When photographing commercial interior images, a common issue is an unsightly glare on reflective surfaces. Removing these reflections by compositing image layers significantly improves your images, separating you from the pack of "run-and-gun" real estate and interior photographers.
High-speed sync is a super useful technological advancement in flash technology that makes life a lot easier for photographers using strobes, but that doesn't mean you should always use it. This helpful video will show you some situations where high-speed sync has an advantage and others where standard flash should be your choice.
Name brand speedlights — like a lot of things in photography — are absurdly priced, and although they carry the big brand names, they also lack in a number of key areas versus the lower cost, third party alternatives. Take a look at my reasoning for steering clear of the big camera manufactures brand speedlights.
Beauty can be a lot of fun to shoot and it’s fun to find different ways to light a face in a flattering way. We might not be perfect in real life, but on camera? On camera we can be as perfect as the lighting setup and editing allows us to be! Magic? No. We still need gorgeous models but a great setup certainly helps.
Although I've been shooting weddings for years, I've always done bridal portraits as a "day of" service. In Colorado, there wasn't much of a market for bridal portraits before the big day. Now that I've moved to North Carolina, it's an entirely different ballgame! Pre-wedding portraits are big business down South. So, how can you separate yourself from the pack? Well for starters, take advantage of the fact that you now have one resource that isn't on your side on the actual wedding day: time.