Strobe Lighting

You submit your assignment images each year as a staff photojournalist at a major newspaper and never place in the prestigious Picture of the Year International competition. Then, years later as a freelance photographer, you win first place for a body of work that was undertaken solely as a personal venture. This is the story of Bob Croslin's self-assigned "Grounded," a portrait project of injured birds undergoing rehabilitation at a sanctuary in western Florida.

NYC-based commercial photographer Kenneth Volpe sat down with the good folks over at Profoto to give some insight on the way he lights his images and a bit of his philosophy when it comes to his photography business, Transposure. With Bachelors and Masters Degrees in Engineering, Kenneth is a guy that definitely understands fine light and exhibits it in the way he makes his photos. Check out the full write up over at

Posing multiple people can be a difficult task as it is, but throw in parkour performers into the mix and the shoot can quickly become tedious, but if done correctly the results can turn out nothing short of amazing. In this video Benjamin Von Wong walks you through the lighting set up he used to bring a three dimensional feel to the photographs. He also explains the different composing techniques he uses to get the posing and composition spot on for the shoot.

We received over 1000 submissions from our readers to our new POTD contest, and yes, we looked at every single one of them. There were some brilliant entries and it was incredibly tough to select the top 30 for the month of April, but they've all been chosen, and you can check out the gallery here

Several weeks ago I wrote an article about Profoto's new-ish pack, the Pro-B4, which has a flash duration of 1/25,000th of a second. Well, last week I was finally able to take it for a test drive. And what better way to test an insane flash duration than with water?

Since last November I have been shooting a photo series titled 'Comedic Value' which consists of NYC comedians shot in NYC locations for NYC charity, Art-Start. Of the 25 comics featured in the project, 1 of my favorite shoots was with Jim Gaffigan and his fantastic family. When discussing concepts with Jim, he mentioned that he needed a shot of him and his kids for his new book, 'Dad Is Fat' which will be out next month.

Pegboard is such a fun material to use when experimenting with lighting. You can change the shape of the light pattern by changing the distance of your light to the pegboard and the distance of the pegboard to your subject. We posted previously about how you can use pegboard to construct an entire backdrop. In this week's diagram I will show you how I used one speedlite and a small strip of pegboard to shape the light in my shoots.

Just the other day a buddy introduced me to hypersync via this video from PocketWizard featuring Chris Garrison. Hypersync is technology in PocketWizard FlexTT5's and MiniTT1's which enables you to sync your camera with big studio strobes at speeds up to 1/8000 with certain setups. PocketWizard has more information on hypersync over at their site. This video is pretty long (over an hour) but Chris walks you through several of his setups as well as talks about how he got his career to where it is now.

Well-known wet plate artist Ian Ruhter has just released the fourth installment in his 'Silver and Light' series, which chronicles his trip to Seattle to meet with Chase Jarvis, his journey to becoming an artist, Chase Jarvis' very frank thoughts on what being an artist

Recently I have been wanting to do an avant-garde hair shoot. I just needed to find the right stylist to work with. A few weeks ago I met Devan Aledia Ford who is a fantastic hair stylist. When I told her about my desire to do a stylized hair shoot, she took the idea and ran with it. She conceptualized a spring-themed, fairytale-inspired shoot. She even styled the wardrobe and did the makeup (never underestimate the power of a great stylist).

Have you ever wondered how dance companies and productions get those amazing photographs of their artists in perfectly posed dance stances? Well, Benjamin Von Wong has recently thrown some light over the intricate process of lighting and shooting a complex dance campaign. 

Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.

As a wedding photographer, I run around a lot and need to be ready for any moment. Because the day of a shoot can always bring surprises, I have a motto of always being prepared with extras of everything. Usually this means my assistant or I lug around a bag or two with extra flashes, batteries, and other accessories. I'm always looking for things to help me smooth out my work flow and make any wedding day easier to handle. So, when Spider Camera Holster released their new Spider Monkey for camera accessories at WPPI 2013, I was eager to try them out.

The Phottix Mitros TTL Flash was announced in early 2012 but saw another full year of development before it was finally officially released in March of 2013. That kind of time spent building a product really resonates with me, and I was expecting a finished product that was going to stand up to the rigors of daily use. I was not disappointed.

The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.

I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow.

Every week Benjamin Von Wong releases a new behind the scenes video for your viewing pleasure and this week is no different. I find that Ben is probably one of the most talented conceptual photographers that likes to use fire in his photographs, but this week he decided to switch it up a bit and the results are stunning, to say the least.

A couple weeks ago I was fortunate to work with Tina Hughes, a talented local clothing designer. Her latest collection blends vintage and modern elements. I thought that my friend's modernist house would be the perfect location for the shoot. We were limited to doing the shoot during the (bright and sunny) day so I used speedlites, a polarizing filter and orange gels to add a moodiness to the images.

The best part about learning rules is breaking them. For example, most of the time, blur in a photograph is a faux pas. But there are ways you can use blur to add energy and emotion to your images. In this lighting diagram, we will explore how to introduce blurring to your images with the use of an on-camera flash.

Before you start experimenting with this technique, make sure to go to you menu in your camera and set it to "rear curtain sync".

A couple weeks ago I posted a lighting diagram showing how you can emulate Martin Schoeller's lighting by using gaffers tape and foam core. One reader commented that the catch-light makes the subject's eyes look like a cat. This got me thinking about what would happen if I were to change the pattern of the tape into various shapes. Here's what I discovered.

I know the title of this article is a bit wordy, but I didn't know how to describe this beast of a lighting system in fewer words. 1/25,000th of a second! As you can see in the video, the new Profoto Pro-b4 1000 Air turns water into glass. It negates gravity. There is nothing you can't shoot with this rig. Plus it's field-ready, running off of a fast-recharging battery pack.

In order to turn a typical sunset into an extraordinary sunset, you are going to do the opposite of counteracting your available light. You do this by picking the colored gel that is the opposite color of the color you want to highlight. Though it may seem like an odd idea, it's actually just simple color theory. The opposite color of magenta is green. By placing a light to medium green gel on your strobe and setting your camera's white balance (WB) to fluorescent, anything that is magenta (such as a sunset) will be pushed even more vibrant.

PocketWizard has just announced the addition of a new trigger to its lineup: The PocketWizard Plus X. Priced at $99 (and already in stock at B&H), the Plus X offers much of the same functionality and reliability as PocketWizard's much-beloved Plus II and Plus III, but with a simpler, no-frills interface and a gentler price. Read on for the spec list, a mini-review, and my thoughts on the new unit.

Last week I tried my hand at emulating Martin Schoeller's portrait lighting with a single bare-bulb speedlite. Though the experiment was technically a failure, it still produced a nice portrait. Since then, I have tried two more lighting scenarios before finally nailing it on the fourth (please excuse my OCD tendancies) and final attempt.

I have been following the amazing work of boudoir photographer Christa Meola for a couple of years now. Just a quick look at her portfolio and you will agree that her boudoir work is some of the best out there. Recently she posted a lighting diagram for a two light setup she has been using. Christa happens to use a nude model for the lighting setup so heads up.

Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.

I am the type of photographer that doesn't stay up to date on the latest gear. Instead, I find what works for me and I use it until I hear about something that works better. This is why it was so hard for me to hand in my Pocketwizard Plus II's for the Radiopopper PX system. But boy am I glad that I did.

Plus II's are tanks. They are virtually indestructible. I used them for years with nary a misfire. But there was one thing they couldn't do. High speed sync.

As a wedding photographer I have learned that our shooting conditions are not always ideal. One of the places I dread most is the bride's dressing room. It is typically a hotel room with bags, shoes and every beauty accessory invented strewn across the floor. The lighting is never ideal and the decor just might be the straight out of your grandma's home. Read on below to see a simple lighting setup using two flashes that can help you create beautiful portraits even in not so flattering locations.

The great folks over at The Slanted Lens are back with another amazing tutorial. This time Jay takes you to Concord and Lexington Massachusetts at a recreation of a  Revolutionary War battle scene to show you how to effectively light a composited image. He shows you how to shoot your background plates first, the main subject using a do it yourself motion rig and even shows you how to shoot explosions to help finish the image. 

The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.

Kickstarter product "LUMENATOR™" is a portable and battery powered LED light stick. The 1200 lumen bar has a dimmer on it so you are able to adjust the power. The bar will have attachments that allow you to change the white balance and even add on a color hue bar. Check out the Kickstarter video and see if this possible product will fit your needs and help back this project.

Jay P. Morgan of The Slanted Lens has released a video that gives us a detailed look at one of the most basic aspects of portrait photography, the single light portrait. It's a very basic technique, but it's incredibly versatile set up that can be used to create many different looks. In this video, Jay P. Morgan is using a Canon 1DC and shooting video from which he will pull stills. It's a different way of shooting than we might be used to, but the end results are can look a lot more natural than posed pictures as the model is given much greater freedom to move around. 

Guest writer, Julius Ise is a professional photographer based out of Germany. In January he traveled to the beautiful beaches of Miami. While he was there he called around to several modeling agencies to set up a shoot. This is a great example of shooting personal work. He was able to get some great shots for his portfolio while at the same time helping out the models at DecoModels.

Guest writer Brandon Cawood is the owner and head photographer at Flash Light Productions. He primarily shoot weddings as well as commercial and product photography. He spent most of his teens and early 20's playing in bands and touring the country. After he became a photographer, naturally one of his favorite type of shoots is band promos.

Skreened is an eCommerce company that specializes in on-demand screen printing. Shirts are their biggest sellers. Since each shirt design is unique, they needed a library of images with models in blank tees so they could overlay the latest designs in post. When they approached me to shoot for them, their main request was that these portraits be fun and energetic.

So, how do you shoot at the legendary Disney Concert Hall without breaking their rule of 'No Professional Photography'? You do it with finesse. Benjamin Von Wong was faced with the task of shooting the Trio Dinicu at the location without looking like a professional photographer. In this behind the scenes video he shows you how he accomplished that and also walks you through cleaning any distractions from your photo using Photoshop.

So much is done as computer graphics these days that I've grown to really respect photographers who still want to truly make an image. Last week Fstoppers twitter follower Patric Bergkvist asked us to take a look at an image he made, and I'm glad we did.

Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.

Every Week Benjamin Von Wong releases new behind the scenes content for your viewing pleasure. This week Ben takes off for Paris and tackles the challenge of shooting a piece of fine art called the “WOM dog” by Cyril Anguelidis. Ben and his talented fire-wielding partner-in-crime,  Andrey DAS, took their time in pre-production. They sketched out what exact effects were to be used around the expensive sculpture for the most dramatic look, while still keeping the crew and subject safe.

In my opinion, nothing is sexier than a glossy black surface. And you don't even need a black backdrop sweep to achieve it.

During my time as the lifestyle photographer for JackThreads, I shot many different products in many different ways. Since I was shooting an average of 10 brands per day, I had to work quickly and in a tiny space. Through working in this condition, I developed some cheap and easy lighting scenarios.

So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.

A few weeks ago I posted about the outstanding newly released internet series, The Underwater Realm, and as promised I'm back with the full behind the scenes look at the underwater photoshoot by amazing conceptual photographer, Benjamin Von Wong. He explains how he was able to accomplish the shoot in the pool and how he brought all of the elements together to create a wonderful behind the scenes image of the entire cast and crew at work. 

We recently released our 14 hour tutorial on How To Become A Professional Wedding Photographer and as promised, we will be releasing excerpts from it for free over the next year. In this video I show you my go to method of lighting posed pictures in a church at weddings. I've tried every method of lighting but I find it easiest to light up the whole sanctuary with my Profoto D1 monolight.

There is one site that I consistently go to for inspiration . No matter how stuck I may feel or how many projects may demand my attention when I visit this dark and ominous page of collected brilliance I always leave refreshed. It may not always be safe for work, that part is pretty tough to predict as the work is always changing, but in my opinion the risk is worth it for the ideas and executions there. Not lighting diagrams, no explanations, just photography...lots and lots of amazing photography.

Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Framed] award for best conceptual photographer this year. Vote for him here.

Every morning I wake up and walk out to my living room. I sit down on the couch and bask in the sunlight coming through my sliding glass doors. I love how the light cutting through the vertical blinds creates a pattern of lines going across my living room. I have often thought how cool it would be to shoot a photo with the light like that, but at sunset when the light is real golden. The only problem? I can't shoot a sunset like that because my door opens on the eastern side of the house...

I love it when teams can keep churning out interesting tutorials or behind the scenes videos regularly and still keep the quality high, and one team that continues to do just that is PHLEARN. We've featured them a few times in the past, and today they released this new video on shooting beauty, but with sparklers.

For the past few years DigitalRev has done the "Cheap Camera Challenge" with a professional photographer and a crappy little toy camera. This year's challenge consisted of Strobist's David Hobby, a 2MP Buzz Lightyear toy camera and 3 of the best named speedlights of all time, the Family Jewels FUQ 690.

The Slanted Lens is back with another amazing lighting tutorial. This time they venture onto a 1700's Naval ship, the U.S.S. Constitution in Boston, MA. The portraits include an early Naval captain and his shipmates loading cannons. This tutorial specifically goes through how to light creatively during the nighttime hours where lighting might be more difficult for some.

Shooting street photography is always a great way to find some interesting subjects. Not only do you usually achieve a compelling image but you tend to hear some enthralling stories as well. Jesse Rogers went out and shot these in such a way that gives you a sense of optimism for these characters. I know we've all seen B&W's of homeless people and yes they are engaging and frequently depressing, but Jesse series seem to tell the whole story and not just the somber side.

One thing I love about the Fstoppers Facebook Group is seeing all the amazing work our readers publish. Taylor Tupy is a pretty awesome fashion and editorial photographer based out of Minneapolis. In this video he shared on Facebook, Taylor brought in gulf coast white sand into the studio to produce an awesome effect. Taking your production value to the next level is probably the most important thing a photographer