There are several debates over which type of lighting is better between natural light and off-camera flash lighting. Some photographers build their style on one over the other, while some find themselves using both. I believe that it comes down to your personal preference in which you like over the other.
Albert Watson. Legend. Period, end. With a career spanning five decades and multiple iconic images, his career in fashion and portraiture would be the aspiration of any budding photographer. Alongside Irving Penn and Richard Avedon, PDN recognized him as one of the twenty most influential photographers of all time. And in a new video by Profoto, the man whose subjects have ranged from Alfred Hitchcock to Kate Moss, discusses his approach to lighting, photography, and life.
Have you ever had that gut-wrenching feeling of being defeated after a wedding reception? Let’s be real, it happens. There comes a point where photographing wedding receptions get so frustrating that you either dive deep into off-camera lighting, or you get out of shooting weddings altogether. I can relate 100%. Despite the terrible lighting, there are a couple ways to pull this off without just turning all the lights on in the building and compromising the receptions atmosphere. These are a few of the ways I light a wedding reception.
Shooting underwater already comes with many obstacles in terms of visibility, posing, light, and clarity. Thankfully lighting can easily be taken off this list in many cases with a few sets up from the surface. Connecting your land strobes to underwater is not as difficult as one may think.
Announced earlier this year, the brand new Elinchrom ELB 1200 is finally about to be available on the market. The Swiss flash manufacturer has just published all the details regarding their premier adventure light for photographers, including its release date and the trade-in offer for Ranger RX owners.
Broncolor is often thought as one the most exclusive flash manufacturers. Its studio units are renowned to be built like tanks and to be remarkably consistent in terms of color and exposure. The Move L is no exception even though it’s meant to be used outdoors. Solid, well designed, and powerful, it will match any sport and action photographer’s needs, even more so now that it can sync up to 1/8,000s with compatible cameras, thanks to HS.
Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?
There are several ways to create more interesting photos, one way is to use off-camera lighting to help separate your subject from the environment or even making them the main focus of the shot. Carsten Schertzer shares 10 flash techniques he uses in his wedding and engagement photos to make them more interesting. These technique do not have to stop there, some of them can be used in other portrait sessions or even shooting products.