While camera manufacturers seem to focus on resolution, high ISO, and dynamic range, in the strobe industry the past few months have been all about fast shutter speeds synchronization. However, Broncolor still didn’t have any in-house solution to offer to their client until Photokina and the new RFS 2.2 transceiver.
Yesterday, Profoto announced their Air Remote TTL-S and mentioned an unknown Pro-10 in their press release. It was not long before it was made official as the press release came in today. It’s a 2,400 Ws studio pack, and it’s fast — extremely fast! Not only that, but it’s the first of its kind, as it offers TTL and HSS capabilities.
Three months ago, Elinchrom released the Skyport HS for Sony. Back then, many seemed to complain there was no version for smaller bodies. It’s not the case anymore with the introduction of a new Skyport HS specifically designed for Olympus cameras, making it the fourth version of this pioneering flash trigger.
With the new trend of including features such as TTL, HSS, or Hi-Sync, it’s now become common to see flash manufacturers release multiple versions of a remote. Each of the release being specifically optimized for a different camera brand. Well, today Profoto introduces a Sony version of their TTL trigger, the Air Remote TTL-S.
Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"
I’m a huge advocate of gelling your flash. It’s one of those things that a lot of photographers just discovering off-camera lighting will often fly right past without much thought (I know I did). Even after you get that first stack or plastic bag of gels, knowing how to apply them can be a little intimidating. Enter Michigan-based Photographer Rob Hall’s expert instructions on how you should or could be using your color temperature blue (CTB) gels.
Jay P. Morgan of The Slanted Lens is one of the more energetic and therefore entertaining characters in the photography world. His videos are usually a good mix of oddball antics and solid educational material. In this video, Morgan demonstrates how simply swapping gels on your rim light (with a bit of haze in the air) can really change the feel of your photo. I'm usually not a huge fan of fake smoke or haze machines, as I think they can look a little overdramatic and cheesy. However, I think it works in this instance, because he uses a subtle touch of haze, and it fits with the subject matter.
You can’t have a car feature without some amazing details shots of the car, right? Recently, Ben Hosking from Hosking Industries shot a VH SS Holden Commodore for Street Commodores magazine. Some behind the scenes video was taken of his process.
A beauty dish can be extremely versatile if you learn how to control the way it modifies light. Most photographers simply use beauty dishes to light the face, but you can use it to light full length photos if you know how to position the light correctly. In this video, I’ll demonstrate three ways to use a beauty dish for beauty and fashion photography.
Canon Master Krystle Wright had a pretty neat idea: shooting a kayaker cresting a 60-foot waterfall at night. With some ingenuity, she got her shot.
President Franklin D. Roosevelt once said, "Happiness lies in the joy of achievement and the thrill of creative effort." It's no secret that many of my clients belong to the LGBTQ community. I've worked hard to build a following in a demographic that should consider me an outsider; there is a real fear of being judged by anyone who doesn't routinely walk in their shoes. However, my client base hasn't always looked like this, and the road to building trust has been interesting to say the least. Why go through trouble? The simple answer is, “Because I love doing it!”
Retouching in photography has many forms. Everything from skin work to background manipulation. With the latest software abilities to retouch and manipulate an image, there is an endless source of possibilities to create. Even with all the tools available, there is a fine line and perhaps sometimes too much is too much.
I have a lot of respect for photographers who solely focus on beauty imagery. It’s definitely a skillset that I’ve been honing over the past few years, but ultimately one that I’ve come to develop an appreciation for. However, beauty photography does not have to be terribly difficult. In this tutorial, I’ll show you how to create beautiful beauty lighting with a single studio strobe and a reflector.
There are plenty of sources that will give you photogenic hard light. The sun comes to mind, obviously. Even a bare bulb strobe. But there’s something magic about the light that pours out of a traditional style tungsten Fresnel.
Where studio portraiture often lacks in external interest and bokeh, it makes up for in image quality, clarity, and full light control. However, always shooting on a black or white backdrop is wildly limiting but having a whole host of different backdrops and changing them can be a pain in the proverbial. There is a much easier way to change your background completely in camera using only light and the right shade of gray.
Recently I bought a new Vizsla puppy named Leo. I decided to take a few portraits of Leo in the studio and I put them on Facebook. They became my most liked images of all time. Yesterday I went back to the studio to create a video on how I did it.
Canon and Nikon have been dominating the professional DSLR market for a while now. Photo accessories such as strobes triggers show that well. However, with the increasing popularity of Sony’s mirrorless cameras, flash manufacturers couldn’t stay with only “Canikon” options. Elinchrom apparently understood that with their Skyport HS and is releasing it’s Sony version today.
Four years ago I purchased my first set of studio strobes in an attempt to learn how to shoot portraits like the ones I saw in my favorite print magazines. Having shot most of my portraits using available light at f/2 and under, I thought this would translate over easily when I switched to shooting with strobes. As I snapped my first frame and realized that even at the lowest power setting on the strobe the image was overexposed, I set out to find a way to be able to accomplish the effect. The answer was high-speed sync.
Oh, what's that? I'm using flashes to take a portrait? Well let's turn those bad boys up to 11 and make that subject pop! When you're first learning to light with flashes, the temptation can be overpowering to drown out all the ambient light in your scene to make your subject stand out. I'd argue that, at least for environmental portraiture, sometimes subtlety with flash is a more compelling way to go.
The latest fantasy shoot from the Slanted Lens instantly brings to mind the incredibly Academy Award winning movie Mad Max. With the help of a local junk yard, some incredible styling, and creative lighting, Jay P was able to execute an eye grabbing shoot. Check out just how he did it.
Broncolor announced two battery-powered strobes today. Coming in 400-joule and 800-joule variants, offering flash durations of as little as 1/19,000s, and in a similar power option, the new Siros L strobes are clearly aimed at the 500-watt Profoto B1 with nearly identical features in all but one area, depending on what's most important to you.
For those of you may not know, we recently created a 20 hour photography tutorial with the incredible Joey Wright on all things swimsuit photography and retouching. We've been posting a weekly behind the scenes series of the creation of this tutorial. This is Episode 5.
For a very short time, you've got a chance to get some of the best off camera flash products on the market at a hugely discounted rate. Get almost 50% off FlexTT5 Transceivers and MiniTT1 Raadio Slave Transmitters, for both Nikon and Canon. A wide variety of other PocketWizard products are also discounted until tomorrow May, 12th.
It’s amazing how photos and video have become ingrained in events, especially when fashion and arts come together. Art and Commerce, an agency representing Photographers, Hair Stylists, Makeup Artists, Illustrators, Creative Director, Set Designers, and Directors have documented the small ‘studio’ space at the Met Gala. Art and Commerce represents Gordon von Steiner, who directed and brilliantly executed these images and video.
We just can't seem to get enough of New York City-based Photographer David Bergman. Whether he's touring with Bon Jovi, shooting for Sports Illustrated, creating a 20,000-megapixel image, or just popping in with a quick tip from his "Two Minute Tips With David Bergman" series, David never fails to show us something worth our while. For his latest two-minute tip, he teaches us a quick and easy method for dealing with grey, overcast skies.
For years, Elinchrom users have been complaining about the aging Skyport. A few months ago, the Swiss flash manufacturer finally released the brand new Skyport HS, and it is a great product. However, not everyone needs its advanced features. Some photographers couldn’t care less about technical stuff and only want their transmitter to do the job it is designed for: triggering the flash remotely. Well, that’s why the Skyport Plus was recently released.
Last week, I took a look at personal projects and showed how I created my most recent portrait series. These personal projects are a great way to grow as a photographer and create new work you have a passion for, as you have the opportunity to create images with full control of the visual style. However, they may not always require you to step out of your comfort zone. To expand your repertoire of photographic knowledge and to create a more diverse, yet consistent portfolio, you need to experiment.
After the successful release of the Skyport Transmitter Plus HS that brought Hi-Sync capabilities to the Elinchrom lineup, the Swiss flash manufacturer now introduces the new Skyport Plus System. While many thought the Skyport Plus HS was the replacement of the old Skyport, it was not. The transmitter announced today is the real replacement.
Commercial Photographer and Videographer Jay P. Morgan has spent the last 25-plus years mastering light, production, and the business end of photography. He shares most of his insights on The Slanted Lens, his site dedicated to providing step-by-step instruction on how to light for photography and video. His latest video finds him in Gettysburg, combining strobes with ambient light, featuring Honest Abe and a couple of sweet cannons, while he shows us how to light a scene during sunset.
