As photographers, we all have our strengths and weaknesses. But there’s one disadvantage that almost every photographer has in common.

Remember the Nikon D600? It's a great camera other than the fact that the shutter would spray oil all over the sensor. The oil can't easily be seen at wide open apertures but it's a major problem when you stop down. Due to a class action lawsuit Nikon is replacing D600s with new D610... For some people.

One of those most important parts of any portrait sessions is what happens after the shoot is over. In the last part of this series I want to talk a bit about the end of your photo session, and how you can ensure you have a happy client that will not only come back for more but will tell their friends how awesome the experience was. Almost every day I get a call from someone asking me to advertise on Google. I simply reply “no thank you” as I don’t feel that Google can compete with word of mouth. As I have mentioned in first part of this series, word of mouth is one of the most powerful advertising weapons you have, with the ability to grow your business exponentially. This will be a bit different for everyone, but I think you can take this and apply it to any type of photography session you do.

I owe a lot of the success I’ve had in my career to the critique I’ve had from other photographers. Since specializing though, I’ve had to unlearn many of those lessons. Specializing has proven to me that critiques from photographers are often wrong.

Long exposure photography is a powerful technique in landscape photography, allowing you to capture the smooth, dynamic movement of clouds and water while keeping stationary elements sharp. One challenge we often face is dealing with moving subjects, such as boats, which can result in blurred images if not properly stabilized. Ensuring the stability of boats is crucial to achieving sharp, high-quality long exposures.

Let's address the elephant in the room right off the bat, this monitor is absolutely massive. I have a fairly large desk and plenty of space at home to house this beast but it still seems large when viewing in the open. Though, it really comes down to how well it feels when working on it. To be blunt, it feels freaking amazing.

This month we teamed up with SLR Lounge and Kelly Moore for an awesome Facebook Fan giveaway. With an overwheleming number of entries, I'd say this contest was even more successful than last month's. Without further adieu the winner of this month's Facebook Fan contest is....

In my old hometown of Houston, Texas, residents and officials are assessing the damage left in the wake of Hurricane Harvey which has left entire highways underwater, small towns decimated, and approximately 30,000 people evacuated. When a tragedy like this happens in our own backyard, we have a plethora of photographers to thank for capturing the aftermath. Erin Trieb is a Texas native who lives in Turkey but happened to be visiting family in Houston when Hurricane Harvey hit. Trieb has a history of documenting trauma left by war and conflict in the Middle East due to her role as a conflict photographer for National Geographic.

Earlier today, we posted about Target forgoing the use of Photoshop in their latest ad campaign, when one of our eagle-eyed readers pointed out that it may not be true that Target went Photoshop-free, which would not be the first time the company was caught in such a fiasco.

When it comes to deciding how good a particular image is, there are three aspects that I think are most important: composition, lighting, and colors. These three properties could be described as the technical attributes of an image. There are those who have compared this image to The Birth of Venus and the Virgin Mary, based on a number of styling choices, one can see some similarities.

Photographers — myself included — love using wide-open apertures of fast glass. If we need something more in focus than that can offer, we'll use around the sweet spot of the lens, or from f/8 to f/11. But what about all the apertures in between?

As a headshot and portrait photographer, I'm always looking to streamline my process and create consistent results for my clients. With that in mind I want to share with you my "bread and butter," super-simple setup I've been using for the last two years.