mean you should always use it. This helpful video will show you some situations where high-speed sync has an advantage and others where standard flash should be your choice.
Name brand speedlights — like a lot of things in photography — are absurdly priced, and although they carry the big brand names, they also lack in a number of key areas versus the lower cost, third party alternatives. Take a look at my reasoning for steering clear of the big camera manufactures brand speedlights.
Beauty can be a lot of fun to shoot and it’s fun to find different ways to light a face in a flattering way. We might not be perfect in real life, but on camera? On camera we can be as perfect as the lighting setup and editing allows us to be! Magic? No. We still need gorgeous models but a great setup certainly helps.
Colors are very important in a composition and should be considered at the moment of capture. When shooting in still life, for example, gels can bring a good shot to the next level as Dustin Dolby from Workphlo shows us in this video.
Trying to replicate certain looks, especially from our favorite films, is a great way to enhance our skills as photographers, but it's not always as easy as it looks. Gavin Hoey from Adorama TV gives us some great tips on how to light a scene like a film noir.
Earlier this year, I reviewed the Elinchrom ELB 1200. It has become one of my most used lights along with the ELB 500 TTL. However, quite a few users missed the possibility of using the unit as a power pack in the studio instead of relying on batteries.
Canon, Nikon, Sony, Fujifilm, Olympus, or Panasonic, it doesn’t matter what system you use with Elinchrom anymore. All of these are finally or extremely close to being compatible with TTL, HSS, and Hi-Sync.
Although I've been shooting weddings for years, I've always done bridal portraits as a "day of" service. In Colorado, there wasn't much of a market for bridal portraits before the big day. Now that I've moved to North Carolina, it's an entirely different ballgame! Pre-wedding portraits are big business down South. So, how can you separate yourself from the pack? Well for starters, take advantage of the fact that you now have one resource that isn't on your side on the actual wedding day: time.
Elinchrom is joining forces with Red Bull to offer the best action photographers with reliable and robust flashes. It will translate into more behind-the-scenes content and inspirational content for all of us as well.
As is the case with most photographers, I have my usual go-to light modifiers that I know are a safe choice and can guarantee usable shots. However, sometimes, you need to step out side the box.
I recently got my hands on the new Tamron 100-400mm zoom lens and wanted to try a unique portrait idea. Unfortunately, this photo idea involved wind, tides, fast moving kiteboarders, and the ocean. What could go wrong, right?
Mark Wallace from Adorama has produced another great video regarding light in photography. The capture of light is the most important part of photography, and in essence, the light you use will define the look of the photo and define your photographic style.
Light is the most important thing to photographers, it’s our job to recognize it and shape it to help us tell our story.
In the evolving world of photography lighting, it can be challenging to know which lights and modifiers are best suited for maximum impact in different places and situations.
