Tamron may be eyeing an ambitious new lens: a 200–800mm ultra-telephoto zoom for mirrorless cameras. A recently published patent in Japan reveals optical designs for a Tamron 200-800mm f/6.7 lens, as well as a companion 200-600mm f/5.6 design.
Patrick Hall sits down with macro photographer Andres Moline to discuss 15 of the top-rated macro shots on the Fstoppers community.
We've talked about this before on Fstoppers, but there still seems to be some debate about lens compression. Let's dive a little deeper into perspective distortion.
Are you looking to buy a new camera this year? Perhaps you are hoping that the holiday season will bring you a fantastic new camera as a gift. I bet you already know which camera you would like to have next. But what is wrong with your current camera?
My career as an elitist prime glass snob has come to an end after real-world professional work using an unexpected lens choice showed me the error of my ways.
With a world full of options, why might you choose a cinema camera instead of opting for a mirrorless camera for video productions?
Being a Nikon DSLR landscape photographer who is anticipating the foreseeable demise of said cameras, I have been curious about the Nikon Z 7II. I wanted to see how one of these lighter, smaller mirrorless cameras functioned not only for landscapes but as a travel setup. Here are my initial thoughts.
I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.
Do medium format cameras have a specific look? Do Micro 4/3 camera take horrible still photos? You tell me.
I have been very vocal about phones never being able to replace cameras for professional work. But, as photographers, we also indulge in casual photography of things that simply look good. I looked for a camera for such work for the past two years now, and now I found one. It is the unlikely star: iPhone 14 Pro.
Every year, I compare the new iPhone to my professional camera, the Canon R5. Last year's iPhone 15 Pro had lackluster results, but I can confidently say this year's iPhone 16 Pro has much more to talk about, including a "secret" update that completely blew me away.
During the pandemic, I did some gear juggling. I'm a little embarrassed to admit I changed systems twice in the space of 12 months and even more so about the reasons I made the second switch – but I learned some surprising lessons along the way.
After weeks of rumors and speculation, Canon has finally confirmed that the megapixel monster known as the 5Ds/5Ds R is real, and coming to stores here soon. Boasting 50.6MP full frame sensor, Canon has surpassed Nikon and Sony, offering us the highest resolution to date for a DSLR camera system. Alongside the new cameras, is the 11-24mm f/4L, finally bringing an updated ultra wide angle to the Canon lineup.
Please stop tagging the exact location of your outdoor photographs.
One of the most trying experiences I've had since becoming a photographer has been coming to terms with the fact that there are places in our county where, quite simply, we are not allowed to take photos. Now, I’m not talking about setting up hundred-person movie sets complete with production vans and craft services tables, nor do I mean shooting on private property, sacred land, and/or Area 51-type secret military bases...
In the last few years, Canon has released some rather innovative lenses that push the boundaries of optical design and allow photographer capabilities not previously possible. It seems that philosophy is not just being applied to lenses, however, as another clever device is likely on the way in the coming months.
While the ports on modern laptops are enough for most users, photographers and filmmakers have much higher connectivity demands than the average person. A portable hub can be a lifesaver for a creative on the go. In this review, we take a look at the Anker 555 USB-C 8-in-1 Hub and if it can provide both the ports and performance a demanding workflow requires.
Full-frame cameras are superior to the crop sensor ones. There's no doubt. Most of the professional photographers out there are making a living with full-frame bodies and thus those cameras are considered professional. What if you shoot with smaller sensor cameras? Let me share my own story.
Have you ever considered using a phone for a professional project? I hadn’t but I was pleasantly surprised by what the vivo X70 Pro+ phone was capable of. Sure, it has all the technical specs with an imaging system co-engineered with ZEISS and their color correction technology built-in, but what was it like to shoot with?
Hopefully you already know this but, concert lasers will kill your camera. They are bad for your eyes and equally so for your lovely camera sensor. This isn't a random unlikely occurrence. It will happen every time, to any camera with a digital sensor. It doesn't even matter how high-quality your gear is as evidenced by the above video from a once lovely RED Epic.
Until recently, the last time I shot an entire roll of film was on a Canon EOS 5, sometime in the mid-2000s. Last month, I put a roll of black-and-white film through my mother’s old Olympus Trip 35, and the results sparked some strong emotions.
Videographer and photographer Daan van de Westelaken was on a quest to find the perfect camera app for his iPhone. It's one thing to have all the features you want, but it's another thing to also not have the features you don't. Frustrated, he created his own, and after using it for almost a week, I'm hooked. It's certainly a tour de Force Touch.
Many photographers struggle with creating a pure white background in camera, but it is an essential skill that all of us must master. The good news is that it’s relatively easy to do with the right setup. In this article and the accompanying video, I detail my method for creating a pleasing white background on camera.
A new “trend” seems to have rolled into the photography world. What is this trend? It’s called the “morning after” wedding photography session, and to me it's a little absurd.
A few years ago, a lot of photographers were a bit frustrated by Canon's seeming lack of desire to push the technological envelope and often arbitrary handicapping of camera feature sets. Fast-forward to 2020, and suddenly, Canon is an entirely different company.
A few years ago, Adobe moved to a subscription model for their Creative Suite, a decision that was fraught with controversy, particularly since many creatives felt it was a money grab. If you prefer to work with software that is either free or that only requires a one-time payment, here are some great alternatives.
Today, Adobe released version 2015.4/6.4 of Lightroom, which adds support for many new cameras and lenses, speeds up performance, and introduces an intriguing new feature: Boundary Warp.
One woman has revealed details of how her quest of acquiring a large Instagram following left her in $10,000 of debt.
The Fujifilm X-Pro1 has become something of a cult classic. Released in March of 2012, the camera was an immediate hit with photographers due to its aesthetics and outstanding image quality. I picked one up used a few years ago, and it quickly became my favorite take-along camera. As it nears one decade on the market, here are 10 reasons to love the X-Pro1 — 10 years later.
You've photographed a commercial client, they select several images, but want all the unedited versions for a symbolic price. Obviously, you did a good job at shooting, but what about the negotiations in that case?
