Dave Dugdale of LearningDSLRVideo.com just published this great demonstration of the differences between recording video in raw and H.264 formats using Canon DSLRs and free Magic Lantern firmware. The difference is pretty astounding to me, as someone who has only ever shot video in H.264.
A recent spate of camera purchases has indeed improved my photographic skill, but perhaps not in the way you may be thinking.
In what is sure to be another blow to DSLR users, Canon is now rumored to be ending some of its more prominent lines, including the high-megapixel 5DS and 5DS R and its hugely popular 7D line.
Back in the day (not all that long ago, in fact), the only memory cards you would find in a “pro”-level camera were Compact Flash. That all changed as SD cards started to get faster and faster. Speeds up to 95 MB/s were great for emptying out the buffer on machine-gun mode and writing 1080p footage, which meant that space in the bodies could be used for other things. These cards were great. You could dump 64 GB of images while you watched the evening news. Then came along UHS-II cards, and if you’re not using them yet, you should definitely add them to you list next time you're upgrading cards.
As the artificial intelligence race intensifies among photography software companies, Boris FX is filling a completely different niche with their editing software Optics. With their latest release, Optics users now have access to their powerful Particle Illusion generator, which can create thousands of useful emitters like explosions, smoke, fire, and other particle effects. Today, we take a look at the new Optics 2022 release which is available as a plugin for both Photoshop and Lightroom, as well as a standalone application.
Last week we saw a few news worthy announcements from a couple of the larger photography portals. Livebooks went dark from their clients until the announcement was made that they are now under Wedding Wire and PhotoShelter released their new Beam portfolio service. It seemed fitting that a post be put together to compare and contrast a handful of the larger services and find out which are best suited for photographers needs.
I don’t often post about new gear on Fstoppers, but today I’m posting about an announcement Canon made a few days ago that kind of slipped under the radar. This week Canon unveiled it’s first 4K video production monitor, the very unsexy-sounding 'DP-V3010'. While no pricing information has yet been released, it’s due to go on sale first quarter 2014. Why should we care? Because it clearly lays a stake in the ground over what the future of video (and quite possibly stills) is shaping up to look like.
Style. The idea of finding your own voice and style has become an intricate part of growing as a photographer and differentiating yourself from the competition. It's not only a way to get work, but a way to be remembered in a field of talented artists. But, as a portrait photographer, I find that my need to make a signature image sometimes gets in the way of capturing the human being in front of me. I'm so concerned about making the image "cool" that it's almost as if the person in front of the camera doesn't matter. Today, that ends (I hope).
Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.
Almost four years ago I began a new journey in my photography career. At the time I was still bartending part-time and concentrating on building the headshot side of my business, when hospitality photography came and slapped me upside the head. As it goes with most other good things, it all started over a few drinks with a friend, and has spiraled into a full second stream of income from photography.
Let’s talk about the newest software from Skylum called Luminar AI, editing software that is powered by AI technology.
Photographers are creative entrepreneurs. As creative entrepreneurs, most of us aspire to monetize our craft and make a living as artists. In order to run our businesses efficiently, it’s important to have tools and systems in place. If you’re a single person operation, it can be overwhelming at times to think about all the things that go into running your business that aren’t “photography,” including but not limited to marketing, bidding, invoicing, making phone calls, sending emails, networking, upgrading equipment, and higher education to name just a few. Without systems, it’s easy to get off track.
Exactly one year ago today MagMod flash modifiers launched their first Kickstarter project and quickly became a household name in the photo community. Photographers all over the world enjoyed the slick design, ease of use and ability to modify light from their flash using the MagMod grids and gels. Today, MagMod launched a new Kickstarter project introducing their new MagSphere and MagBounce flash diffusers.
In 2019, every camera on the market, from action cameras, to 360 cameras, to Interchangeable lens cameras, has WiFi. Unfortunately, that means that every camera requires its own app to make work wirelessly.
The wide-angle lens is very well known to be “the” landscape photography lens. That being said, it can be a little hard to figure out how to use it in the beginning. Here are five tips.
Were you wanting to do some HDR work in Luminar Neo? It's about to be offered as a paid extension. HDR Merge compiles multiple exposure-bracketed images into a single HDR image. It can merge up to 10 photos and deliver an increased level of color enhancement, making the final result look as close as possible to what the eye sees. HDR Merge is scheduled to be released on July 28, and the preorder starts today.
In a dramatic scene from "Interstellar," the space crew was nearly overcome by a massive wave on a distant planet. Take a look behind the scenes to see the filmmakers and actor Wes Bentley discuss the lighting and composite work required to produce this daunting visual effect.
As a professional photographer, I use quite a lot of different gear to make my photographs, from cameras to lenses, to tethering stations and solid state drives, and lights. In this series of articles, I will tell you exactly what gear I use and why, starting off with cameras and lenses.
Researchers from Saarland University in Saarbrücken, Germany have proposed quite an awesome attachment for the standard DSLR that would bring the power of a Lytro and more to the cameras already in the marketplace. Their design proposes a configurable, removable camera add-on for high dynamic range, multispectral, polarization, and light-field imaging called the KaleidoCam. And it works.
Sony is said to be releasing six new E mount lenses in the next 12 months. Given the size and quality of the range of Sony glass, what do you want and what do you expect? And what do the likes of Tamron, Zeiss, Sigma, and Rokinon/Samyang have planned?
The Nokia Lumia 1020 was met with a lot of skepticism, and sparked yet another battle in the megapixel war. But for a cell phone, it's hard to deny that the photos look pretty darn good. Now when you think of National Geographic you think of incredible photographs of rarely seen places and people.
Phottix has been steadily working its way up the ladder when it comes to reliable and affordable photography equipment. Much like Yongnuo, Phottix started in the marketplace as somewhat unreliable, but in recent years has done a lot to turn that around. Introduced a few months ago, the Phottix Luna collapsible beauty dish caught many an eye as a perfect answer for beauty lighting on the go. But the question remained: does it produce the same results as a real beauty dish?
Photography's expensive. Bodies, lenses, filters, software: it all adds up. But what about tripods? Do you really need to spend big on them to get what you want?
Sony's 50-megapixel sensor found in the latest 645 medium format digital CMOS bodies brought such cameras down in price considerably for the first time while extending ISO usability to the more DSLR-normal ISO 6,400. Today's announcement brings a new iteration of that technology in the form of the IQ3 100MP, also in a CMOS flavor. Although the resolution is doubled (and file size is quadrupled), Phase One also managed to pull out an extra stop of ISO performance on both ends of the spectrum, which now goes from ISO 50–12,800. Dynamic range also increases a stop over other models to 15 stops.
A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.
If you use screw-in lens filters, sooner or later, you may end up with a stuck lens filter that refuses to come off. Have no fear, though: here are 10 ways to remove that stuck lens filter.
The guys over PHLEARN have a lot of cool content, and this is their most recent. The original idea for this photo shoot was inspired by childhood, drawing on references from stories such as “Where the Wild Things Are” by Maurice Sendak and the classic comic strip “Calvin and Hobbes." The result is a playful look at the imagination of a child.
A small team based in Melbourne, Australia wants to change how you view your studio lights. They say their new invention, the LED Light cube, offers answers to age-old problems. Their Cube has no recycle time, better control over light output and no external battery packs. Due to The LED Light Cube using an LED model rather than a filament, the Cube can just as easily double as a video light as well as a flash. Sounds cool right?
While browsing through various photo-sharing platforms, you might get the impression that everything has already been photographed. After all, millions of photos get uploaded each day to Instagram alone. But if you take a closer look, you'll see a lot of repetition. Many photos show the same places, the same compositions, and often similar light and editing. Even today, it's possible to discover new photo spots. In this article, I show you my favorite way to do so.
For the last seven years, our video tutorials have taught the Fstoppers community how to take better pictures. Our latest tutorial, Making Real Money: The Business Of Commercial Photography, is the opposite of that. In fact, there isn't a camera or lens in the entire 14-hours of video. But, I believe it's the most valuable tutorial we've ever made.
