One of the most overlooked, yet most used items in a photographer's arsenal, is the grip kit. A grip kit isn't something most photographers set out to buy, build, or assemble, it's generally born from necessity. Over the years we find ourselves on jobs needing certain things that we don't have readily available and we end up improvising to get the job done. Usually we make a mental note of how we can be more prepared in the future, which often times leads to adding small "grip" items to our pack list. When we collect enough of these items, they typically make their way into some sort of crate, bag, or box also known as a grip kit.

Today, we're going to discuss how dodging and burning can improve your photos and show you how easy it is in Capture One 20.

When it comes to versatility and performance, the Fujifilm XF 18-55mm f/2.8-4 R LM OIS Lens is an excellent choice. Available as part of a kit or sold individually, this lens performs exceedingly well. Although there are other lenses with a similar focal range for the X-mount system, and great ones at that, this lens should not be dismissed as merely a kit lens, as it produces some great results.

For most beginners, distinguishing hues, or noticing over saturated areas, can be an issue. Even some most advanced retouchers still have problems color correcting their images. Reaching the point where our eyes see colors properly takes time and a lot of practice. Fortunately enough, visual help layers in Photoshop can aid us separate luminosity, hue, and saturation. In this article, I will show you how to isolate the latter two to facilitate your color correction.

I get it. You can’t pay the bills by photographing clients for free, or in most cases for exposure. There are definitely ways of turning exposure into monetary compensation however, that most creatives gloss over. Here are three ways of turning exposure into dollars, just by asking some simple questions to your client.

Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things. So how do we overcome this?

It’s officially hot outside in my neck of the woods, but that doesn't mean I can to take a break from shooting outside! I still have to sweat it out, hauling my gear around from location to location and that means my clients have to feel the sting of the summer heat as well. Although it’s steaming out, I don’t want my images to look like they were taken inside the nearest oven set to broil. Thankfully, there is a super quick and easy way to fix those heat flushed skin tones.

Before today’s launch of the Sony a7R IV in the U.S., I had the opportunity to use the new 61-megapixel camera on a few occasions. Ultimately, these hands-on experiences led me to purchasing it for animal photography and in this article I list a few reasons behind the decision.

Remember the Nikon D600? It's a great camera other than the fact that the shutter would spray oil all over the sensor. The oil can't easily be seen at wide open apertures but it's a major problem when you stop down. Due to a class action lawsuit Nikon is replacing D600s with new D610... For some people.

The new iMac is here, and of course, it’s sporting the fancy new M1 processor that’s inside everything Apple these days. That’s great news all around, but I have a feeling that Apple’s got something even bigger up its sleeve for the real creative set.

I owe a lot of the success I’ve had in my career to the critique I’ve had from other photographers. Since specializing though, I’ve had to unlearn many of those lessons. Specializing has proven to me that critiques from photographers are often wrong.

Long exposure photography is a powerful technique in landscape photography, allowing you to capture the smooth, dynamic movement of clouds and water while keeping stationary elements sharp. One challenge we often face is dealing with moving subjects, such as boats, which can result in blurred images if not properly stabilized. Ensuring the stability of boats is crucial to achieving sharp, high-quality long exposures.

Canon's mirrorless lenses have been esoteric, exquisite, and... expensive. While they're certainly spectacular pieces of glass, some photographers have been waiting for the more standard workhorses to come along. The good news is that they are on their way quite soon.