Stop Believing These Photography Lies

Male photographer holding a Nikon camera to his face while looking downward against a cloudy sky.

Some photography beliefs sound noble but secretly keep you from improving. You might think manual mode is the mark of a “real” shooter or that the newest camera will finally unlock your potential. These ideas seem harmless but often slow your growth, not speed it up.

Coming to you from Max Kent, this sharp video cuts straight into the myths that creep into your habits without notice. Kent starts with the familiar one: the myth that shooting fully manual makes your work better. He explains how he used to shoot with a Nikon FM, convinced that manual settings made him more authentic. Eventually, he switched to a film camera with aperture priority and autofocus and saw his results improve. The reason was simple: less time spent fiddling with dials meant more attention on what mattered: light, framing, and the moment. It’s a quiet reminder that settings are a tool, not a personality trait. You don’t get extra credit for suffering through manual mode if it makes you miss the shot.

Kent then tackles another lie that refuses to die: the idea that you need the latest gear to make progress. The example he gives is the hype around the next big release, which can cost around $5,000 once you add a lens. Camera companies want you to believe your old setup is obsolete the moment something new drops. Kent pushes back on that thinking. He argues that while newer gear can make a skilled person’s life easier, it doesn’t magically make anyone more creative. You could shoot with a 10-year-old DSLR and a basic 50mm f/1.8 lens and still create meaningful work if you focus on developing your eye. The camera can’t teach you timing or instinct.

He moves to composition myths, where things get interesting. Kent recalls his early obsession with the rule of thirds. Like many, he believed it was the key to a “good” photo. Over time, he realized that the best images often break those rules. They feel alive because they don’t follow predictable patterns. He compares it to pop music, which is catchy, reliable, and safe, but says true artistic photography lives outside that structure. Once you stop thinking in terms of formulas and start trusting your intuition, your work changes. You see opportunities where others don’t, and your photos stop looking like everyone else’s.

The video doesn’t just talk about shooting, as it also hints at mindset. Kent encourages a lighter approach: stop fixating on settings, gear, or rules, and start seeing again. He shares a bit of his own life, like finishing a shed with his dad, to remind you that small wins matter. Creativity grows when you give yourself permission to step back and enjoy the process rather than constantly chasing perfection. Check out the video above for the full rundown from Kent.

Alex Cooke is a Cleveland-based photographer and meteorologist. He teaches music and enjoys time with horses and his rescue dogs.

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5 Comments

Fully manual allows me to dial in the exact exposure I want instead of letting the camera decide for me. You could say other lies are that shooting in manual and or using manual lenses makes you miss the shot or that shooting film is somehow more 'genuine and in the moment'.

Without watching the video, Alex's summary does make it sound like a well-worn furrow.

I agree with the fully manual sentiment, it’s some weird nerdy dick measuring contest that ‘real photographers’ like to engage in.

I look at it like driving a stick shift vs an auto: yes the stick is way more fun to drive, and when I’m busting hairpins on an Italian mountainside I feel like a champ, but in reality a modern automatic would likely net faster times, more fuel efficiency, and less wear on the car and driver, but it’s just not as fun.

So then the question is what is more important, the experience or the result?

I flip flop on the answer quite often.

Seriously, anyone that claims you must shoot in manual or you must have the latest gear or real photographers use fullframe etc, they should be ignored. We are all free to shoot the way that works best for us as individuals without being criticised for it - I’ve been criticised before for using manual lenses by people who make terrible assumptions about it. Do what works for you and always remember the goal is to create great photography, no matter how we get there.

Maybe I'm just not around enough photographers anymore, that being said these conversations are ridiculous. Manual mode for real photographers? No it's a mode on the camera where you have full control. That's about it.

A lot of these topics on these websites I have never seen a single conversation about. It's these YouTubers that need to make content that help these silly narratives sail along the social media hellscape. No one cares.

I do remember seeing the few straight from the camera guys which is always kind of noble, back in the days. Some people really take heart in it and that's fine. But once you start getting into real photographers do this or that then you have the opportunity for conversational shenanigans.

For my own purposes all I do is look for solutions. For my clients I look for solutions whether it's design, or photography.

Otherwise, I'm not sure why people waste time on YouTube videos that have nothing to do with them. If I was in the conversation with a photographer that stated this or that gospel, you either agree, or you disagree and keep it moving. A good sandwich is genuinely way more interesting than this whole silly topic.

These kind of videos are the equivalent of influencers crying about shopping. Oh well for all those interested you can enjoy but really who cares.

Thx my 2c